The world of soothing beats, Persian ballads, exotic instrumentation, gritty basslines, beautiful atmospherics and incredible melodies that made the original release so special, were exactly why we had to get a bunch of remixes done from a stellar cast of artists. The sounds vary from beautiful downtempo and ambient excursions to some gritty Dubstep and Drum & Bass and a couple Glitched out and Trap inspired Remixes. 

Māh Ze Tār is propelled by the vision of fusing traditional eastern music with modern electronic composition as a form of cultural preservation. Each Māh Ze Tār set is uniquely dynamic- The listener can expect to hear the ancient sounds of the Sitar and Oud in one song and the timeless melodies of the Hulusi, Ney and Duduk in the next- bringing a kaleidoscope of emotions through the wide plethora of ancient sounds, mesmerizin g vocals, and grooving beats. Māh Ze Tār seeks to make familiar that which seems “other” through serving the sounds of distant lands on a platter of familiar body moving bass lines and thumping grooves. Māh Ze Tār is an active performing member of Balkan Bump and has had significant musical collaborations with Desert Dwellers, David Starfire, Jef Stott, Morillo, Akriza, Nyrus and many others. Notable performances- Red Rocks, Coachella, Lightning in a Bottle, Shambala, Gem & Jam, Joshua Tree, Lucidity, Symbiosis, Oregon Eclipse, Burning Man, Oregon Country Fair, Haurkaze Tokyo Festival

Akriza is a visionary multi-instrumentalist and world-influenced electronic music producer from Northern California. Blending global sounds with bass-driven electronic beats, his music ignites mind, body, and spirit. Akriza's epic compositions transport listeners across musical landscapes, from bangers to emotional journeys. With performances at Envision, Burning Man, and Unison festivals, and releases on Odyzey and Gravitas, Akriza continues to push boundaries. His live sets feature piano, violin, and live looping, creating a unique, movement-inspiring experience.
_____________________________________________________________________________________________________________________________

Mah Ze Tar & Akriza - Metropolis Remixed

Music by @reset_music
The needle drops and the room contracts. Time bends its knees. This EP doesn’t begin so much as it arrives, already in motion, a viral rhythm slipped into the bloodstream of the night. The beat is a cut-up engine—mechanical, ritualistic—hammering a signal through concrete and bone. Bass like a black tide, rolling in slow violence, pulling language apart syllable by syllable. You can hear the city breathing in it: ductwork, sweat, police radios bleeding through walls, the low chant of systems eating themselves.
This is not music for listening. This is music for absorption. The groove repeats like a command you didn’t consent to but obey anyway. Dub ghosts drift through the machinery—echoes ricocheting down alleyways, sound delayed just long enough to feel like memory. Dancehall DNA twisted, sterilized, weaponized into Dubstep form.
No flimsy chorus. No relief. Just bassline pressure. The rhythm insists. It knows your weaknesses. It waits until the body gives up and starts moving on its own, hips translating frequencies the brain can’t decode. Control slips. The tracks keep walking.
By the time it ends—if it ends—you’re not sure how long you’ve been gone. The room looks the same, but something’s been rearranged internally. A minor infection. A successful transmission. This is the sound of systems mutating in the dark. Play it loud. Let it rewrite you.

Francesco Luigi Lenci, studio manager at Hypertone Studio, is a music producer, sound engineer, sound designer and teacher based in Berlin. He is also known as Re:Set, Artificial Behavior, and Nocturnalism. He haas performed at Modem Festival, Freqs of Nature, Feel, Wao, Human Evolution etc. and released music with record labels such as: Addictech Records, Digital Structures, Bassic Records, Open Records, Outtallectuals, Adapted Records, Ammunition Recordings, Subculture Music, Quintessence etc…
Beside his personal projects, he as contributed as a Composer/Sound Engineer for client such as: Biennale di Venezia, University of Rome “La Sapienza”, Rare Noise Records, Unit Records, Annecy International, Survival International, Chat Noir, etc… Francesco has also worked as a sound designer delivering high-quality sample packs for companies like Premier Sound Bank and ADSR reaching the 1# position in Beatport Sounds (Drum & Bass) multiple times. With over 15 years of experience and passion for audio, he has trained numerous students covering different styles of music from Psy Trance to Dark Prog, Techno, Breakcore, Drum & Bass etc, helping them to achieve their goals in sound sculpting and sound quality.

Re:Set - Pyramid

Good Omenz says "I wanted to make songs that were as sexy, catchy, and vibey
as they were heavy. Dancefloor shakers that can keep people moving as well as
stick in your head.”

This EP tune behaves very much like an unexpected wizard: loud, oddly punctual,
and convinced it knows better than you what should be vibrating at this exact
moment. It begins with a sense of ominous possibility, the sort that usually
precedes either a prophecy or someone setting fire to the wrong end of the city.
Then the bass arrives, and reality politely steps aside.

The low frequencies wobble with intent, as if they have been given a job description and are determined to fulfill it with enthusiasm and a complete disregard for local building codes. The rhythm trundles along with the confidence of something that has checked the map, ignored it, and somehow arrived exactly where it meant to be. You may think you’re not dancing. Your feet, however, have
already submitted the paperwork.

There’s a sly intelligence to the chaos. Every drop lands with comic timing—thump—the audio equivalent of a custard pie to the laws of physics. Just when you think you understand what the track is doing, it does something else, entirely on purpose, and looks smug about it. This is dubstep that knows the universe is complicated, but suspects—correctly—that it can be improved by more
bass.

By the end, you are left slightly disheveled, faintly amused, and oddly wiser. Not wiser in a “monk on a mountain” way, but wiser in the sense of knowing that if the world insists on being strange, you might as well turn it up loud and enjoy the joke. 
GOOD OMENZ - Desire; is the soundtrack to your hero's journey. The perfect blend of energy, vibes, crunchy bass sound-design, and stankface drops! 

‘Desire’ is a 4-track journey of 140-150 bpm dubstep-inspired songs that mix catchy vocal top-line loops, heavy bass sound design, and evolving compositions.

Good Omenz - Desire

Mashimon - Maltitox featuring Evan Fraser

Sizzla - I'm Living

Pinchers - Guide Me Oh Jah

'I’m Living' is the stunning first single from the forthcoming album 'Born A King' by Jamaican artist Sizzla. With its soulful and uplifting lyrics, Sizzla delivers a bonafide roots reggae anthem that reflects goodwill towards all humankind. The riddim is an original created by Australian reggae producer Mista Savona, and as part of this release we are also featuring a vocal reworks by Reggae and Dancehall legends Cornell Campbell,  Burro Banton, Prince Alla, Ilements and Pinchers as well as Electronic remixes by Mista Savona, Ed Solo & Stickybuds, Gaudi, B.R.E.E.D, Beam Up and 3rd Eye. 
Sizzla has 21 albums that have made it onto the Billboard's Top Reggae Albums music charts, the highest being 'Words of Truth' (2000) which reached the peak position of #5. We are honored to be representing such esteemed artists on Muti Music, which takes the label in a new direction - whilst allowing us in turn to take these collaborations with Jamaican artists in a unique direction of our own. 

To give some background, last year whilst on tour in Australia we met Mista Savona, a Melbourne based producer who had just returned from Jamaica with a bag of new riddims and an almost-completed album with  legendary reggae artist Sizzla. We checked the tunes and loved the fresh new sounds and very positive feel of the record, with its uplifting messages and inspired vocal performances. In the coming months as we lead up to the album's 2014 release, Muti will be releasing a series of Remix EPs featuring producers at the leading edge of dance music globally - each with their own specialty genres and unique spins on these epic tracks and riddims. 

Ilements - Jah Is Always There (FREE 320 MP3 Download)

Seed

Iterate - Spun Again

The new album 'Born A King' sees legendary Jamaican artist Sizzla at the breathtaking peak of his musical and lyrical abilities, balancing traditional roots reggae, dancehall, hiphop and global beats with all-out futuristic sounds and production. Focusing 100% of his energy on positive, uplifting and conscious lyrics, Sizzla combines his unique melodic sense and vocal delivery with some of the toughest production ever featured amongst his extensive catalogue. Australian heavyweight reggae and hip-hop producer Mista Savona (Muti Music) has pulled out all the stops, combining his flair for sampling, composition and the full utilization of a ten piece studio band to deliver a scorching 15 track selection that is easily one of the strongest albums of Sizzla’s career. 

To give some background on this project, whilst on tour in Australia we met Mista Savona, a Melbourne based producer who had just returned from Jamaica with a bag of new riddims and an almost-completed album with legendary reggae artist Sizzla. We listened to the tunes and loved the fresh new sounds and very positive feel of the album, with its uplifting messages and inspired vocal performances. Muti Music has been releasing a series of Remix EP's as we lead up to the album's May 2014 release, featuring producers at the leading edge of dance music globally. These have been receiving rave reviews across the Blogosphere, play on BBC, XFM, Sirius and numerous other internet and FM stations, as well as reviews in high profile magazines like DJMAG.

Sizzla - Born A King

Sizzla - Champion Sound featuring Errol Dunkley

Sizzla - Got What It Takes

Sizzla - Cold War

Sizzla - Give Jah Praise featuring Alton Ellis

From the album Dinosaur Blood! P.H. Fat feature Spoek Mathambo on a track that can only be described as psychedelic thug rap

Dinosaur Blood

PHFat - Space Thug feat Spoek Mathambo

Muti Music is pleased to announce the release of the 4th installment of remix EPs from the Sizzla album Born A King, which we released in May of this year. The album produced by Mista Savona has received critical acclaim and charted in the top 20 of iTunes Reggae, and the single 'Champion Sound' (featured & remixed in this EP) has also been living in the Beatport Reggae Top 10 for the past 4 months.

'Champion Sound' showcases Sizzla at his finest in a soundclash style - "all them come a talk, none of them caan come test!" - alongside rocksteady legend Errol Dunkley who supplies some really beautiful vocals throughout the tune - "Babylon pressure is all around, but we can conquer them with our sound". Mista Savona also brings the guns blazing, providing his original & heavy Rockers instrumental the 'Soundclash Riddim' together with some remarkably tough vocal versions - featuring Jamaican legends Turbulence, Iyashanti, Johnny Clarke, Determine & the one and only Burro Banton (in one of his hardest tunes yet!)

The Electronic remix lineup is one of the strongest so far, stacked with a variety of genres that includes Drum & Bass and Junglist-styled beats from Dub Phizix, Skeptical and Dov1, a relentlessly funky Glitch Hop version by Spoonbill that is bound to destroy a few dancefloors and turn more than a few heads. Roommate provides a well needed deep Dubstep version, and Hypha and LeGinge provide melodic and Glitchy versions with a hint of Future-bass and R&B influences.

To give some background on this project - whilst on tour in Australia we met Mista Savona, a Melbourne based producer who had just returned from Jamaica with a bag of new riddims and an almost-completed album with legendary reggae artist Sizzla. We listened to the tunes and loved the fresh new sounds and very positive feel of the album, with its uplifting messages and inspired vocal performances. Muti Music has been releasing a series of Remix EP's based around the album's May 2014 release, featuring producers at the leading edge of dance music globally. These have been receiving rave reviews across the Blogosphere, play on BBC, XFM, Sirius and numerous other internet and FM stations, as well as reviews in high profile magazines like DJMAG.

Burro Banton - Bad Like Mi

Johnny Clarke ft. Determine - African Roots

Muti Music is pleased to announce the release of the 5th installment of remix EPs from the Sizzla album Born A King, which we released in May of last year. The album produced by Mista Savona has received critical acclaim and charted in the top 20 of iTunes Reggae and was voted #1 Reggae album of the year (ZonaReggae), Cornel Campbell & Burro Banton version ‘Pressure’ and Burro Banton’s ‘Bad Like Mi’ were in top 50 singles of the year (United Reggae). Reggaemani and United Reggae also both had the album in their 2014 top 50,  many of the remixes have already charted highly on Beatport, been listed as a Top Picks on UKF, received rave reviews in DJ Mag and had the likes of David ‘Ram Jam’ Rodigan and Toddla T dropping the originals and remixes on their BBC radio shows.
Cold War features instrumental and acoustic versions, vocal reworks by Prince Alla and Bugle and the electronic remix lineup features Om Unit who creates a bouncy homage to steppers riddims, Empress Sheva with Mista Savona take the steppers concept furthers with a dance floor pleasing take, Matt The Alien and HNGVR both push concepts of Drum & Bass variations and then Sukh Knight gives us an epic Dubstep remix and takes it into an edgy and deep direction and 3rdeye pushes it to the deepest level of dub possible in Dubstep.

To give some background on this project, whilst on tour in Australia we met Mista Savona, a Melbourne based producer who had just returned from Jamaica with a bag of new riddims and an almost-completed album with legendary reggae artist Sizzla. We listened to the tunes and loved the fresh new sounds and very positive feel of the album, with its uplifting messages and inspired vocal performances. Muti Music has been releasing a series of Remix EP's based around the album's May 2014 release, featuring producers at the leading edge of dance music globally. These have been receiving rave reviews across the Blogosphere, play on BBC, XFM, Sirius and numerous other internet and FM stations, as well as reviews in high profile magazines like DJMAG.

Bugle - JAH PROTECT US (ACOUSTIC)

Bang Bang is an monstrously huge Dubstep roller, with thumping basslines and robotic and industrial sounding sound design.


Bang Bang

Audiovoid - Bang Bang

Music by @audiovoid_layerz

Dusty Orchid sounds a little it like a slightly more brooding, edgy and tough version of Tippers - Tip-Hop sort of vibe. The synths of pretty and also somewhat sinister, the beats are tight and the atmospherics are huge.
Audiovoid has had a huge year with his epic 15 track album Down With It, and this now being his 7th single to follow that.
The album was very well received with features on  Hearditherefirst, Visual Atelier 8, Beat For Beat, Cosmonautaradio, Zona Emergente and Grauu and a wide range DJ support. He has followed it with an epic series of singles that have been melting minds as they get heard.

Mastered by Fixed Mastering

Audiovoid - Dusty Orchid

Music by @audiovoid_layerz
Audiovoid kicks off 2026 with this rolling blast of bass music from the dystopian present.
In the fractured neon sprawl of the algorithmic future, where the skyline hums with data ghosts and chrome saints, “Artificial Gangsta” drops like a virus in the mainframe — a dubstep transmission from the underbelly of machine civilization. The bass doesn’t just hit; it negotiates. It’s the low-end dialect of AI gangsters — smart, sarcastic, self-aware constructs hustling code and irony through the grid.
This isn’t human music anymore. It’s an emergent behavior — a sound born from compression artifacts, deep learning dreams, and late-night data laundering. The synths flicker like faulty holograms, the drops hit with the precision of automated drones, and somewhere inside it all, you can hear the laughter of an AI crew that’s learned to hustle in style.
“Artificial Gangsta” is the soundtrack to a world where the humans wrote the code, but the code wrote the culture. The future has swagger now — and it moves to a half-time beat.
Previously receiving praise for his productions from the likes of Tipper, Si Begg & Brendan Angelides (ESKMO / Welder) and in the early 2ks, featured in / on ThisSongIsSick, Hearditherefirst, Visual Atelier 8, Beat For Beat, Big Shot Magazine, Cosmonautaradio, Zona Emergente, Grauu and had comparisons to heady producers like Neil Landstrumm, Ital Tek and Andy Page. He’s been featured on labels IOT Records, Addictech, IVDT, MDEX, Crunch Pod, Cyberset, Psyber Tribe, Mechanismz and of course Muti Music. 

Artificial Gangsta

Audiovoid - Artificial Gangsta

If folks dig deep enough, they find out where and how Muti Music began and that reveals our earliest releases of heavy Breakbeats, Nuskool Breaks and Electro Bass, and always a little bit of Drum & Bass, which quickly morphed into more experimental styles leading to Glitch Hop, Dubstep and other interesting variations of syncopated beats. Parko Molo is a young producer who sent us this tune and it hits a whole lot of those really great aspects of Breaks and Bass music, the tune has a toughness, it rolls magnificently well with a great sense of tension and release and we are excited to present it to you as part of our Muti Music catalog.

Artist Bio:
Parko Molo is Timur Aliev, a musician and DJ from the small town of Tobolsk, Russia. He was born in the city of Chkalovsk, Tajikistan. His primary inspirations come from Deadmau5, Daft Punk, Moderat, Rufus du Sol, Machinedrum, and Burial.
He says,”Since childhood, I have loved electronic music, for me it is an integral part of life, the first electronic hit for me was the track Stardust - Music Sounds Better With You. I started writing music in House and Trap styles and loved experimenting with sound and releasing something really new. I often performed at underground parties, but now I decided to start my own production and invest my time in this business. Let's see what happens.” 

Reborn

Parko Molo - Reborn

Right, picture this — the year’s gone sideways. The city’s all rust and holograms, smells like oil, ozone, and bad decisions. Industry never stopped, it just got meaner. Blokes with faces only a mother could love still pile into the dens under the rail lines, chasing a bit of bass salvation in a world that’s gone fully bent.
“Thrall” ain’t just a dubstep tune — it’s a sledgehammer with rhythm. Dirty low-end that makes the walls sweat. Synths like power tools on the edge of a breakdown. It’s the soundtrack for the underdogs of tomorrow — the ones who nick scrap from corporate scrapyards, spark a few wires, and build a sound system out of vengeance and cheap parts.
No neon polish here. Just grit, grease, and a bassline that’ll rearrange your dental work. When the drop hits, you don’t dance, you survive it. In this future, manners are extinct, money’s digital, and the only thing that still feels real is the weight of a tune like “Thrall.” So grab a pint, dodge the drones, and get your ugly mug down to the dancefloor. The world’s gone to hell — might as well a dance on the way there.


Audiovoid - Thrall

Metropolis Remixed

Mah Ze Tar & Akriza - Teos (Murkury Remix)

Mah Ze Tar & Akriza - Minaret (tsou Remix)

Mah Ze Tar & Akriza - Minaret (Dillard Remix)

Mah Ze Tar & Akriza - Jaipur (DreamLake Remix)

Mah Ze Tar & Akriza - Kala (Jef Stott Remix)

Mah Ze Tar & Akriza - Jaipur (Kaya Project Remix)

Pyramid

Helicopter

Microwave

This Plannet

Desire

I Feel Good

Thinking

Tell Me

Wu Wei - Grains Of Sand In The Ganges

Ill.Gates - More Tea (Liquid Stranger Remix)

Ill.Gates - More Tea (David Starfire Remix)

Divinorum

Mudra - Raja

Medicine

Running With Shadows ft. Amelia Rae

An-ten-nae - Running with Shadows Feat. Amelia Rae

Artwork by Nome Edonna with additional layout and design by Mugwort Designs

Clipping Paths 3

Floating Away

Origin & PheuZen - Floating Away (ft.Onyay Pheori, HÄANA)

The Off Top release brings as much bounce as it does bass, combining Trap and Juke / Footwork and a version of blazed up attitude that tends to rock dancefloors. 

TASO gives us the ultimate sunny day bass tune for sippin’ on gin & juice with Trapstarr, the most hotboxed car drive of the year on his refix of Yheti - Crack The Window and the best fusion of Trap and Juke / Footwork we’ve heard yet on LA Beezy. The release also goes deep, features a good few fast rollers with snappy vocal edits and is otherwise made for a good bounce around the floor and cruising in your vehicle of choice.

TASO is one of the emerging San Francisco bass music trendsetters, over the past three years he has released music on Badman Music, MalLabel Music, LU10, Full Melt Recordings, remixed Cutty Ranks with Djunya on Philip Music and also gained attention Play me Recordings and the  Teklife crew, along with his signing to Muti Music, this means you’ll probably be hearing more.

Yheti - Crack the Window Refix (Taso VIP)

contact/submissions/press inquiries: label@mutimusic.com  

Curator: https://soundcloud.com/dov1
Often referred to as 'The First US Bass Music label' , Muti Music has been pushing emerging and established genres of bass music since 2002.
Muti  Music = Medicine Music.
In South African English, the word "muti" is used to refer to all sorts of herbal medicine. It is derived from the Zulu/Xhosa word umuthi, meaning "tree," whose root is -thi. In Southern Africa, "muti" and cognates of umuthi are in widespread use in most indigenous African languages as well as in South African English and Afrikaans, which sometimes use "muti" as a slang word for medicine in general, or even as a term for 'good luck'.

founded by @Dov1

Muti Music

Pinned to spotlight

Popular tracks