Continuing the series this week is local Melbourne/Naarm DJ @felinefine.
Rolling, proggy bangers from old school to new & fresh, from the young DJ & head behind @meltmelbourne. Depending on the set/mix/mood, Willis dives between a range styles & genres - dipping into electronica & downtempo in his Hope St Radio shows, and at other times he's even got a punk rock outlet via @sandydish.

Willis is a dedicated member of the community & it's been lovely to watch him grow and flourish.

Thanks again for the mix Willis :) 

Downloads enabled

Animix One Hundred & Ten: Feline Fine

Mondays are for... Hue

Hue (@huedj) is a co-founder of the Delayed channel (@itsdelayed) and the new label Never Late (@never-late). He is also the curator of the "Sundays are for..." podcast section (https://soundcloud.com/huedj/sets/sundays-are-for).

Photo by Jamie Jar

HOCast #147 - Hue

Interstellar Funk  [01.09.2023]

private mix

AVSLUTA 16.1.23

After two months in cryogenic sleep during long distance space travel, the crew has awakened from hibernation to see they have arrived safely on the ocean planet of Alpha Tauri C in the Aldebaran system. Here in Episode 11, we take an excursion into some classic IDM and modern electro funk while skimming over the oceanside cliffs of the Sangorrian Sea. Enjoy the flight!

Track listing (please support these artists and labels):

Beaumont Hannant - A Summer Spent [GPR]
VC-118A - Heat [Delsin]
Nuron - Dialectic Confusion (Crix Madine's Choral Edit) [De:tuned]
Gilbert - New Reality [Echocentric Records]
iNFO - Keep Looking [Intellitronic Bubble]
Rico Casazza - I Know Ur Destiny (Edit) [Nebulae Records]
Autechre - 444 (Crix Madine Edit) [Warp]
Nullptr - Recursor [Central Processing Unit]
CH415 - SMR4TRK [Furthur Electronix]
Hex Editor - Pop N Lockdown [Nebulae Records]
XY0815 - All The Stars [brokntoys]
Zobol - Epoch [Nebulae Records]
214 - Maples At Dusk [Self-released]
Luke Slater's 7th Plain - Seeing Sense [GPR]

Offworld Discoveries 11

Enter Radha's spiritual soundscape - of special tunes near and dear to her. 
https://www.nts.live/shows/sacred-space/episodes/sacred-space-4th-february-2024

Sacred Space w/ DJ Ray 040224

World Music

This album unfolds as a sonic journey that blends electronic landscapes with experimental and atmospheric nuances, offering an immersive experience that moves between contemplation and rhythmic energy. Each track functions as an independent chapter, yet together they build a coherent narrative that reflects an emotional passage: from dawn to night, from stillness to expansion, from the intimate to the expansive.

The opening piece, **“Solitary Sequence,”** opens the door to an introspective world. Its minimalist and repetitive structure conveys the sensation of a pattern unfolding slowly, like a thought repeating in the mind until it becomes a landscape. It is a track that invites solitary reflection, where time seems to stretch and the sonic texture becomes almost tangible.

In contrast, **“Twilight Mosaic”** proposes a tapestry of richer and more colorful sounds, evoking the hues of twilight. The melodic layers overlap like pieces of a mosaic that shimmer differently depending on perspective. There is a play of light and shadow that adds dynamism while maintaining a meditative air.

With **“Winding Harmony,”** the album flows toward a more organic exploration. Its progressions recall winding paths that are never linear, generating a sense of continuous, shifting movement. The harmony twists and unfolds in new directions, reinforcing the idea of a journey in constant evolution.

**“Resonant Dawn”** offers a luminous respite, as if the listener awakens to a newly lit horizon. The resonance of the title is reflected in the spaciousness of the sound, which seems to vibrate in an open, hopeful space. It is a piece that balances delicacy with expansion, transmitting renewal and clarity.

Finally, **“Rising Syncopation”** introduces a stronger and more rhythmic pulse, closing the album with energy and vitality. The syncopation creates a constant tension that pushes forward, like a heart beating powerfully after an emotional journey. This piece elevates the ending, offering a vibrant and dynamic conclusion.

Taken as a whole, the album is an exploration of moods and soundscapes that shift between the intimate and the expansive. It flows seamlessly between meditative calm and rhythmic drive, constructing a narrative arc that reflects both introspection and vital impulse. Its richness lies in the ability of each track to stand on its own while simultaneously contributing to a greater story. In essence, it is a work that invites both attentive listening and full sensory immersion.



Dance of Chaos

hope ballad @rewind214 @recyclexbin @negativecreeper

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

So here we are, number 28. All grown up, thinking we know everything and that the world is at our beck and call. Little do we know, that is exactly what we know - little. Consistently hungry for knowledge, we peruse through the audible world looking for spikes in our interest in every way or form. Sometimes knowledge finds us. In this case, it comes in a form of a single human by the name of Chris, or Chris SSG or Chris of the former musical oracle, MNML SSGS aka Minimal Sausages (r.i.p). And it shall be known from this moment forward as, Number 28. 

 
If you’re reading this then you probably have Chris to thank. He was a pivotal influence in my (and probably your) musical upbringing. For five solid years,Chris and PC (the other founding member) consistently flooded the world with incredible mixes and unbiased musical journalism through their blog. Most of the mixes are still very much alive and well to this day, in-fact they’re quite sort after. After the end of SSGS, Chris moved to Tokyo to continue to sooth the world in his own unique way, veering away from the traditional ideals of “dance” music and how it's perceived and listened to. 

 

This mix is a testament to that. Playing ambient music to a club full of people has always been a personal dream of mine (you don’t have to dance to enjoy yourself and at least there’s a chance that people will finally shut up on the dance floor). Strung together perfectly, the journey entails so many beautiful and subtle twists and turns that it perfectly fits every atmosphere. Just over two hours of pure bliss, I liken the mix to a session in an isolation tank, relaxing yet stimulating. Odd soundscapes laced with beautiful folk music all woven together with the cream of what we now know as “ambient music” (until we find a more appropriate term).

 
Chris will be doing his thing at the next ONO party (TIP! some very good friends doing some very good things/ link below). He’s joining some other great thinkers alike in bring forth of what will be an incredible night of music. 

His words >>>

The mistake is in thinking music is about music. Music is about people. The bonds we make, the experiences we share, the conversations we have: this is the meaning and substance of it. This podcast was made possible by Nadine in Germany, Josh and Gregory in Taiwan, Eileen in Singapore, Toss in Japan, Louis in Australia, and all the producers whose music I used. It was recorded at ‘Soft Landing’, the first ambient event hosted by The Council in Singapore in July 2019. The recording reflects that context and moment, but hopefully carries to wherever you are. This is the way I play ambient. Thank you for listening. Chris SSG

--

His sounds >>>

@thecouncilsg

@mnml-ssgs


ONO party / Sept 6th
https://www.facebook.com/events/490539465013487/


So long, and thanks for all the ssgs

Interstellar Funk [01.09.2023]

Mutant Radio

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