Name: Beatamines, Mirco Niemeier, Ektschn! — No More Maybe by Tâlâr
Duration: 7 min 1 s
Description: One of my favorites as of late. Support the artist and buy the track!

Finally out on march the 14th via LIKE records

David Hasert & Matteo Luis - Mekaela

Daniel Bortz Feat Nils Corssen - the Misery (nu And Pauli Vs Acid Remix)

Beatport: btprt.dj/1n7lyHq
Cd copy: amzn.to/1vs0fAV
iTunes: itunes.apple.com/de/album/id884996922

Blossomdust between blades of grass. One foot in the sand, the other in the ocean. Summer is back and Einmusika has the right sound for you with the „Bella Mar“ compilation. 10 tracks full of warm melodies, hot basslines and dreamy vocals are on it and each one is fresh and suprising independent. 

Not only well known Einmusika members like Arjuna Schiks, Jonas Saalbach & Tschoris, Piek, Pysh and Einmusik himself tried to draw a picture of these special moments after a cold winter and a rainy spring. More colour, less black and white comes also from Leevey, Sebastian Klausing, Midas 104, Fabian Schumann & Black Vel and David Jach. 

„Bella Mar“ will be also available as Dj Mix, out 7th July. 

Buy CD here!

Midas 104 feat. Graciano Music - Horus

Did a retake on Pizeta's Remedios together with Ramon. We stumbled on a little sunrise vibe :)

Pizeta - Remedios (Ramon Tapia & Stavroz Remix)

Altered View, aka Johnny Area and Johnny Midnight, conceived this project deep in secluded UK woodland back during the pandemic lockdowns. It fuses electronic music with dark disco, post-punk, dub, and psychedelic influences, with plenty of otherworldly magic. Their last EP, ‘Taken From The Outer Realm’, came on this label in November 2023 and is now backed up with another alluring four-tracker.

The fantastic 'For Now' kicks off with shimmering synth lines over snappy chug-disco drums. Sleazy vocals coated in layers of grime add some menace to the low-slung bass, while filthy guitar riffs and acidic details further heighten the trip. 'We Come We See We Fall' has another crisp kick and snare combo and is run through with a warbling bassline and topped with some twinkling cosmic synth lines that will go down a storm with lovers of ALFOS. 'This Is Our Time' has jangling chords that recall the beautiful melancholy of The Cure over rugged drums and aloof vocal musings coated in tones of echo and reverb. 'Lost Inside' picks up the pace with faster rhythms interlaced with pulsating synths, soot-black riffs and more abstract vocal musings, this time with some busy synth arps adding the final touches to a tripped-out gem.

Deadstock 33s is Justin Robertson, a long-time UK staple, acid house veteran, dark disco innovator and all-around musical wizard with an enviable discography. His remix of 'We Come We See We Fall' layers in extra heavy dub, plenty of melon-twisting reverb and pixelated synths that rain down to psychedelic effect as the snappy drums march on.

Altered View's This Robot Society EP lands on Kilsha on June 24th

https://soundcloud.com/altered-view-music
https://soundcloud.com/kilshamusic

This Robot Society

PREMIERE: Altered View - Lost Inside [Kilsha Music]

One of my favorites as of late. Support the artist and buy the track! 

Beatamines, Mirco Niemeier, Ektschn! — No More Maybe

Schlepp Geist - Stupid Guy (Sebo, Madmotormiquel, Nayan Soukie Remix) (192kbit)

On our premiere series today we have 'Playa Sunset' from Rey & Kjavik's debut 10 track album called 'Rkadash,' soon to be released on Katermukke. 'Rkadash' is an album with tracks that are of an Indian, east oriental nature with grandiose stretches. This is an album that represents Rey & Kjavik's personal journey that was triggered by his recent travels, one that takes its own time to develop its emotionality. 

'Rkadash' will be released by Katermukke on 7th July, 2017. 

Rey & Kjavik: @reyandkjavik || Katermukke: @katermukke

Getting Deeper: @getting-deeper || www.facebook.com/getting-deeper || www.gettingdeeper.com

Rkadash

Pre-order

Premiere: Rey & Kjavik - Playa Sunset (Katermukke)

https://www.beatport.com/track/hands-on-transparent-original-mix/10425069

NICONÉ . HANDS ON TRANSPARENT .THIS AND THAT

Time - Pachanga Boys (Gnaoua Boys edit)

Viken Arman - 'Addiction' EP out on Délicieuse Records.
Stream ☞ smarturl.it/VikenArmanAddiction

@vikenarman
@powel
@d-licieusemusique-records

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An artist of versatility and skill, Viken considers music to be foremost a mirror of his emotions, not limiting himself to a single musical universe. Since he was young, he’s explored all various types of musical styles which he’s merged, and composes based solely off his mood. His mastery of the piano, and an attained degree at music school, has supplied him with a formal background in musical culture, and an undeniable ease which has enabled him to develop artistic creations ranging from Jazz through music for films, classical works, up until electronic music which he’s been experimenting with for the past 13 years.

For this first release, Viken offers two pieces which borderline between minimal, electronica and deep house. Supported by the maintenance for a constant harmony, the rhythm throughout 'Nostalgie' and 'Addiction' is embellished with refined and magnificently crafted beats. When most come to a halt entering that which is unexplored and uncertain, Viken succeeds with brilliance : marrying coherence and traditional melodic charm, not to mention "symphonies" of clearly electronic-oriented beats composed from original and unique sounds. The influence of the ‘Greats’ in regards to contemporary music at a broad sense can easily be deciphered when listening to Viken’s work : names like Erik Satie and Acid Pauli come first to mind.

Berlin producer Nico Stojan, pillar to bar 25 and Germany’s deep/tech-house scene, took on his own spin to the title Addiction. What emerges is a dynamite version with immaculate percussions enhanced by a nonchalant bass.

The other title of the EP, ‘Nostalgie’ is remixed by another producer across the Rhine, Paul Chriske, aka Powel. Both ascending from Berlin’s deep-house scene, Paul has everything to become legendary : a signature sound recognizable amongst 100s, an experienced drummer, etc. From the remix emerges a complete reconfiguration of the track, centralized around the use of the piano. Powel totally reworks the bass, an atypical speciality done by the use of his ‘paw’, the captivating atmosphere he scatters throughout the track via sounds deriving straight from the depths of Berlin.

Beatamines, Mirco Niemeier, Ektschn! — No More Maybe

Tâlâr

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