brutality

Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

STAY AWAY

The first song I learned to play on the melodica as a kid.

Καλήν εσπέραν άρχοντες, αν είναι ορισμός σας, Χριστού την Θείαν γέννησιν, να πω στ' αρχοντικό σας.
Χριστός γεννάται σήμερον, εν Βηθλεέμ τη πόλη, οι ουρανοί αγάλλονται, χαίρει η φύσις όλη.
Εν τω σπηλαίω τίκτεται, εν φάτνη των αλόγων, ο βασιλεύς των ουρανών, και ποιητής των όλων.

Good morning, good people, and if you so desire, can tell you of Jesus’ Holy birth.
Christ is born this day in Bethlehem and the heavens and whole earth rejoice.
In a manger in a stable is born the King of the universe and Creator of the world.
And the multitude of the Heavenly Host is praising God and singing “Glory to God in the highest…”

video >>> https://youtu.be/IcV2rmpNaHQ

© All rights reserved

Greek Christmas Carols - Κάλαντα Χριστουγέννων

Untitled (toxnotica )

Instruments played:  Sitar, Guitar, Bass, Drums

Lyrics:

Everything under the sun and the moon
The emperor will be there soon
His greatness will bless the land
All the people hand in hand

His presence filled with gloom and grace, 
Sadness etched within his face
Magnificent and Splendorous
Generous and Dangerous

Emperor's Greatness

Drop with Me! ... Feel the Bass as you drop with me into the Hard Techno Track, 165BPM of pure energy just for your enjoyment!

I hope that you Enjoy Listening and Thank you for the Support!

Drop With Me!

Drop With ME! [UnMastered V1]

Mute muta : Celá | dirty ambient noise

DEBUT SINGLE FROM ANEURYST. FULL EP "VS. YOU" DROPS ON DECEMBER 29TH. FOLLOW ON BANDCAMP AND INSTAGRAM FOR UPDATES.

FREE DOWNLOAD: https://aneuryst.bandcamp.com/track/here-we-were-when-we-were-there-then

(Here We Were) When We Were There Then

Dozage

Shaaa

A neoclassical testament to the value of retreat,
where silence gives birth to the most profound expressions,
contrapuncting the noise of our world.

This is the 2nd movement of my Symphony "Alive!".

Composed in the silence, solitude and fears of the Pandemic Lockdown.

Sigh of Retreat

one of mine from the past , sadly still apt today 
Guitar/Vox Walker
Bass Ivan Berisford 
Drums Ray Massy 
recorded by Jake Evans at Big Red studios Macclesfield .  
mix and guidance Jake Evans , smashin' lad :-)
LYRICS ..
check it out ....
kick it out ... 
can you handle the kill ?
is it making you pine ?
are we justified matter ?
are we falling behind ?
can you handle the difference ?
us and them soil 
two towers will topple 
for only one wall ..
..we are data 
we are lying 
we are danger 
er .. er .. er .. can you handle the kill ?
let's keep on pushing 
blindly ahead 
don't let it roll backwards 
keep it outa the red .. 
can you handle the difference ?
us and them soil 
two towers will topple (again and again)
for only one wall .

by RJ. Walker 2016

THE KILL (1) WEAR EAR GOGGLES :-)

J'ai voulu reprendre cette magnifique chanson de Julien Clerc.
Un classique de la chanson française, probablement inconnu à l'étranger.
La mélodie, les accords, le sens, tout correspond à ce que je cherche à composer moi-même.
Cette version se veut un peu plus dramatique en accord avec le texte 
(translated below)

----
"À quoi sert une chanson si elle est désarmée?"
Me disaient des chiliens, bras ouverts, poings serrés
Comme une langue ancienne
Qu'on voudrait massacrer
Je veux être utile
À vivre et à rêver

Comme la lune fidèle à n'importe quel quartier
Je veux être utile à ceux qui m'ont aimé
À ceux qui m'aimeront
Et à ceux qui m'aimaient
Je veux être utile
À vivre et à chanter

Ah-la-la-la-la-la
La-la-la-la-la-la
La-la-la-la-la-la

Dans n'importe quel quartier d'une lune perdue
Même si les maîtres parlent et qu'on ne m'entend plus
Même si c'est moi qui chante
À n'importe quel coin de rue
Je veux être utile
À vivre et à rêver

Ah-la-la-la-la-la
La-la-la-la-la-la
La-la-la-la-la-la

"À quoi sert une chanson si elle est désarmée?"
Me disaient des chiliens, bras ouverts, poings serrés
Comme une langue ancienne
Qu'on voudrait massacrer
Je veux être utile
À vivre et à rêver
Comme la lune fidèle à n'importe quel quartier
Je veux être utile à ceux qui m'ont aimé
À ceux qui m'aimeront
Et à ceux qui m'aimaient
Je veux être utile
À vivre et à chanter

"À quoi sert une chanson si elle est désarmée?"

-----
“What good is a song if it's disarmed?”
Chileans said to me, arms open, fists clenched
Like an ancient language
That one would like to massacre
I want to be useful
To live and to dream

Like the moon faithful to any neighborhood
I want to be useful to those who have loved me
To those who will love me
And to those who loved me
I want to be useful
To live and to sing

Ah-la-la-la-la-la-la
La-la-la-la-la-la-la
La-la-la-la-la-la-la

In any quarter of a lost moon
Even if the masters speak and I'm no longer heard
Even if I'm the one singing
On any street corner
I want to be useful
To live and to dream

Ah-la-la-la-la-la-la
La-la-la-la-la-la-la
La-la-la-la-la-la-la

“What good is a song if it's disarmed?”
Chileans said to me, arms open, fists clenched
Like an ancient language
That someone would like to massacre
I want to be useful
To live and to dream
Like the moon faithful to any neighborhood
I want to be useful to those who have loved me
To those who will love me
And to those who loved me
I want to be useful
To live and to sing

“What good is a song if it's unarmed?”

Utile (Julien Clerc - cover)

December 63 (2001) Four Seasons Cover

anticipation of what is to come

HEAVEN HELP THE FOOL - HUNGRY GIZMO scs…ALWAYS MOVING SONG AND OF REFLECTION AND THE REAL UNCONDITIONAL REDEMPTIONS OF OUR LIFES AS WE ARE ALL HIT AND MISS AS LIFE IS COMING OVER THE SIDES OF FLOATATION DEVICES AND ITS ALL YOU DO IN THIS JOURNEY AS A FOOL IS TO LAND ON YOUR OWN AND CONTINUE. 

HEAVEN HELP THE FOOL +^circle be unbroken 
BY HUNGRY GIZMO scs 

+^LOOP S.  W.

HEAVEN HELP THE FOOL **HUNGRY GIZMO scs

I am an experimental music maker operating on the boundary between improvisation and structure, utilizing a modular Eurorack synthesizer to explore and transform various musical genres. I work within the conscious limitations that my instrument provides, which inspires me to find creative solutions within this ecosystem. My approach is dialogic and experimental, blending seemingly banal motifs with disordered noise in my work. I am not confined to any particular genre or style; instead, I draw inspiration from current emotions and let them guide me, pushing me beyond the boundaries of electronic music.


I'm looking for opportunities to play and jam together.😎

typical white brutality
Φ ¡ndustr¡al tɝchnō-funk Φ 
i like my music to sound like it's being played loudly on a cassette in a boom box in 1983.
+++ my playl¡sts cōnta¡n ōnly ¡ndepɝndɝnt art¡sts = thɝ bɝst tracks ōf my fɝɝd

Mute muta : Celá | dirty ambient noise

Mute Muta

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