...would love to see you doing this...👍😂💋

Notte Brigante's first release out on October 2018

A1. House of the Sun
A2. Anthropology
A3. Silent Hour
B1. House of the Sun (Delusion Men remix)
B2. Silent Hour (Pilah remix)

Bass on "Silent Hour": Ali Bounya
Distribution: chezemile-records.com
Mastering: Paul "Pilah" Kozmik at Paul's Boutique studio
Artwork : Commando Koko - derkommissar.wordpress.com -

The Lyon based crew is pleased to introduce their first release with Notte Brigante's duo member and Kump artist: HLM38.

« House of the Sun EP » is focused on the weird and esoteric dub style of Julien Viallet's work. It explores the relationships between his love for dub music and contemporary « dancefloor » sound. It's a winding path through electro, exotica, industrial music and middle east flavors.

Future Nuggets’ s bosses label, Delusion Men, are serving a trippy first remix showcasing their ability within studio experimentations resulting in a real psychedelic curiosity.

Finally, local head, Pilah from « Dub Addict Sound System » hits hard with his more traditional dub style remix. Master at the control, skank genius for twenty years, Paul Kosmik knows how to make it heavy and deadly!

300 copies.

@hlm38
@future-nuggets
@delusion_men
@dub-addict-sound-system
@pilah-dub

Bandcamp

NB001 - HLM38 - House Of The Sun EP

Vinyl & Digital:
https://superutu.bandcamp.com/album/pantene

Pantene was a live performance art-pop group that existed in Berlin, Germany in 2015. Its four band members: Marijn Degenaar, Molly Dyson, Olle Holmberg, and Rahel Tierbach took a DIY approach to instrumentation and arrangement, where intergenerational low-fidelity samples collide with subversive and pithy lyrics. Using laptops, MIDI, samplers and effects units to deliver re-contextualised pieces of music, Pantene explored issues surrounding cultural constructions of power, identity and sexuality with effortless aplomb.

This collection of 4 songs has been, for the past few years, sitting on Soundcloud slowly collecting plays, likes and no doubt intrigue from its listeners, as it seems since the time of upload Pantene have gone silent. Super Utu will be reissuing this remastered digi-relic on 10” polyvinyl chloride for the very first time. On side A is Don’t Touch Me I’m Dancing, a piercing retribution to seedy characters who lurk in dark corners of nightclubs. Molly and Rahel’s disaffected vocals pan “It’s a quest for satisfaction. A finger in every hole.” As if the nightclub is the playing field for some sort of sadistic sexual sport. Just Business, dejectedly examines our autonomy as individuals existing in an increasingly monotonous world controlled by capitalists. It’s the kind of work Barbara Kruger might have written if she decided to make music instead of visual art. Olle reflects “…cos everywhere you go there is another IKEA store to stock up your new life.” It’s a witty remark that would feel as much at home in a dole-wave jangle as a David Foster Wallace novel. At once extremely familiar, yet totally mentally isolating.

On the flip we hear Near To The Wild Heart. A legato, time-warped sample breathes deep and heavy beneath the reverb drenched vocals which sing “I am calm, I am cool, I wait for you. Take me all the way down, stretch it to the limit.” The lyrics float around in the back of your mind, in the exact same way the thought does that the attractive other from across the room, who’s been making eyes at you all night, might go home with you. On My Knees 2 Pray also does not falter in it’s sexually implicit/explicit vocal tango. The hapax legomenon of sultry deutsche sprache translates to “Virgin Mary, I know you see me. My knees only suffer for you.” 

While public discourse on sampling is contentious, it definitely pays to look beyond the technicalities and understand the context and contention of the creator(s). Pantene’s use of samples trounce any blatant pastiche. They re-appropriate decades old night club hits into breath-of-fresh-air political-pop songs. Perhaps you could even call them protest songs. At least we’re confident in knowing that they’ll be broadcast in institutions which were once symbols of anti-establishment, freedom and expression. Maybe they’re still like that. or Maybe not.

Words by Raudie McLeod
http://atelierutu.tumblr.com

SUPER UTU 2 - PANTENE - SNIPPETS

"We are in 2019.
We are on Planet Earth.
This is the beginning of the year. 
We are the most advanced society of the Mankind history in terms of technic and evolution. 
But the world is in chaos.
We Humans, are destroying our environment.
We are destroying our souls, perverted by the mass consumption society.
Neo-liberalist and austerity policies brought us to a desperate situation in which fraternity and social links are disappearing.
Our public services, health, education, transport, research, culture… 
that populations financed by paying taxes, are being dismantled by corrupted politicians. 
To be sell to private corporations. 
And those corporations are using all the possibilities to avoid to pay their fair part of taxes in the countries they make money. 
They fuck the system.
They are fucking the system!!
Corruption infested all the political vessels.
Corporations and their lobbies are now writing the laws, for their profits and their shareholders, against the interests of the populations and environment.
Very rich are richer than ever, middle class is sinking and poor get more poor everyday.
It is not anymore an ocean of inequalities, it’s a GALAXY!
Artificial wars are still on in the Middle East, South America and everywhere where there are strategical interests to destabilize regimes in place for pseudo hypocrite dogma of « Liberty and Democracy ».
Trump is president of USA.
Bolsonaro has just been elected president of Brazil.
Macron, president of France, applies the most violent repression to a pacific protest movement, injuring hundred of peoples, provoking tens death and arrested thousands of persons.
This is happening in France the country of the « human rights ».
Brexit, Yemen, Syria, Erdogan, Bengladesh, Poutin, China, North-Korea, Italy, Polland, Serbja, and more and more and more…
We are sinking into an ecological fascism disaster.

But I want to stay positive until life will exist, there will be light, there will be hope, there will be feelings, there will be Love. 
We can wake up. Keep the faith into Life. Power to the people!

This is all the contrasted emotions I wanted unconsciously to put in this mix. 
And this mix inspired me this text this morning.

Peace, Love and Unity.
Sacha

Recorded in Lyon the 16.01.2019"

Sacha Mambo - SANPO 132

https://soundcloud.com/user-201587740

https://www.retreatradio.net/hos

HOS #9 (19/08/20)

John Zorn Tribute by Jaba Shavishvili
John Zorn is an American avant-garde composer, arranger, record producer, saxophonist and multi-instrumentalist. Zorn's recorded output is prolific with hundreds of album credits as a performer, composer, or producer. His work has touched on a wide range of musical genres, often within a single composition, but he is best-known for his avant-garde, jazz, improvised and contemporary classical music. Zorn has led the punk jazz band Naked City, the klezmer-influenced quartet Masada and composed the associated 'Masada Songbooks', written concert music for classical ensembles, and produced music for film and documentary.

John Zorn Tribute By Jaba Shavishvili [04.09.2020]

There is definitely something "afro" inspired about this latest EP from Puma & The Dolphin, certainly in comparison to pretty much everything else the mysterious Bulgarian project has produced, including a great EP for Canadian imprint Chambre Noire and some stellar inclusions on every one of Dj soFa's highly respected "Elsewhere" compilations. 

The story goes that while immersed in domestic life during lockdown in Sofia the music evolved to take in what was happening at home and saw the inclusion of toy instruments, drum playing, the voices of children playing and even the family parrots whistling and squawking in the background. These random ambient insertions when seen in the context of the hypnotic and percussive rhythms and timbres are oddly reminiscent of the late, great Francis Bebey who, although culturally and physically a million miles removed, was also known for recording much of his work at home and who also featured the voices of his children playing. 

In fact, it is as much the music's playfulness and simplicity that give the pieces their distinctive character, at times echoing the repetition and mesmerism of Raymond Scott's "Soothing Sounds For Baby" series. Yet, childrens' music this is not. There is a mysticism and depth on one hand and a willingness to experiment on the other that echoes the pioneering experimentalist K. Leimer's early Eno-inspired tape outings (check "Supermarket" for example). 

I asked Puma & The Dolphin's Nikko Names if he could share the story behind how these six tracks came together. He had this to say: 

"This collection of pieces were created during a monotone period of my life which I have overlaid with colour: a time in which I surrender to the beauty of home life - watching my kids play, feeding the birds - entwining these sounds of my surroundings amongst the rhythmic layers of these pieces. Playing the drums to remind us of the next circle dance for four. There is something mystic to travel only in your head; a shamanic trip inside the body with no concepts and answers."

Indoor Routine

INVINC 28 Puma & The Dolphin - Indoor Routine [samples] 12"/mini-LP OUT NOW

@vitanov delivered mixed file, including the tracklist. Headphones use preferred. 

Kreidler - Flood 2-4
Anna Homler & Alessio Capovilla - De la Cocce
Jon Keliehor - Golden Castle (GK Machine's Golden Fortress Reinforcement)
C.P.I. -  Rasa
 Gilbert Cohen & Ariel Kalma - Tribu sauvage
D.K. - Echo Chamber
404 - Gon Dole
John Daly - Oceans
Ron Boots - Lachrymation
Seahawks - Starseeds
Koss - Negai
Anatolian Weapons - An Afterthought
沙漠鱿鱼 - 廟街

Tape 012 - Vitanov

Rinse France Podcast

Download

Lamusa II invite Jack Rothert Garcia - 23 Octobre 2020

Big bunker (atlantikwall) /football(Club Brugge and groundhopping/music fan. 
He´s djing under the alias Ahum since 1980. Somebody along the way gave him the name Klakke because he always wear that. 
In 1995 he started his first label Toothpick. 1997 he founded Kraak with some intervals active there upto 2015. 
Since 2016 he´s running Knotwilg which is the main focus. Not only as label but also as a kind of old-school mail-order.
Knotwilg records is a label that acts as a personal portal to accessible experimental music, independent of any particular movement or era. Releasing music and distributing like-minded artists in a contemporary
DIY style. Co-curating concerts, events and the annual Knotwilg festival.

https://soundcloud.com/knotwilgrecords

Wavering Forms 35 - Klakke

Palanga Street Radio
presents:
💦Monthly show Liūdesys.💦
This time Paul Sadness invites you to celebrate new years with the last episode of the year.
✨A feast of sadness and tears.💦
https://soundcloud.com/paulsadness
Tracklist: 
Conny Frischauf - Halbzeit
Roy Montgomery - For The Imperiled
Yoko Kanno - 15 Road to the West
David Sylvian - Maria
Lewis - I Thought The World Of You
Soft kill - I Needed The Pain
Gigi Masin - Clouds
Meitei - Okue
Lung Dart - Gazing
AV Moves - Sorry Too Much
Shamos - Tarass
Nature And Organisation - A Dozen Winters Of Loneliness
Duval Timothy - First Rain
Ryuichi Sakamoto - Dolphins
Lord Tusk - Beyond Limitation
George-Edwards Group - You Came Away
Yamaneko - Flower Garden (Night)
Lotte Kærså & Græsrødderne – Byen Er Stille
Nyx Nótt - Citation Needed
D.K. - The Goddess Is Dancing
Sordid Sound System - You & Me
Cucina Povera - Kuparirumpu
Laurie Anderson - O Superman
Giant Claw - Deep Thoughts 004
Pauline Anna Strom - Marking Time
A Gethsémani - Cheree
Romas Dambrauskas - Naujieji Metai (P.S. Slow Edit)
👍
http://palanga.live

LIŪDESYS #2

https://soundcloud.com/whyamimrpink
Graphics: https://soundcloud.com/dusanlilic / https://soundcloud.com/banda-panda

A lover of free and perched figured dating, Why Pink? assumes a big penchant for weird and leftfield synthetic dissonances. Curious, he advocates the mixing of genres against a backdrop of hypnotic moist and granular textures. Present on the Marseille music scene, he also broadcasts his mixes and selections on local radio stations such as Radio Grenouille and Tikka radio, and more recently on one-shot shows with LYL radio, Tsugi radio and the promising podcast series entitled Off-cuts.

John Zorn Tribute By Jaba Shavishvili [04.09.2020]

Mutant Radio

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