The Jak has retUrned witH 2 new Dirty bLends 12 inches in 
extremely limited quantity introducing the 1st nU cOhort 
to the label:

Zodiac (a lowdown henchman)

this new artist alias to the label has contributed to the 
further effort of maintaining the sound from the early 
inception of dance tracks like the days of old that still 
lives and breathes in us today that honors and treasures 
enriched essential dance music history.

Dirty Blends 4 is Tribalistic Madness⚡️⚡️* ULtra BaDness*☄️

The Jak kicks the A-Side off with Gravity D-Lyte 🔊🎶 
Zodiac beAts the B-Side with The Final Voice 🗣🎶

(The Jak) Gravity D-Lyte(soundbyte)

Yssue - producer and DJ.
Yssue has been marked with the releases on YES, KUMP, Private Persons and Global Warming.
His music can be described as a twisted bass-heavy hybrid with a punkish attitude, constant rhythmic juggling and a pinch of the intimate harmonies in-between.

| EPISODE 166 | Yssue

Ivona is originally from Poland and now based in Brooklyn, NY. She established her DJ career in San Francisco, where she honed her skills and built a devoted following. Ivona’s music taste is diverse, encompassing electro, acid, EBM and techno, as well as simmering post-punk that ignites the dance floor. Her sets take the audience on a sonic journey that never fails to excite. But Ivona’s love for music extends beyond the club scene. Her podcasts are a platform for her passion for abstract and experimental sounds, showcasing collections of noise, cold wave, industrial sludge, scream core, break beat swag, hip hop, and more.

| EPISODE 167 |  Ivona Karpierz

Duty Free w/ Boris Barksdale sur @lyl_radio
└|
Ce mois ci pour la dernière de la Saison DUTY FREE, Carpaccio Cathedrale lâche les commandes au producteur Grec BORIS BARKSDALE (Natural Science, Phormix, Eye for an eye …) 
└|
On part en exploration de tréfonds sismiques dark ambient trip hop indus pour finir en warp-drive post-punk electrobreak et jungle.
OVER

LYL radio - DUTY FREE s2e6 w/Boris Barksdale

"Giving praise to Ta-Weret, Lady of Heaven, mistress of all the gods, lady of nourishment, mistress of provisions, lady of marriage, mistress of the dowry, lady of the wind…" Ancient Egypt.

Drifting across uncharted soundscapes, a non-linear and unexpected expedition, this is the very first delivery of Futuro Imperfecto.

Tracklist:

1. 若潭 ruò tán - 血 Blood (WV Sorcerer Productions 巫唱片) 2021.
2. Overlook - Crisis (Osiris Music) 2018.
3. Timukrisin - Prophän (Several Minor Promises) 2023.
4. Camilla Pisani - Fish Death (Aesthetical) 2022.
5. La Serpiente - Man Is Both Animal And Plant (Details Sound) 2023.
6. Voice of Eye - Waning (Cyclotron Industries) 1994.
7. Astrid Monroe - I Kill You (SiRS) 2008.
8. Drew McDowall - Abandoned Object (Dais Records) 2020.
9. Steve Roach - The Ritual Continues (Self-Released) 1982.
10. Mesías Maiguashca - El Mundo en Que Vivimos (Buh Records) 1961/2021.
11. O Quam Tristis… - Suscipe Sancte Pater (Palace of Worms) 2002.
12. ASA (Esplendor Geometrico + Atom™) - Leer (RASTER) 2023.
13. Ayaz - Polis (Phase Group) 2023.
14. The World's Address - Bahya (Me Records) 1994.
15. 33.10.3402 - (100 Drone Radio Passive Scape) (L.I.E.S.) 2016.

/// Keine Vergangenheit / No Present / No Futuro ///

FUTURO IMPERFECTO #1 - TA-WERET

https://soundcloud.com/nrock77 [Germany]

For the 205th Only For Robots, we welcome BLACkMOON77. Enjoy!

High Frequency Mind with a Lo-fi Lifestyle, Mutant music junkie, product of 90’s underground rave culture, vinyl Dj/Producer of eccentric sounds for the experimentally insane.

Co-Conspirator @ RADIO RITUEL( https://soundcloud.com/user-584333214) on LYL.LIVE w my partner in crime Elena Sizova (https://soundcloud.com/lectra).
-
Labels- 
https://soundcloud.com/melodiessouterraines
https://soundcloud.com/discos-del-quebranto
https://soundcloud.com/feralcolony

Only For Robots Podcast

Only For Robots 205

Only For Robots 205 - BLACkMOON77

Going hard this week on the series is R-oderick. Well-known as Andre E-R in the Toronto scene, the talented Candian artist has been dropping heat for some time under techno-focused aliases such as 'R', Ébony, and R-oderick. He released under labels such as Opal Tapes and Jericho One. The multifaceted artist has deep roots in the Toronto dubstep and beats scenes as a pillar in both communities. His latest Ricardo Laine release was on Pinkman Records, offering a fresh take on new beat, industrial and EBM with a great review on Resident Advisor. Lock in for an eclectic selection showcasing the many sides of this Toronto legend.

@we-r-you-r

Galactic Funk Podcast 128 - R-oderick

MIKE TANSELLA JR [05.09.2023]

olga's aphorism

A descent into the Akasha — the field where sound, memory, and matter converge.
This piece moves like a ritual: slow, breathing, resonating with the hidden frequencies of the void.
Each layer unfolds as an echo of consciousness — ancient, sacred, and infinite.
Close your eyes, listen, and dissolve.

akasha

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

MIKE TANSELLA JR [05.09.2023]

Mutant Radio

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