Wits' bedlam —where is had, whipping-cheer, to cure the mad.

https://mutantjoe.bandcamp.com/album/bedlam

Artwork by Rupture Art

Bedlam

@bademjan @griigg

Cime Sampler Vol. 2 out now on Bandcamp together with its accompanying wax figures.

All proceedings will be donated to Help Ukraine 22, a non-governmental organization „filling gaps in humanitarian aid through fast action and direct targeting“.

Mastering by Christoff Riedel
Artwork by Tom Fischer

Bademjan & GRIG - Derelict Body

October 10, 2022
JWR045
Poetmistry- OVOROT EP

https://soundcloud.com/poetmistry
https://www.instagram.com/poetmistry/


Cover Artwork Jon Ng (https://instagram.com/nostalgia_wolf)
Mastered by Joseph Keenan @ Short Stack NY
Joseph Keenan (https://instagram.com/pheeno_music)
Short Stack NY (https://instagram.com/shortstackny)

Poetmistry - As Far As It Goes

@lloydfears is a Berlin-based MC, performer, and artist from the North of england. Their EP Saint & Ogre is the first solo project on POSTWORLD.

After the cathartic release of lockdown anxiety on Gressive [Infinite Machine] and the delicate re-emergence into the outside world on Self-Soothe [xenonyms], on this new project lloydfears brings listeners along on a shared exploration of the possibilities of hope. Over four tracks, Lloyd uses hope as an emotional and logical response to the daily dose of dystopia.

Mad at the world? You need to calm down. In need of connection? Say it, sincerely. Tired of posturing for the eyes online? Try some honesty, honestly.

lloydfears:
𝘐 𝘳𝘦𝘧𝘶𝘴𝘦 𝘵𝘰 𝘴𝘪𝘯𝘬 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘺𝘴𝘵𝘰𝘱𝘪𝘢 𝘵𝘩𝘢𝘵 𝘴𝘶𝘳𝘳𝘰𝘶𝘯𝘥𝘴 𝘶𝘴, 𝘔𝘺 𝘭𝘪𝘧𝘦 𝘮𝘶𝘴𝘵 𝘴𝘦𝘳𝘷𝘦 𝘢𝘴 𝘮𝘰𝘳𝘦 𝘵𝘩𝘢𝘯 𝘢 𝘤𝘢𝘶𝘵𝘪𝘰𝘯𝘢𝘳𝘺 𝘵𝘢𝘭𝘦.

𝘐 𝘸𝘳𝘰𝘵𝘦 𝘵𝘩𝘦𝘴𝘦 𝘴𝘰𝘯𝘨𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘰𝘯𝘦𝘴 𝘸𝘩𝘰 𝘥𝘰 𝘯𝘰𝘵 𝘩𝘢𝘷𝘦 𝘵𝘪𝘮𝘦 𝘵𝘰 𝘸𝘢𝘵𝘤𝘩 𝘪𝘵 𝘢𝘭𝘭 𝘧𝘢𝘭𝘭 𝘥𝘰𝘸𝘯, 𝘸𝘩𝘰 𝘴𝘦𝘦 𝘜𝘵𝘰𝘱𝘪𝘢 𝘢𝘴 𝘢 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘢𝘭 𝘳𝘦𝘴𝘱𝘰𝘯𝘴𝘦.

𝘍𝘰𝘶𝘳 𝘵𝘳𝘢𝘤𝘬𝘴 𝘥𝘦𝘴𝘪𝘨𝘯𝘦𝘥 𝘵𝘰 𝘳𝘪𝘴𝘦 𝘢𝘣𝘰𝘷𝘦 𝘵𝘩𝘦 𝘧𝘳𝘶𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘥𝘰𝘶𝘣𝘵 𝘵𝘩𝘢𝘵 𝘧𝘭𝘰𝘰𝘥𝘴 𝘮𝘺 𝘣𝘳𝘢𝘪𝘯 𝘥𝘢𝘪𝘭𝘺.

𝘛𝘩𝘪𝘴 𝘪𝘴𝘯'𝘵 𝘤𝘰𝘱𝘪𝘯𝘨 𝘪𝘵'𝘴 𝘢𝘤𝘵𝘪𝘷𝘦 𝘩𝘰𝘱𝘦.

CREDITS
Written and produced by lloydfears
Mastered by personalbrand

Cover:
Sculpture by Laura Op 't Eynde [IG: laura.ote]
Photography by Seppe Claes [claeseppe]
Design by Master Chu [master_chu]

Saint & Ogre

lloydfears - spit absorber :^) [Saint & Ogre EP Out NOW]

This one is a special guest mix by HEDO HYDR8 https://soundcloud.com/hedohydr8 for Movement Radio Athens https://soundcloud.com/movement-radio-athens

HEDO HYDR8 GUEST MIX TRACKLIST

Krzysztof Penderecki - Polymorphia (Performed By Warsaw Philharmonic Orchestra)
Quiver - Zerocrossing
Glass - Online Fantasy
Entañas & PVSSY - Calor
Sueuga Kamau - Grieta
Flowdan - The Red Pill X JAMMZ (Slikback Remix)
Walton Djembe
Skee Mask A14 vs CB
X CLub - Inna Trance
Lithe - One For Russ
Kahter - CBD COntrol
Hedo Hydr8 - Oral Exchange
BFTT - Suchblush
Nikki Nair - Eyes on you
TDJ, aamourocean - In The Calm
KAVARI - Attatchment Style
Krzysztof Penderecki - Polymorphia (Performed By Warsaw Philharmonic Orchestra)
Prison Religion - Brick Dust
Cheetah - Artemis
Fixate - Off The Hook
Fracture - Dropping You
Forest Drive West - Greed
Fakethias - Marionette
Ize - This is not a drill
Hedo Hydr8 - Sometimes Its Hard
Aho SSan - blind Power
Hedo Hydr8 - Mass Assimilation

Ice_Eyes w/ Hedo Hydr8 Movement Radio 161122

@entrañas presenta “Pisos Térmicos" una nueva exploración sonora que nace inspirado en el clima, y el paisaje de Quito y sus alrededores. Esta propuesta musical amalgama diferentes grabaciones de campo realizadas en Abril del 2022 en Quito y sus alrededores, las cuales fueron manipuladas con síntesis granular en ableton live, desarrollando 6 masajes cerebrales que buscan retratar de manera abstracta lo bello, y heterogéneo de nuestro ambiente y paisaje, el cual por diversas circunstancias tal vez damos por sentado y no lo contemplamos.

Entrañas - Gélido

Tallaght

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi

In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.

Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.

Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

Six Paths

Gorgonn - Without Beginning or End

Permadeath

Ants

The Ordeal

https://soundcloud.com/ne_uter remix

https://axine.bandcamp.com/album/user-remixes

proceeds to https://www.gofundme.com/f/relocation-of-cc-and-housing-fund-qbipoc-members
♻️

USER Remixes

♻️♻️♻️

Brutal Encoder (Riley Remix)

Dark ambient soundscapes for your pleasure

DARK AMBIENT - A HIGHER POWER

ReverbRick - Etude 2 (Bass and Befaco OneiRoi)

Excerpt from https://micken.bandcamp.com/album/the-sound-of-may. Based on a rework with 4 speaker setup. Here in two channel stereo , headphones or good speakers recommended.

Excerpt from "The Sound of May" (disturbed stereo mix)

https://mutantjoe.bandcamp.com

contact: themutantjoe@gmail.com

The Ordeal

MUTANT JOE

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