FPLP02 I Dylan Thomas - We Don't Own, We Create

TITLE: WE DON'T OWN, WE CREATE
Artist: DYLAN THOMAS
LABEL: FUTUREPAST
CATALOGUE NO: FPLP02
FORMAT: 12" VINYL / DIGITAL / STREAMING
RELEASE DATE: 9 MAY 2025
pre-order: futurepast.bandcamp.com
Triple Vision: https://tinyurl.com/44t64r9m
Deejay: https://tinyurl.com/bdf282jx
HHV: https://tinyurl.com/3hhek4r4
Decks: https://tinyurl.com/4jz8uadu
Juno UK: https://tinyurl.com/y5pf29bh
Redeye UK: https://tinyurl.com/ku6zwr64

TRACK LISTING:

A1. My Ikigai
A2. Plastic World
B1. Silent Reverie In To Memory
B2. Remind Me Ridley
C1. A Beautiful Struggle
C2. Echoes Of Fate
D1. We Don't Own, We Create
D2. Crescendo For Mizze

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a sonic trip balancing club functionality with experimentation. The two-discs project is a bold statement of artistic intent—where minimalism, industrial textures, and introspective loopy moods collide. 
As the result of 8 years of research and experimentation, We Don’t Own, We Create is an electronic sci-fi odyssey, unfolding across eight tracks balancing structure with unpredictability. Co-produced and mixed by Davy Vandegaer, this album is also the story of a friendship rooted in a shared vision—crafting a signature ‘futurepast’ sound where old-school techno aesthetics meet fresh, yet edgy, sonic treatments.

The first disc unfolds like a waking dream. My Ikigai sets the tone with pulsating, introspective club energy, blending loopy synths and a growling bass. Plastic World plunges into eerie depths, weaving spectral vocals and fragmented rhythms. Silent Reverie in To Memory drifts through textured atmospheres and layered percussive echoes. Remind Me Ridley twists hypnotic techno into a dense, mantra-like piece—its reverbs and delays build an intensity conjuring into a foggy, shifting auditive illusion.

The second disc marks the awakening, shaking off the haze with Beautiful Struggle, where abrasive loops, industrial bass surges, and dissonant synth layers build tension. Echoes of Fate condenses the album's ethos, unleashing pulsating stabs and humming rhythms that slice through the mix with razor-sharp precision. The eponymous We Don’t Own, We Create is an electronic ode to the creative process, where haunting vocal loops weave through deep, trippy synth lines, blurring the boundaries between organic and synthetic. Closing on Mizze, the journey dissolves into pure introspection, fading into the ether.

The record balances four club-driven tracks and four experimental pieces, crafting a distorted, explorative soundscape—an immersive journey where dance music meets dark, avant-garde sound design.

Tracks written by Dylan Thomas Hayes
Produced by Dylan Thomas Hayes
Co-produced by Davy Vandegaer
Mixed by Davy Vandegaer
Mastering by Simon Davey (The Exchange)
Pre-mastered by David Morley
Lacquer cut & pressing at AFG
Artwork by Brecht Nijssen
Words by Camille Reich

FPLP02 I Dylan Thomas - We Don't Own, We Create (Snippets)

Dylan Hayes' debut LP, We Don’t Own, We Create, via Berlin-based label, Futurepast, is a sonic trip balancing club functionality with experimentation, out on May 9th.

Pre-order: https://futurepast.bandcamp.com/album/dylan-thomas-we-dont-own-we-create
More: www.orbmag.com/music

@futurepastnosenseoftime
@dylan-thomas-hayes

Listen more

Premiere: Dylan Thomas - Silent Reverie In To Memory

Indefinite Pitch PREMIERES. Edition 776

Dylan Thomas - Plastic World

We Don’t Own, We Create
[FPLP02 | Futurepast]

Production | Dylan Thomas Hayes
Co-Production | Davy Vandegaer
Mix | Davy Vandegaer
Mastering | David Morley
Lacquer Cut and Vinyl Mastering | Simon Davey at The Exchange Vinyl
Design | Brecht Nijsen
Distribution | Triple Vision

Format | 2x12" Limited Edition Vinyl, Digital

Released by Futurepast from Berlin, Germany
Release Date: May 09, 2025
_

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a
sonic trip balancing club functionality with experimentation. The two-discs project is a
bold statement of artistic intent—where minimalism, industrial textures, and
introspective loopy moods collide.

The record balances four club-driven tracks and four experimental pieces, crafting a
distorted, explorative soundscape—an immersive journey where dance music meets
dark, avant-garde sound design.
_

Dylan Thomas

https://soundcloud.com/dylan-thomas-hayes
https://www.instagram.com/dylan.thomas.hayes

Futurepast

https://soundcloud.com/futurepastnosenseoftime
https://www.instagram.com/futurepast____

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

We Don’t Own, We Create

Plastic World

Buy & Support

Indefinite Pitch PREMIERES. Dylan Thomas - Plastic World [Futurepast]

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Dylan Thomas - We Don't Own, We Create LP (Futurepast)". Out May 09th 2025. Buy here : https://futurepast.bandcamp.com/album/dylan-thomas-we-dont-own-we-create

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a sonic trip balancing club functionality with experimentation. The two-discs project is a bold statement of artistic intent—where minimalism, industrial textures, and introspective loopy moods collide.
As the result of 8 years of research and experimentation, We Don’t Own, We Create is an electronic sci-fi odyssey, unfolding across eight tracks balancing structure with unpredictability. Co-produced and mixed by Davy Vandegaer, this album is also the story of a friendship rooted in a shared vision—crafting a signature ‘futurepast’ sound where old-school techno aesthetics meet fresh, yet edgy, sonic treatments.
The first disc unfolds like a waking dream. My Ikigai sets the tone with pulsating, introspective club energy, blending loopy synths and a growling bass. Plastic World plunges into eerie depths, weaving spectral vocals and fragmented rhythms. Silent Reverie in To Memory drifts through textured atmospheres and layered percussive echoes. Remind Me Ridley twists hypnotic techno into a dense, mantra-like piece—its reverbs and delays build an intensity conjuring into a foggy, shifting auditive illusion.
The second disc marks the awakening, shaking off the haze with Beautiful Struggle, where abrasive loops, industrial bass surges, and dissonant synth layers build tension. Echoes of Fate condenses the album's ethos, unleashing pulsating stabs and humming rhythms that slice through the mix with razor-sharp precision. The eponymous We Don’t Own, We Create is an electronic ode to the creative process, where haunting vocal loops weave through deep, trippy synth lines, blurring the boundaries between organic and synthetic. Closing on Mizze, the journey dissolves into pure introspection, fading into the ether.

Artist social media :

https://soundcloud.com/dylan-thomas-hayes
https://www.instagram.com/dylan.thomas.hayes

Label social media :

https://soundcloud.com/futurepastnosenseoftime
https://www.facebook.com/Futurepastnosenseoftime
https://www.instagram.com/futurepast____

PREMIERE : Dylan Thomas - We Don't Own, We Create (Futurepast)

Jorge Galindo’s track oozes funky darkness – a hypnotic blend of groovy basslines, sharp vocal hooks, and shadowy synths. His rhythm slithers with seductive menace, merging danceable beats with eerie undertones. It’s a sonic paradox: irresistible yet unsettling, proving Galindo’s mastery of moody, magnetic energy.

Follow @jorge-galindo-160350747, peeps!

You can download the entire FREEDL series directly from our Bandcamp in one sitting: https://sxdns.bandcamp.com/ 


Free Download

FREEDL066 // Jorge Galindo - Pegao

Where does a footstep become transgression? When does a tone abandon its harmony and drift into noise?

At what precise instant does a sonic ripple shift from mere dissonance to true disturbance?

Práctica de Límites is a compelling meditation on boundaries—both territorial and tonal.

It draws a provocative parallel between the arbitrariness of geopolitical borders and the fragile thresholds within sound itself.

Through this exploration, it asks not just who belongs where, but what belongs when, sonically speaking.

https://soundcloud.com/senoramusica
https://soundcloud.com/openthenext

Señora - Antiarmónica (MMB Remix) [Openthenext]

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Señora - Práctica de límites EP (OPENTHENEXT)".  Out June 11th 2025. Buy here : https://openthenext.bandcamp.com/album/pr-ctica-de-l-mites-otn-12

Where does a footstep become transgression? When does a tone abandon its harmony and drift into noise?
At what precise instant does a sonic ripple shift from mere dissonance to true disturbance?
Práctica de Límites is a compelling meditation on boundaries—both territorial and tonal.
It draws a provocative parallel between the arbitrariness of geopolitical borders and the fragile thresholds within sound itself.
Through this exploration, it asks not just who belongs where, but what belongs when, sonically speaking

Artist social media :

https://soundcloud.com/senoramusica
https://www.instagram.com/senora_music
https://open.spotify.com/intl-es/artist/5QkqnogVSYiFYrq6qK0Dqb?si=R--WZzyJRbSTZhp8cLcl1A

Label social media :

https://soundcloud.com/openthenext
https://www.instagram.com/openthenext
https://www.openthenext.org

PREMIERE : Señora - Antiarmónica (OPENTHENEXT)

After several killer EPs and tracks on labels such as Tresor, Multi Culti, Hard Fist, or Playground Records, Antonio De Oto aka A-Tweed finally delivers "Spring Music" his first solo LP via Abstrakce Records, changing perspective on his music and way of producing. 
A minimal approach, where echoes and reverbs become some of the main characters of the full journey, mixing up weird acid, experimental downbeat, electro, dub, and tribal vibes across a wide range of tempos. 

Slow-motion beats pulse beneath swirling acid lines, while dubby echoes and reverberations sculpt a landscape that is both immersive and mysterious. A-Tweed’s meticulous production draws from the label’s tradition of organic textures and ambient vibes, yet carves a distinct path balancing deep bass, shimmering synths, and a subtle sense of psychedelia that lingers long after the needle lifts. 

A cohesive journey, crafted for those who seek introspective voyages without giving up new forms of dancefloor communion. A manifesto about the power of slow rhythms, dub sensibilities, and acid-tinged experimentation, out of any hype and trend, aiming for a distinctive sound. An essential addition to the ever-evolving Abstrakce catalogue. The spring has just arrived.

https://soundcloud.com/antakaatweed
https://soundcloud.com/abstrakce

Premiere : A-Tweed - Lazy Horse Brain Rot [Abstrakce Records]

https://soundcloud.com/omerzoltek https://soundcloud.com/neskeh_41 https://soundcloud.com/epicure-rec
🛒 https://epicurerecords.bandcamp.com/album/bo-ker-including-remixes-by-jason-peters-neskeh-prinze-epi027
🔊 https://youtu.be/06FeaOPLipc

Epicure Records is psyched to release a vibrant new EP from Tel Aviv’s Sharon Attar and Omer Zoltek, out June 13, 2025.
Driven by three original tracks, the EP dives into groovy rhythms, lush textures, and raw club momentum.

Sharon Attar opens with her signature percussive flair and irresistible sense of rhythm, while Omer Zoltek brings hypnotic depth and emotional layering. Their joint title track captures the essence of the project, organic, driving and subtly trippy.
Three remixes follow, offering unique reinterpretations from artists and labels that embody our love for bold, genre-crossing dance music.
Prinze, founder of Epicure Records, adds a cosmic, acid-tinged touch. Jason Peters, head of Roam Recordings, takes things darker and deeper, channeling the West Coast underground. Finally, Hard Fist’s Neskeh closes with a twisted, bass-heavy version full of tension and intrigue.
A release that moves through Tel Aviv, Paris, San Francisco and Lyon, guided by a love for sound and a spirit of unity, connecting minds, bodies and souls across borders.

Epicureans from all over, let’s take a ride together!

Tracklist:

Sharon Attar – Ladies & Gentlemen
Sharon Attar & Omer Zoltek – BO-KER
Omer Zoltek – Playfulness
Sharon Attar – Ladies & Gentlemen (Prinze Remix)
Sharon Attar & Omer Zoltek – BO-KER (Jason Peters Remix)
Omer Zoltek – Playfulness (Neskeh Remix)

PREMIERE: Omer Zoltek – Playfulness (Neskeh Remix) [EPICURE RECORDS]

A betrayal is an unexpected twist. A moment of schizophrenia where the world is turned upside down. We feel the curvature of the earth and it becomes explicit to us that there is something on the other side of our world that we didn't know. Or that we don't really know our world as we thought we did. It feels like a wobbling of the ground on which we tread, frantic, torn and passionate at the same time. But we can also betray ourselves. We betray ourselves by taking different paths that lead to places we did not think of. How does a betrayal sound, how does it feel, in what frequencies and energies does it vibrate? Ultimately, what is there is always an unforeseen. "Traiciones" plays with the idea of what we can feel when we feel betrayed, but also that the tracks themselves betray us, or by taking different paths than expected, by changing the bpm in the middle of the track, or by promising a track that will never exist.

https://soundcloud.com/ludmila-fuks-bosoer
https://soundcloud.com/thomassjackson
https://soundcloud.com/calypsorecs

Premiere : Ludmila Fuks - Traicion Numero 3 (Thomass Jackson Remix) [Calypso Records]

CRYPHA

breathe take 1 11724 40 bpm

runx3 v1 90 bpm

Cliché

Gravedad Cinética - Cliché

Mutant disco radio show started it's life in 2009 on Radio Svid (Croatia). Then moved to Elektrana radio (official Exit festival's radio station). Over the years it was syndicated on Pioneer DJ Radio, Studio B (Serbia), Radio Aparat (Serbia), KLFM (Croatia), Radio Roža (Croatia), Dinamo FM (Turkey), Space Radio (Kenya), Radio Labin (Croatia), Radio Veronica FM (Italy), Radio 808 (Croatia), Mix People FM (Spain), Radio Stacioni (Albania) ...

Fox & His Friends Records label co-owner https://soundcloud.com/foxandhisfriends
https://foxandhisfriends.bigcartel.com & https://foxandhisfriends.bandcamp.com

Premiere and rebroadcasting requests : mutantdiscoradioshow@gmail.com

Berlin based explorative record label, to build a path on the edge of experimentation and functionality. Sense of time is irrelevant.

PREMIERE : Dylan Thomas - We Don't Own, We Create (Futurepast)

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