A short little demo piece from 2006 using the Yamaha TG55, the module version of the SY55, which I preferred. It sure was a handy, and inexpensive little box though, and great for combing with other synths. This is it all alone, and the unlike most of what I play where I like to make my own sounds (much better at that than actually playing), this is one of the preset sounds. #SoundCloud ☁️

Five by Five

Five by Five 𝟓 x 𝟓 (Yamaha TG55 Synthesizer MIDI Module, Recorded in 2006).

the variations of Daniele Varelli on a base track by Marco Lucchi

Daniele Varelli & Marco Lucchi - wallpaper music n*1 [variations]

in the loop.m4a

Initially a recording of my noisy fridge and the street outside, hoping to draw a beat from the rain and passing cars. Cheated with edits, phasers and tremolo.

Melody by telecaster, fretless bass and grand piano.
--

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at: https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. More details at: https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Dies ist das dritte und letzte Projekt in Zusammenarbeit mit dem Musikfestival Bern 2019, welches vom 11.-15. September stattfindet. Wir arbeiten auf Einladung von Tobias Reber, einem frühen Junto-Teilnehmer und Verantwortlicher für die Musikvermittlung beim Festival. Ausgewählte Resultate dieser Projekte werden im Rahmen des Festivals im Rauschlabor Schützenmatte (https://www.musikfestivalbern.ch) öffentlich gespielt oder auf dem Festtivalradio, Radio Antenne (www.radioantenne.ch), ausgestrahlt werden. Falls du nicht möchtest, dass dein Stück dafür verwendet wird, dann vermerke dies bitte wenn du es veröffentlichst.

Misericordia (Disquiet0401)

This track came about from a lyric in the song 'Me and Bobby McGee' about "windshield wipers slappin' time". That was the basis of the rhythm which was augmented with percussion tapped out on an acoustic guitar and loosely inspired by Steve Gadd's drumming on '50 ways to leave your lover.' The whole thing wasn't completely unoriginal - the piano and chordal background came from an unsuccessful attempt at another piece which was stretched and repurposed. The clarinet melody is an original length, which means the emphases in the melody fall in different places with each iteration. Finally the melody is processed to sound as if it is mediated by different technologies to reinforce the slight theme of nostalgia. These technologies move through time from AM radio to vinyl to data-compressed digital.

patterns and accidents vol 1

on our way home

Tiefblau und Unendlich weit

Tiefblau Und Unendlich Weit

7Oct20

Experimenting with Ingvar's tracks, Project 3 - Octobre - Invitation & Project 4 - Octobre - Invitation
https://soundcloud.com/agnosturaelwar/project-3-octobre-invitation
https://soundcloud.com/agnosturaelwar/project-4-octobre-invitation
:D

Octobre 7th [Agnostura Elwar / Boson Spin Collab]

Dararat Chemnasiri: alto sax
Bruno Gussoni: shakuhachi
King Imagine - electronics, bell, tortured piano, strings tutti, violin flagelettes, composition
Dirk Wachtelaer: drums

Any Time

Repose

Reflection

a rework from Simon McCorry of "piano patterns" n°9 by Marco Lucchi

for "piano patterns" vol. 2, a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns-vol-2

gennaio 2021

Simon McCorry - Clouds of Probability (from piano patterns n°9 by Marco Lucchi)

'Piano Patterns n.16' by https://soundcloud.com/marcolucchi
Sonopoetry and mixing by https://soundcloud.com/ilaria_boffa
Pic by IB: Naxos 2018, Portara Temple of Apollo

Three Movements for Solo Mind 
(poem by IB from About Sounds About Us)
I.
In the realm of the mind
the smallest degrees of possibility
are not discrete, they stand continuous.

II.
There are absences that
break and sever, for certain objects 
are untouchable, intangible.

If you are not, I do not exist.

III.
Birds will be ready soon
upon the field.
Migrating is the promise of return.

They burnt our homeland down. 
We flew away.

(Italian)
I.
Nel regno della mente
i più piccoli gradi di possibilità
non sono discreti, appaiono continui.

II.
Ci sono assenze che
spezzano e recidono, alcuni oggetti 
sono intoccabili, intangibili.

Se tu non sei, io non esisto.

III.
Gli uccelli si stanno preparando 
nel campo.
la migrazione è promessa di ritorno.

Hanno bruciato la nostra terra. 
Siamo volati via.

3 Movements For Solo Mind On Piano Patterns N°16 (M.Lucchi&I.Boffa)

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

Simon McCorry - Clouds of Probability (from piano patterns n°9 by Marco Lucchi)

Orchestra Eclettica Sincretista

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