pretty nice stuff, mate. i would love to see some things finished!

tracking sounds

this tracks a fun one for the X4 comp. playing with new sounds and ideas. first one like this in a while, hope you like <3

©2021 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS 
https://x4records.bandcamp.com/album/--2
🛸 

1. Florian Förster - oho
2. Velum Break - Burning Reels Of Tape
3. Jerohme - Arecibo
4. The Simian - Freeze-Tile
5. Greystar - Distraction
6. Quadrawulf - 👁U👁
7. Danny Playamaqui - Sanitiser
8. Retape - On Stars
9. l̒̒̏oͧ͗ͯv̋̏̔҉̴́͞eͮ̒́ ̈́͐h͊͐̃ȭͪrͮ̀ͮs͗̃̎e̅ͣ̓s̔ͦ̾ - hunky dunky dip
10. lee - Kepler 186f
11. Mause - souj9b (t11c)
12. Dollarstore Keyboard - Invader Rim
13. Tunnel One - PRNK
14. Spoutnik Z - And Beyond
15. Colin Muir - DrumkitEFM
16. Jo Carius - Wall Head
17. Anitta - IZ II ZI
18. utopia cloak - space (ultra quiet rimshot mix)
19. fxbip - Oberheim Eternities (303 mix)
20. Anvil Stereo - Currents (Remix of Purpledaughter - pd|sw 22)

Mastered by Danny Playamaqui 
Artwork by Jerohme 
Tracklist curation by Purpledaughter

released December 3, 2021

© all rights reserved

Distraction

Buy on Bandcamp

a jam, original track by @mynameisharry 

https://utopiacloak.bandcamp.com/album/we-bought-you-the-most-expensive-flowers-in-the-shop

Its the same song...remixed nine times...by seven different people...

All Profits split equally between:

The horse trust - horsetrust.org.uk - <3 Horses

And

The Bristish Bee charity - www.britishbeecharity.com - Bees are fuckin amazing.

We bought you the most expensive flowers in the shop

Purchase

UC - We bought you the most expensive flowers in the shop (my acid and breaks situation version)

d2i Stir

Unfinished demo, will this ever get released? Only gawd knows

Ojamatempo [un demo]

"I had something in mind a little more radical"
-Roy Batty (Blade Runner, 1982)

I carefully constructed these sequences using a Polyend Tracker. Twisted rhythms from the land of tornadoes.
Thank you Emily, and thanks to everyone who's encouraged and supported me!

Rest in peace, Mom (2022) and Dad (2010)

1. Metaflex 04:18
2. Benson Park Ghosts 04:18
3. Burning Midnight 03:23
4. Remember The Good Times When You're Hollow 03:06
5. Virtual Soul 03:20
6. Dream Acid 04:06
7. Radical 03:12

Music by Shawn J Shackelford aka RENEGADE ANDROiD
Artwork by Ohmwerk
Mastering by Julien "Stazma" Guillot at the Electric Voyage Studio

https://renegadeandroid.bandcamp.com/album/the-good-times

The Good Times

The Good Times (Album Preview)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Greed Operates In Hidden Ways

Originally posted with Team Supreme's Vol. 83. Short DSP workout! :-)

TS83

Aethek - Scorn - Cleansing

Richard Devine is a sound designer and musician whose work, characterized by intricate rhythms and an extensive use of DSP, amassed a following within the IDM scene after his remix of Aphex Twin's "Come To Daddy.” Over the course of his 25-year career, Devine has designed patches for gear by Native instruments, Korg, Eventide, and more. His “Voltage Aesthetics” sample pack reflects his seasoned sound design chops, filled with perfectly designed sounds that are at once wacky and beautiful. Spanning versatile one shots to polished loops, Devine’s sounds are nothing short of electrifying. 

This collection contains

287 samples, 191 crazy alien modular single shot percussion & SFX sounds, 96 loops/sequences/textures. These samples will work well with all your favorite VST/AU samplers, and will equally be great source material for your favorite Eurorack modular samplers :-). 

https://on.splice.com/devine-sample-pack

Richard Devine: Voltage Aesthetics

This is one of those things where I experiment and sketch a thing out in a couple of hours and then ultimately don’t do anything with it. I considered adding some vocals but that would make it a bit more industrialized metal than I might be ready for. Regardless it was an interesting experiment. 

In case you are curious: The bass signal chain is EHX big muff Pi > DOD Bass Flanger FX72 > EHX Super ego > Boss Hypermetal. The drum bits are the Elektron machinedrum run through audio damage Grind with a little EQ / compression for fun. Oh, and the drone bits are the bass part pitched, stretched and layered a few times. It’s dark in here.

Concrete Beats and Bass

https://www.youtube.com/watch?v=tPPuwFg2SvU
http://smarturl.it/RichardDevineRevsic
http://smarturl.it/RDSortLave
http://planetmu.bleepstores.com/release/1079…ine-sortlave
http://richarddevine.bandcamp.com/album/sort-lave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Revsic (TIMESIG009)

respetov3333

Noise Aurora

https://fxbip.bandcamp.com/album/noise-aurora

Noise Aurora

https://jerrylaflim.bandcamp.com/album/just-connect

Neon Through My Tears

tic-tac-toe

tic-tac-toe (demo)

DJ - Produtor

Fonte sonora psicodélica

Psychedelic sound source

Contato:
enmadaiohmusic@gmail.com

Sem restrições

No boundaries

Greed Operates In Hidden Ways

V∆l∆nc∑ Dr∆kës

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