Name: Richard Devine Oxin2lin (Valance Drakes Remix) by V∆l∆nc∑ Dr∆kës in hZ
Duration: 1 min 49 s
Description: DU-16: CD info: detroitunderground.net/blog/2012/03/28/richard-devine-•-risp-•-cd/

I've was invited to beta test DonutProducer from the backing of my brother Ghin Tzu. Designed in Munich, Germany this is a beat making software for macOS. Stones Throw Beat Battle is powered by this software.

https://soundcloud.com/donutproducer

Here's a breakdown of the track I made.

Chops, Drums, Field Recordings made in Donutproducer.

Arrangement: Vestax turntable and Rane 56 the cuts were mangled through a Max Msp patch and arranged in FL Studio. Bass was made via feedback loop using an RCA Cable in the mixer.

Adopting The Right Attitude (DonutProducer)

Did a remix for Room of Wires for their latest single Mastakink.

https://soundcloud.com/roomofwires
www.roomofwires.com

https://soundcloud.com/roomofwires/sets/mastakink

Mastakink Vlnc Drks Rmx

Rearranged Motion Left Elliptical Reseted (Vlnc Drks ​/ ​Ivan Shopov)

Mtch - Nrvaqaprol 
[krx011]

https://kaer-uiks.bandcamp.com/album/nrvaqaprol

Nrvaqaprol — Vlnc Drks (Less Popcorn) Remix

DU-16: CD info: detroitunderground.net/blog/2012/03/28/richard-devine-•-risp-•-cd/

Richard Devine Oxin2lin (Valance Drakes Remix)

Subjected Proper Etiquette

"Unearthing Buried Chapters" album is due via Amek Collective & Etheraudio Records on May 12. 

TRACKLIST •
001 Set Forth with one blessing 
002 A Heart with no Instructions feat Mariya 
003 Pursuit For Those With Kindness
004 Our Choices Are Pre Paid
005 A Prophecy keeps hope alive 
006 Scars Beyond The Reminders Of Pain 
007 Knowing Your Limitless Potential 
008 Atoms Gasping For Oxygen 
009 Can’t Erase Your Mistakes 
010 Landscape of the construction.

❑ Written and recorded by Valance Drakes & Ivan Shopov
❑ Mastering by Ivan Shopov at Etheraudio Records
❑ Artwork by Ivan Shopov
❑ Label: Amek

Pre-order on vinyl & digital from: https://amekcollective.bandcamp.com

Knowing Your Limitless Potential [Valance Drakes & Ivan Shopov]

Part of the Earthlings 2 compilation, all proceeds go to the World Animal Protection Charity that strive to tackle animal cruelty worldwide.
Head over to bandcamp if you like what you hear, loads of killer tracks.
https://earthlings-compilation.bandcamp.com/album/earthlings-2

Elastic - Flint Kids

"Mrak" is my contribution to the "Glitch With Friends: Compilation Vol. 1", being inspired by the "Glitch With Friends: Samples Vol. 1’" sample pack, which was released back in April, 2019.

This is an 8-track compilation produced entirely using samples from the mentioned sample pack.

The compilation features many familiar faces from 'Samples Vol. 1' as well as some newcomers, like myself. There were no instructions given for this project other than - "use only samples we created", and as a result there is a wide variety of musical styles and sensibilities on display here, illustrating the sonic range of the samples and the producers themselves.

Please like and share if you enjoy, and make sure to check out the whole compilation! Thank you! <3

https://www.glitch.cool/
https://glitchdotcool.bandcamp.com/album/glitch-with-friends-compilation-vol-1
https://open.spotify.com/album/3uGmTizLxkcRPUstNNZ2dD

Glitch With Friends: Compilation Vol. 1

Mrak

∘
Exotic Goods are available for purchase on Bandcamp:
https://enilylbmessa.bandcamp.com/album/exotic-goods
This is a charity release - all profits will be donated to organizations that support the Amazon rainforest.


cover art by Jem Doktor
( https://instagram.com/tjhhem_ddocktor?igshid=1dzzur75vswl2 )

mastering by Avum ( @avum1 )

tracks by:
@poztman
@datacode23
@madblaxer
@llun
@haera_bas
@ninetimese
@andmedpin
@dilmeier
@whertywhere

Buy on Bandcamp

poztman - as without, so within

When I Think

Hyperglitch is an emerging genre that is informed by glitch, idm and experimental music that came before it, but is distinct from them. It uses new techniques, explores new concepts, and has a new aesthetic. “Hyper” in this sense doesn’t mean more, or faster, or louder, it’s meant in the “hypertext” way; as in: deeper and more interconnected. Hyperglitch is the evolution of glitch. It’s what happens when a generation of artists grow up surrounded by glitch, entrenched in the digital world. Their fluency and usage/exploitation of glitch has deeper roots and is more natural and nuanced than someone born outside of this environment. 

My hope is that by helping to define the genre through this series, it will help other artists within the subgenre to find each other, and help us all develop our work and leave the past behind (or at least the parts that are holding us back). I also hope that by casting a wide net it will dissuade others from creating a formula for the genre and freezing it in time (although I’m sure some of that is inevitable). I also want to stress that Hyperglitch is new. Some of the ideas have been circulating for years, some even as far back as the early 2000’s, but their current formulation and the combinations employed by these artists are something I have never heard before (even though I have been imagining the emergence of something similar for a long time). I hope this series will illuminate the thread that I think connects these artists, and will hopefully inspire other artists to join in and create their own Hyperglitch music. 

The first album in the series is Reason by Seskamol. It is an incredibly cinematic album that intercuts dissociative ambiences with harsh, fast and hyper-detailed percussive sections. Seskamol’s understanding of rhythm and percussion seems to have moved past the need for any groove or pulse, but instead of using the pallets of electro-acoustic music, or breakcore, he mangles the two with new and more refined techniques. Similar to the raw expressions of noise music or blast beats, but reinventing them through the drum programming of breakcore with modern sound design. The result is what I imagine it would be like to wake up in a post apocalyptic wasteland, an eerie calm and then the blasts of music from an aggressive and violent time before the collapse bombarding you from a radio passing through stations, or the blasting stereo system of a renegade gang vehicle passing you. The album oscillates through feelings of desperate anger and the disabling apathy of a particularly strong depression. By passing through it with Seskamol, we know we aren’t alone. 

- Woulg ( www.woulg.com )
-------------------------------------------------------------------------------------------------
seskamol - destiny - [audio.visual.music.video.] - [2020] 
4K - youtu.be/rTgDlQe1_NM 

www.seskamol.com 
soundcloud.com/seskamol/ 
youtube.com/seskamol/ 
instagram.com/seskamol/ 
vimeo.com/seskamol/ 
patreon.com/seskamol/ 

www.glitch.cool

Summit

After appearances in the labels Polish Juke and assemblyline, hæra and distope are back with a collaborative LP on BAS titled light pollution. Combining distope’s academic sound design background with hæra’s abstract vision of footwork, light pollution is an unusual album of juke grooves pulsating under ambient textures and dubbed out samples. While strongly rooted in footwork music, the record mostly avoids the genre’s usual dancefloor associations and instead offers a minimalist, meditative experience more suited for an introspective listening session than the club. light pollution is also the first and only longplaying release from the label in 2020.
credits

artwork by Mira Larysz
music by hæra & distope
vocals by portento
mix by poztman
mastered by Ensor (Gagarin Studio)

hæra & distope – azura

"Larger than the will of any individual, the totality of modern human society is simultaneously one constituted by our actions yet also a gestalt entity obeying an emergent logic of its own. Constellations of processes and events act in discordant symphony largely blind to each other, while together they constitute a distributed machine serving solely itself at the price of human abjection. Conceivable solely as an abstraction, but concrete to the very core of human objectivity, this totality is profoundly human in origin but absolutely alien to our needs. Its very shape is contingent upon the trajectory of history from which it emerged, a trajectory which is now dislodged and savagely dragged along as the totality cycles itself blindly forward in time, obeying nothing other than the immanent logic of capital. Ignorance of totality matters not to it, as those who possess knowledge of its contours are no less objects to its continual unfolding. 

The horizon of its trajectory offers a fractal vision of futures such as ecological collapse, mass refugee crises, escalating pandemics, genocide, and more. Like the shards of a kaleidoscope, these morph in and out of each other, their causes and consequences all intertwined with the horrors of this perpetual unfolding of global capitalism. To grasp this all as a human is to accept it, for there is little else one can do." (Man From Sol)

https://soundcloud.com/man-from-sol

Gestalt Logic Constellation

We’re very proud to present you our “10 Years” anniversary compilation.
Abstrakt Reflections / 2010 – 2020 / Release #100

Featuring: Valance Drakes, Flint Kids, closeyoureyes, Ivan Shopov, Amotken, Zohell, Blockdata, Metalogue, Man From Sol, c0ma, Hypercube, Lokom, Zeuge, Michael Valentine West, mōshonsensu, ZZY, Broken Thoughts & Vladimir Belayev.

https://www.abstraktreflections.net/releases/va-10-years/

Amotken - Particle Space

"The third album in the series continues our dive into hyperglitch with Weaving Ritual by Sunnk. This album was one of the main inspirations for making this series. It's deep and emotional, expressive and raw, tech-y and precise. The sound design is endlessly fascinating. I find myself pausing to re-listen to individual moments over and over again, trying to understand what exactly is going on. And somehow, even with all this technical complexity, the album comes across as natural, as if each maneuver was as effortless as a press of a key. The story of the album is patient but unafraid of being abrupt or pushing the listener away. Weaving Ritual feels like a dark spell cast in the middle of an abandoned street. A vortex that we are pulled into. Dragging us through our darkest memories kicking and screaming, pulled inside out. Blending into a fog of thick heavy smoke that collects into liquid that slides down the gutter. We wake up from the hallucinations in the final moments of the album and find ourselves running but can't remember from what." 
(text by Woulg)

album & mastering by sunnk : soundcloud.com/sunnk 
artwork: Sigil by Stuart Graham , stuartgraham.me

Richard Devine Oxin2lin (Valance Drakes Remix)

V∆l∆nc∑ Dr∆kës

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