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1. We protect the creators and their independence from limits or rules imposed by the industry. 

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2. We also protect the listener by offering the work of creators without any information that can alter or taint a pure listening experience.

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3. Innovation is not the goal. The goal is to grant the creator and the listener total freedom. However, innovation can be a positive side-effect of creating in an environment of total freedom.

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4. The use of words to describe or define music is a senseless task. Most of the time the intention of descriptive text is not to shed light on the work of the artist, but rather to serve as a promotional tool to drive sales and increase recognition. This often has the unfortunate result of limiting the creator and his work and we do not accept this imposition of the industry.

 

5.  Today, music or audio can be made available for listening without the need for explanatory text or any additional information about its creator.

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6. This manifesto is created with the absolute certainty that there is an audience fully capable of discerning what music they want to acquire for their personal enjoyment without any superfluous contextual information other than what is provided by the music itself.

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7. The music industry is based on labels, names, scenes and genres. The current boundaries are imposed by an industry that was created with the sole purpose of selling massive amounts of copies of an artist's work. Categorisation facilitates sales because it identifies or creates markets that can cater to a supply and demand model. It also imposes limits. Our goal is not to sell records and it is definitely not to enforce restraints. Our objective is to provide a safe, creative and completely anonymous platform for artists who want to share their work through a new paradigm. Selling records is a positive side-effect which ensures that the artist's music reaches the right ears.

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8. The music for The Other People Place, is music created by people who do not need presentation or information about them or their work.

 

9. The music for The Other People Place is music created for people who do not need presentation or information about the artist or his work.

 

10. The music for The Other People Place is independent art aiming to inspire true underground evolution. It is music for the sake of music.

Music for The Other People Place

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FE 013 from Phantom Structures On FE soon

D1 Idiom CS 320kbps Mp3 MASTER

Tala Drum Corps - Parade [Mini-LP]

Vinyl: https://clone.nl/item55835.html
Digital: https://bakk.bandcamp.com/album/parade

Originally hailing from the Dutch eastern border, Utrecht-based producer Tala Drum Corps (real name Tijmen Lohmeijer) provides BAKK six tracks where his love for futurism and nostalgia collides. Coming from an adolescence of modern dance, Lohmeijer continually seeks a sense of bodily movement in his work - an elementary scenic approach that stems from an urge to bring imagination into life. Ditching outer ends where club tracks are often approached too seriously or ironic, this mini-album takes on another route that feels mature while simultaneously oozing a child-like joy. 

On Parade, the listener strolls along a shimmering motley landscape.

Slowly slipping away in a crystal vortex via its vocal, ’Clear Fall’ shows the art of juxtaposition when its panning drums propel the track straight against its own gravity. Setting the tone for exploration, ’Refraction-S’ provide calm pace with its crisp gridlocked snares and melodic sonar pulses. Continuing a path of hypnotism, the album takes a deep plunge with ‘Lake Technium’ - whose rolling acid line hints to the essence of rave without obvious tendencies. On the flip side, ‘Frog Marches’ recalls emotions strongly akin to the LP opener, but walking a darker introvert thread. Spacious drum programming flutters around a haunting ambience on ’Sp00n’ - showcasing Lohmeijer’s ability to create intricate ear-worm structures. The producer offers an energetic closure with the break-inspired club tool ‘Modernity (Poisoned)’. 

All in all, Parade makes up a multifaceted play that appreciates sonic aesthetics of the recent past but re-appropriates those in a daring and dreamy context.

A1 — Clear Fall
A2 — Refraction-S
A3 — Lake Technium
B1 — Frog Marches
B2 — Sp00n
B3 — Modernity (Poisoned)

@taladrumcorps

Text: Luke Cohlen (@lukecohlen)

Parade

BAKK014 | Tala Drum Corps – Parade

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Lost Trax - Surface Treated - Delsin Records - 139dsr

a1. De Laye
a2. Surface Treated
b1. Interstate (Halfway Home Mix)
b2. Still

https://www.delsinrecords.com/release/6495
https://losttrax.bandcamp.com/album/surface-treated

Unknown collective Lost Trax return for a third EP on Delsin following two previous outings since 2017. Also releasing on the likes of Tabernacle and Frustrated Funk, they deal in emotional music that comes direct from the heart and heads straight for the dance floor.

'De Laye' is a quick and slick, deep and dubby techno cut with plenty of room for the twisted bassline and busy, bristling drums. 'Surface Treated' trips you out with sci-fi sounds and electro influences that recall classic Detroit as they surge into the future and 'Interstate' then gets perfectly dreamy and far sighted, with thoughtful chords and keys drifting up top about tight, punchy drums. This most serene and sublime EP ends on 'Still', a crisp electro cut with icy keys and plenty of machine made drum funk. It makes for a most stylish and timeless collection overall.

Surface Treated (139dsr)

Buy @ Delsin Shop

Lost Trax - Surface Treated EP (139DSR)

Bueno Aires-based producer Cándido filters Latin freestyle through the European school of EBM and techno.

The 'Dupla Rítmica EP' is out October 14th on Banlieue Records.

Pre-order: bit.ly/2obzREq

@banlieuerecords

Dupla Rítmica EP

Premiere: Cándido - Shaktiman [Banlieue Records]

Late Night Approach show their diversity by launching their side project simply called LNA. their love for IDM, broken beat and jungle comes full circle on this powerful EP. 4 UK influenced slamming steppers for all the dedicated ravers out there!

DollyDubs8 LNA - Barefoot Agna Serra Venerdì Preview

Artist: KGIV (@israel-vines & @kit-geary)
Title: Regulatory Capture EP
Label: Eye Teeth
Catalog: Teeth-8
Formats: Vinyl & Digital
Release Date: February 24, 2020

A1 Regulatory Capture
A2 Morgan
B1 Blue Octavo

Interdimensional Transmissions’ techno sublabel Eye Teeth relaunches with a fresh series of releases featuring the solo and related works of Israel Vines — a fresh KGIV 12", an EP of remixes, and his debut LP. The triptych begins with the stellar “Regulatory Capture EP" — a collaborative effort from Vines and Chicago artist Kit Geary presenting their third release under the KGIV guise. Here we find them exploring new ways to own and expand the current style of techno and breakbeat fusion in the title track “Regulatory Capture”, while the chthonic "Morgan" twists distorted vocals and synth lines over a bass heavy foundation built to put the sound systems through their paces. "Blue Octavo" extends their evolving ideas into melodic territory, closing the EP out in a deep and refreshing fashion. Don’t sleep — this release is pure power.

Regulatory Capture EP

KGIV - Regulatory Capture EP [TEETH-8]

The second ep from Stark on Ourtime. Cosmic transmissions straight from the basement. All tracks recorded 2018/2019, vinyl due spring 2020.

A1) Balance
B1) Spatial Density Waves
B2) Internal Voyage
B3) Salford Skyline

Written and produced by Stark

OUR006 - Stark - Balance EP (Forthcoming, Spring 2020)

The Coke Machine (Mix 4 UTTU)

Artist: https://soundcloud.com/ashyl-music, https://soundcloud.com/clery-vernacular
Track : Ruthless
Label : https://soundcloud.com/vernacularmusic
Format : 12" Vinyl, Digital
Release date : 22/01/21
Purchase : https://vernacularrecords.bandcamp.com/

Vernacular Records is proud to announce the launch of a new series called “Vernacular Fields”. In this series, label worked with an Armenian photographer, Sarkis Torossian, who did the visuals. His work is not only about developing analogue photos of landscapes, there is whole transforming process of the image afterwards.
After developing, he digitalises the picture and modifies it to realise, by hand, monochromic prints on a drawing paper. 
The outcome is a unique visual on every print, worthy of a numerical paint. “Vernacular Fields” is about the work of a physical object on small series. The EP with a visual by Sarkis in a 10” format, a USB stick with the release and a digital file of the artwork, all inserted in a 10” vinyl cover. This will be limited to 20 editions, the EP will also be available in digital format.
In terms of music, the format is a 4 titles EP including a featuring with another Vernacular Records resident. This first series is opened by our resident Ashyl called “Polar Lights”. 4 tracks of “Epic Breakbeat”, thought as a journey around his universe, it includes a feat. With label resident Clery.

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