Joyce Muniz Orignal Releases 
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Releases

Buy / Stream: https://ffm.to/keep-moving

T.U.R.F. return to Exploited following a fine run of form that has seen them release on legendary Parisian house producer Phil Week’s esteemed Robsoul label and on Slothboogie’s ‘Dancing With Friends Vol. 2’ compilation. They’ve also provided a remix for Tensnake’s album, found a lot of love on Traxsource and continue their show on Amsterdam’s Lovelee Radio. They’re back here with two no-nonsense tracks to fire up the dancefloor.

A typically chunky, galloping T.U.R.F. beat lays the foundation for looping disco bass and emotive strings to build the tension on ‘Keep Moving’, slowly teasing us with their full groove. A romantic string motif unfolds, bringing a bittersweet touch to this thumping disco house groover. Typically tasteful stuff from this talented duo.

‘Let The People Know’ takes a more heads-down route, with hard-funkin’ bass at the centre of this dancefloor bomb. Urgent vocal samples and sirens are drafted into the mix to keep things energetic, with driving percussion pushing the track along with a gentle sort of power.

Artist: T.U.R.F.
Release: Keep Moving
Label: Exploited
Cat: EXPDIGITAL229
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 22.04.2022
Releasedate Beatport & Streaming: 29.04.2022
Releasedate Global Download: 13.05.2022

Keep Moving

Let The People Know

Buy / Stream

T.U.R.F. - Let The People Know | Exploited

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Artists: Joyce Muniz, Fouk
Title: Mindcraft
Label: Pets Recordings
Release Date: 2021-11-05

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Mindcraft (Fouk Remix)

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Joyce Muniz - Mindcraft (Fouk Remix) [Pets Recordings] [MI4L.com]

Buy / Stream: https://ffm.to/joyce_muniz-balin-bali

Joyce Muniz returns to Exploited with a dark Italo slammer, produced alongside rising Mexican star, Theus Mago.
A beautifully slinky synth arpeggio bubbles away as a tight, lip-smacking beat builds and subtle robotic FX rub up against the groove. With no warning, a flurry of 8-bit melody cascades from the ether, playing haunting scales amidst a backdrop of cavernous reverb. Dramatic pads slice their way through the darkness, leading us towards a tense breakdown where pitched-up vocal cuts add a twisted flavour. The full assault of the 8-bit synths is felt at the drop, coming across like an intense video game battle sequence, with brooding sustained synth rasps swelling and pitch-bending for a final touch of intensity.

Artist: Joyce Muniz & Theus Mago
Release: Bali Bali
Label: Exploited
LC: 15799
Cat: EXPDIGITAL243
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 16.06.23
Release Date Streaming/Beatport: 23.06.23
Release Date Global Download: 07.07.23

Balin Bali

Joyce Muniz & Theus Mago - Balin Bali | Exploited

Buy: https://ffm.to/balin-bali-damon-jee-remix   

Joyce Muniz & Theus Mago’s feisty ‘Balin Bali’ Italo collaboration is a hot enough snack on its own, but with these two excellent new remixes it just got even tastier.

French producer and Jennifer Cardini collaborator Damon Jee steps up with an alternate Italo take on the original. The track builds slowly and with a moody edge as synths soar and snares hit hard over a chugging arpeggiated bassline, climaxing a dizzying breakdown which really gets the synapses firing. Slamming us back down into a sparse arrangement where that bassline rules all, the euphoria is snatched away from us suddenly in dramatic and very effective fashion.

Next up, Marvin & Guy up the tempo to a pacey house bounce and lay on some gentle electro textures. Shimmering stabs fizz atop a galloping beat as relentless bass waves undulate propulsively. The synths unfurl further in the breakdown before the time-stretched vocal announces the drop, where a heady crescendo awaits us. Synth flutes add a mystical edge next as the track steps back into a more hypnotic groove.

PREMIERE: Joyce Muniz, Theus Mago - Balin Bali (Damon Jee Remix)

Joyce Muniz's single 'In Der Nacht' taken from her latest album 'Zeitkapsel' gets an update for the dancefloor by Joyce herself.
Yet it’s pulsing electro strut – somewhere between 80s new wave and 2000s nu rave – and German-sung lyrics about the surreal, hypnagogic state connecting dreams and reality, tie together various formative influences Muniz re-explores on ‘Zeitkapsel – an album she wrote over lockdown while reflecting on the various facets of her career as a DJ, singer and MC, and producer.
Muniz moved to Vienna, Austria, in the mid-90s, and the larger than life aesthetic and tongue-in-cheek humour of hugely successful Austrian artists such as Falco, Supermax and EAV hangs large on ‘In Der Nacht’, which translates as ‘in the night’.
The lyrics arose spontaneously from an improvised session. Stylist, DJ, performer and queer activist Karl Michael, who also lives in Vienna, was in Berlin to share some new outfits with Muniz. But when she played him the track, saying she needed a rapper, the two set to work, recording Michael’s prosecco-fuelled musings on a phone.
With the stream-of-consciousness flow providing a hazy, playful edge to Muniz’s dark, melodic undertones, ‘In Der Nacht’ pays tribute to a rich vein of experimental, European, electronic pop. But it also echoes mid-2000s, when German electro house recast this heritage and Muniz was finding her feet as an artist in her own right.

Early Feedback:
Rampa: Thanks will check.
AME: Thanks.
Terr: Huge one.
Curses: Nice one for the clubs!
Darlyn Vlys: Great remix.
Phunkadelica: Bomba!
Alinka: Nice one.
Lehar: Thanks.

Artist: Joyce Muniz
Release: In Der Nacht Rework
Label: Joyce Muniz Music
Release Date: 13.10.23
Cat: JMM06

Support

Joyce Muniz -  In Der Nacht (Rework)

Joyce Muniz & Renato Cohen - No Haters

Buy/stream: https://kompakt.fm/releases/beats_lines_feat_sara_bluma_i_will_12

After the great response to the launch with Deer Jade and David Hasert/Niconé, our lively split EP format is going into the next round. Always true to the motto: Only killers, no fillers!

Brazilian born come Berlin resident Joyce Muniz teams up with Algerian born come Rome resident DJ producer Sara Bluma for their phenomenal Kompakt debut “Beats & Lines”, an uplifting electro disco affair with plenty of pop appeal. “I met Sara Bluma a year ago, when she booked me to play at one of her parties in Rome. We connected straight away. It was a matter of time that we decided to make some music together. I had this idea for a while, so I sent it to Sara and asked her if she would like to do some vocals. She came up with this great fun text. This tune interprets the energy from both of us. Which is supposed to be fun!“. Mission accomplished… The good vibes between Sara and Joyce are definitely contagious!

London’s Hardt Antoine is back to the mothership with a bang! “I Will” is a sensual, percussion-driven house anthem for those morning hours, when spirits are high and the sense of unity is palpable. “La Mosca” is taking a more hypnotic approach, putting a joyous chant of unknown origin to good use. Something tells us that 2024 will become a banner year for Antoine!

Beats & Lines Feat. Sara Bluma / I Will

Beats & Lines Feat. Sara Bluma

Joyce Muniz - Beats & Lines Feat. Sara Bluma

My contribution to the Solee contest for Futureromance. 
https://www.futureromance.de/ 
Vocals by Solee. Mix by Oli- thx ! 
https://soundcloud.com/der_pflanzer

Shanti Remix

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Artist: JP Posada & Manu Lopez Sound
Title: Aratum (Original Mix)
Release Date: 27/09/2024
Genre: Progressive House
Buy: https://www.beatport.com/release/aratum/4714925

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PREMIERE: JP Posada & Manu Lopez Sound - Aratum [Balkan Connection South America]

More information : bit.ly/2EtSKZP
Buy the EP : https://lnk.to/KWR010

[Premiere] Kristin Velvet - "High Ache"

Obsession

Kerbkrawler

“Earlier this year I had the great pleasure of releasing a debut album from a new artist called Meetsysteem. This is the remix EP of that album. A couple of years before that I found out Ricky (Meetsysteem) co-produced a couple of tracks I released, so I asked him for his own music. (Ricky is the kind of guy that just makes music on his own and will hardly ever talk about it unless you ask him). A year ago he finally sent me a couple of demos. There were a couple of house and minimal tracks and two pop tracks in the package. They were all great, but these two pop tracks really stood out. Turned out he had about 20 more of those weird poetic dutch pop songs. In the next 6 months we worked closely together to compile, edit, mix and master the tracks - to eventually release the album Geen Signaal last June. The album is completely different from anything we’ve released before. It’s been the most intense but also most rewarding record I’ve worked on so far. In contrast to the album, this remix EP was probably the easiest process for a release. All of it came together spontaneously. I’m super happy the originals inspired others to give their twist to it.”

Buy there : https://nousklaer.bandcamp.com/album/geen-signaal-remixes

Geen Signaal Remixes

LISTEN ON YOUTUBE

PREMIERE : Meetsysteem - In Heaven (Prins Thomas Diskomiks)

buy there : https://www.juno.co.uk/products/pitto-baila-baila-ep/770033-01 

Pitto is not one to flood the scene with new music considering he’s only released two ep’s in the last three years. He takes the time to let ideas evolve and it’s clearly noticeable on last year’s EP on ‘Something Happening Somewhere’ sublabel ‘Ooshaa’, where his feel for an almost poppy hook is perfectly combined with his love for darker electronics. On the ‘Baila baila EP’ –his return to Heist after his last ep in 2018- he explores this path further. The EP is filled with live percussion, a dark and rolling acid line, chopped beats and catchy piano riffs. The three originals are accompanied by a remix courtesy of Pete Herbert that has ‘summer’ written all over it.  
 Opening track ‘Sammie’ has a beautiful sense of melancholy to it, where an emotional piano riff is combined with some 80’s tinged vocals and loads of live percussive elements for a smile inducing experience. 
 ‘Discko’ takes a darker approach with a deep and ‘dubby’ low end and a guitar riff that wouldn’t be out of place on a Caribou track. The horn section and synth lead give it a real crossover appeal and it’s the kind of track you imagine working just as well on a summer festival as in a dark basement.  
 On the flip, there’s the title track ‘Baila’, a proto inspired acid stomper with a nice wink to early 90’s dance music vocals. An acid line gives the track its backbone, but it’s the combination of Pitto’s chords and instrumentation that give this track it’s unique edge.  
 The EP finishes off with Pete Herbert’s remix of ‘Sammie’. Pete’s version has that full-on summer appeal with his recognizable style of modern day island disco. He adds a bit of drama to the track with some big breakdowns, changeovers in the piano riff and turns the Balearic vibe up a notch with an added dreamy solo. 
We’re happy to have Pitto back on Heist and this unique and diverse EP is one we hope will create a lot of smiles on the dance floor in the coming months.

PREMIERE : Pitto - Sammie (Pete Herbert Remix)

Panthera Krause's latest and divinely titled album "It's a Business Doing Pleasure With You" is now a year old, but nonetheless still blissfully resonating. It is Mr. Krause's most accomplished and versatile work yet. So versatile actually, you'd have to be hella versatile yourself to remix that material. But the Riotvan headquarter still managed to gather a bunch of people with good prospects to live up to the job. And so they did. 
Find here an utmost pleasure providing remix package courtesy of: Rebolledo directing the arpeggio bliss of "Road To Arcadia" into even more club apt territories. Theo Kottis turning everybody's favorite "Birthday Club" into a more detailed and pad-saturated affair. Shubostar speeding up the rather downbeat Franko-Funk of "J'ai Envie De Toi" to a bassline-driven groove monster. Fango taking in all the atmospheric quirkiness of "Redo Rdid" and processing it into an odd, yet charming floor-heater. And finally Peter Invasion & Gregor Habicht finding a deeper and more bass dominated interpretation of "Sledge Hammer".

https://soundcloud.com/theokottis

www.riotvan.de
www.mutingthenoise.com

It's A Business Doing Pleasure With You - Remixes

Birthday Club (Theo Kottis Remix)

BANDCAMP

Panthera Krause - Birthday Club (Theo Kottis Remix) [Snippet]

Exclusive: Haider - Too Close

Steelmekker and Berliner by choice Haider returns to Will Saul's Aus Music label with a revealing three tracker called Dance Now, Cry Later. The EP does, as the EP's track title suggests, aim to be played out loud on the dance floor, carrying a deep note within those chords that create a misty almost nostalgic vibe that reminds one of the good ol' days when clubs were open, floors crowded and people losing their minds over the music. The timeless cuts maneuver its audience into musical spheres, which seemingly have been forgotten over the past months but remind one of putting the sorrows aside – for the moment or time dancing. Too Close, the EP's second track or Haider's second approach to Deep House music (mentally) made in Britain contains everything needed to pursue the beforementioned goal. With a creaking and thriving bass line Haider paves the way for intriguing chords that keep one moving in an endless loop that is enriched with vocals after minute three luring lovers of the deeper arts even more into the track's heart by capturing the listener's.

Haider's EP Dance Now, Cry Later will be released on Aus Music on November 27th, 2020.

Buy the EP
https://aus.lnk.to/DanceNowCryLater

Artist & label information
Haider: www.facebook.com/haiderbrkr // @haiderbrkr // www.instagram.com/haiderbrkr
Aus Music: www.facebook.com/ausmusicuk // @ausmusic // www.instagram.com/aus_music

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Dance Now, Cry Later

Too Close

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EXCLUSIVE: Haider - Too Close [Aus Music]

Buy / Stream: https://ffm.to/takenallthistime

Early feedback in by Catz N Dogz, Perel, Terr, Osunlade, Mixmag, Danny Howard/BBC Radio 1, Claptone, Art Of Tones, Alinka...

The title track from prolific producer James Curd’s debut album ‘Taking All This Time’ is a marker of the quality of the 14-track collection, and one of the new tracks set amongst some of his finest moments to date.
A looping jazz-funk b-line and key sample cut pumps round and round as splashy hi-hats and tense synth whirrs build the mood, before the sweet male vocal refrain is unleashed over a pleasingly mellow melodic progression. The vocal by Shyam P reveals itself more, laying on a honeyed R&B / soul feel to the proceedings before we’re dropped back into that relentless disco groove. Snatches of biting electric pianos intersperse the rhythm, and drawn out sax samples provides a moment of juxtaposition in the break. The overall feel is that of a melancholy summer jam that bridges the gap between multiple genres, concisely reflecting Curd’s tastes in the process.
Alan Dixon (Running Back) ditches the soulful feel for an acid/electro/Italo fusion on his bold remix, setting bubbling acid lines against early '90s piano chords that joyously take centre stage midway through the track.

Early feedback:
Catz N Dogz: Such a good song.
Perel: Thank you!
Terr: Beautiful work of all! Alan Dixon for my sets!
Osunlade: Love this!
Mixmag: The original is so strong and then the Alan Dixon mix takes it to my youth and I am wearing a shell suit at the roller disco.
Danny Howard/BBC Radio 1: I like the Alan Dixon remix

Taken All This Time

Taken All This Time feat. Shyam P. (Alan Dixon Love Attack Dub)

James Curd - Taken All This Time feat. Shyam P. (Alan Dixon Love Attack Dub) I Exploited

The metaphor of life as a journey is deeply embedded in most cultures. But it’s
particularly apt for Joyce Muniz.
Born in Brazil, she moved to Vienna in her teens and now splits her time between
there, where she has her studio and a show on national radio station FM4, and
Berlin. She started her career as a DJ and MC at Vienna’s Flex club, then found
fame as a vocalist, touring alongside Major Lazer, before dedicating herself to
production, supported by labels such as Exploited, Get Physical, Permanent
Vacation, International DJ Gigolo and Pets. Most recently she took her music on the
road, performing live with different orchestras across Germany as part of the Synth
Live project, the first woman to join them. All this is alongside continual DJing,
recently touring Australia to tick off playing every continent – bar the
less-than-club-friendly Antarctica.
Her second album ‘Zeitkapsel’, German for time capsule, retraced many of the steps
she’s taken, while also launching her Joyce Muniz Music imprint. ‘Never Brushing
The Sound’, featuring British MC Le3 bLACK. echoed the trip-hop and downtempo
that surrounded her in late ‘90s Vienna. The d&b of ‘Bangalore Girl’, supported by DJ
Marky, recalled the music she first MCed over. And ‘Imagine’, fronted by iconic
vocalist Roland Clark, reflected the deep love of house that inspired her to make
music. The biggest hit, however, was ‘Arrivederci Bella’. A jacking love letter to
electro house, but also a break-up track, it featured Muniz rapping in Portuguese, the
first time she’d used her own voice since her baile-funk-inspired outings in the mid
2000s.
The album’s cover, part surrealist painting, part visionary experience, reflects an
accompanying spiritual path. Diagnosed with cancer in her early 30s, Joyce returned
to Brazil and her experiences with plant medicines reconnected her to her
grandfather’s shamanism. This rebirth reconfigured her attitude to creativity and life.
When Covid hit she explored the breadth of her music making – resulting in
‘Zeitkapsel’ - and sharpened the technical skills that make her a go-to workship host
for Native Instruments. She also completed a Bachelor's Degree in radio presenting.
These avenues mean Joyce can roam where she chooses. Remixing Chicks On
Speed and collaborating with the UK’s Detachments, she’s re-exploring the electro
roots that brought her to the attention of DJ Hell many years ago, now a mentor. But
with the on-going support of Âme, Dixon, Claptone and Green Velvet and more, as
well as thousands of Shazams each week, she continues to explore sounds,
collaborating with artists across the world.
Alongside weekly gigs in Europe and frequent visits to America, Joyce often returns
to play Brazil. This was rewarded with the cover feature of her proud nation's
Mixmag. Winning new fans each visit to her birth country of over 200 million, there’s
no doubt she has plenty more road to travel.

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