...zZzzz... zZzzz...! *hits replay*.. zZzzz...

u hear i call super

From the album, 'Public Flowers,' out now on Second Language Music  : http://www.secondlanguagemusic.com/


Robin Saville - In Konik Mokkin

Alles ist gesagt
und alles ist nun  getan,
die Reise endet.

Kein Licht, kein Schatten,
kein Halten und kein Lassen,
säumen die Wege.

Kein Weg und kein Ziel,
Kein Streben und kein Weben,
Worte verhallen.

Sterben und werden,
natürlich und figürlich,
seiend und nichtig.

Alles ist richtig,
nichts ist ohne Bedeutung, 
Anfang und Ende.

Anfang und Ende

RUNES - NORDIC MEDITATION MUSIC (24)

Music from the forthcoming EP by Luke Abbott and Jack Wyllie of Portico. 

Released via Buffalo Temple (BFFT003) on 25th September available on 12" vinyl and digitally.

Xantako

Taken from 'At The Dam' LP by Mary Lattimore, out March 4, 2016.

Order at The Ghostly Store: http://www.theghostlystore.com/collections/music/products/at-the-dam
Or at the retailer of your choice: https://ghostly.lnk.to/mary-lattimore-atthedam

At The Dam

Mary Lattimore - Ferris Wheel, January

Taken from moogmemory (2016)
https://matthewbourne.bandcamp.com/album/moogmemory

Friday 4 March - BRISTOL Colston Hall
Saturday 5 March - LONDON BFI
Sunday 6 March - SALFORD, Islington Mill
Thursday 17 March - BRIGHTON Komedia
Friday 18 March - SOUTHAMPTON Turner Sims 
Saturday 23 April - GLASGOW Outskirts Festival. Platform


Pre-order moogmemory

Somewhere I Have Never Travelled

video: https://youtu.be/GMhtz17F2KQ


www.facebook.com/RLGrime
www.twitter.com/RLGrime
www.rlgri.me

Aurora - Single

Spotify

Aurora

And Their Refinement of the Decline

A Meaningful Moment Through a Meaning(less) Process

ANOTHER ONE

Labradford - P

From the full-length album Violinvocations available February 15, 2019 on Western Vinyl.

Bandcamp: https://hughmarsh.bandcamp.com/album/violinvocations
Spotify: https://open.spotify.com/album/570vX9XAte8zLNyvZk5njq
iTunes: hyperurl.co/mcjsa3
WV: http://westernvinyl.com/shop/wv178

HUGH MARSH
Instagram https://www.instagram.com/hug_the_mod/
Facebook https://www.facebook.com/Hugh-Marsh-95937533059/
Twitter https://twitter.com/hug_the_mod

Even if you’ve never heard of Hugh Marsh you’ve almost certainly heard the sound of his violin. He’s a featured player on soundtracks by Hans Zimmer and Harry Gregson-Williams, was nominated for a Juno award, recorded with Iggy Pop and The Stooges, Bruce Cockburn, and was in the backing band for Bauhaus’ Peter Murphy, all a tiny fraction of his decades-long list of credits. The latest addition to that list is Marsh’s own Violinvocations, an LP recorded while Marsh lived in L.A. with friend, mentor, and fellow soundbender Jon Hassell.

Despite the album’s title, one would be hard-pressed to say with certainty whether violin was even involved in this album without being told so ahead of time. In one moment a ghost is heard weeping into a dictaphone; a digitized anime character is nervously chattering in the next; and in still another, jagged sheets of distortion avalanche toward the listener beneath auroric swells of harmony. It’s the kind of sound design that requires a dedicated attempt by any Oneohtrixian laptop composer, only it’s all being generated by Marsh’s violin and his curious cabinet of effects pedals often in just one take.

Violinvocations

Hugh Marsh - "She Will"

http://brian-eno.net
Small Craft On A Milk Sea album released: 2 Nov 2010 (15 Nov 2010 in the UK)

Small Craft On A Milk Sea

Emerald and Stone

Brian Eno with Jon Hopkins & Leo Abrahams - Emerald and Stone (taken from Small Craft On A Milk Sea)

The Sacrificial Code

Spectacle Of Ritual 

With Bird Ambience coming out on May 28, Masayoshi Fujita makes a lateral leap from his signature instrument the vibraphone to the marimba, which takes centre stage on his new album alongside drums, percussion, synths, effects and tape recorder. The balletic arabesques of his third single ‘Morocco’ show both instruments unite and dance from twinkling filigree, to a cascading crescendo.

“The way of playing the marimba is similar to the vibraphone, so it was kind of a natural development for me and easier to start with, yet it sounds very different”, explains Masayoshi. “The marimba bars are made with wood and it has a wider range than the vibraphone, which gives me a bigger sound palette with more possibilities. I play the instrument with bows and mallets, and sometimes manipulate it with effects.”

Bird Ambience brings several fresh changes for the artist. Until now, Fujita would separate his acoustic solo recordings, the electronic dub made under his El Fog alias, and his experimental improvisations with contemporaries such as Jan Jelinek. The new album sees him unite all these different facets for the first time into one singular vision.

Arranged with a perfect Kanso-like balance, the unhurried pace of Bird Ambience allows each sound and phrase enough time to be mindfully absorbed and savoured. This subtle but affective work carries ethereal remnants of Midori Takada’s minimalism, the static atmospheres of Mika Vainio, To Rococo Rot’s organics and the bucolic electronics of Minotaur Shock. Fujita vaporises contemporary and classical, ambient and dismantled dub, controlled noise and fragments of jazz into an atmospheric, static mist, which he skilfully coerces into new forms.

Bird Ambience will be released on Erased Tapes in 2LP, CD and digital formats on May 28.

Labradford - P

MuteSong

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