When asked about this release, BRĀN said:
”Trying to keep the same vibe I’m known for but always wanting to go heavier “ 
And yes, he goes heavier, he bangs that nail on it’s head fulfilling the intention with one blow and bangs it again for good measure.
These three tunes bring that glitchy sound that in the USA is often associated with artists like Tipper, Joe Cicada, Resonant Language, KLO etc, however BRĀN has been dropping goods like this for quite some time and has utilized that time to refine his sound into something unique.
These tunes hit hard with a clarity that knocks the kilter off-kilter and then, to keep you on your toes, knocks it back on and off-kilter a few more times. The glitch is strong in this man and he makes it known, the production is top notch, the sound is crisp and clean and the bass hits you in all the good spots.
We hope you enjoy these tunes as much as we do.

Prominent YesPleez! gang member Bran Richards is known for his aggressive off-kilter beats. With a unique style, Bran delivers sets that are as unpredictable as they are electrifying, mixing wompy half time bangers with basshouse and more! With each drop, he unleashes a barrage of distorted basslines and squelchy sounds, leaving listeners craving more.

BRAN Richards - The Paper Guy

MiM0SA drops another epic EP for us on Muti Music. This one hits hard from start to finish with huge builds, epic drops, MiM0SA’s signature magnificent melodies and loads of swagger. We’ve already witnessed him dropping a few of these at Lighting In A Bottle, HowWeird Street Faire and at Camp Questionmark @ Burning Man and we know they hit hard and bang on a sound system. We hope you enjoy these as much as we do.

MiM0SA is an Armenian-American electronic music producer and DJ, known for his genre-blending style that incorporates his own vocals, elements of left field bass music, hip-hop, and live remixing.
In 2014 he collaborated with the legend Bun B on his Future Trill, Volume II album. In 2015 he collaborated with Too Short and the Rej3ctz on his album Delusions of Grandeur on their title track “On Fleek” which received widespread critical acclaim for its futuristic yet old school west coast sound. In the same year he also worked on Prodigy of MOBB DEEP’s last album Hegelian Dialectic on a track called Mic-Rocosm.
MiM0SA's early rise to stardom granted him the privilege to tour all through the US, Canada, Australia and the EU. Playing major festivals such as Coachella, Bonnaroo, Tomorrowland, Shambhala Music Festival, Electric Forest and many more, Mimosa soon established himself as one of the most exciting new talents in electronic music and earned him a reputation as a versatile and boundary-pushing producer.
Today, MiM0SA is considered one of the leading lights of the underground electronic music scene, with a devoted fan base and a reputation as a highly influential artist. He continues to push the boundaries of electronic music and inspire new generations of producers and fans with his innovative and genre-defying sound.

MiMOSA - All I Know

@amb music
AMB has once again brought us a deep journey of sound experimentation that has resulted in some beautiful tunes that blend seamlessly between various broken beats, four to the floor and atmospheric sound design. This EP is a story, a poem and an abstract expression of singular moments captured in creative writing, visually and in audio. We hope you enjoy the adventure as much as we do.

CHAPTER 0: Prologue    
I found the envelope on the floor. Inside, a worn and torn map.
In the corner, faint enough to miss: for systems like ours.
Three days later, the same symbol appeared in the corner of a grocery list.
In my handwriting.
But I didn’t remember writing it.
The hallway light flickered. The clock had stopped.
I folded the map into my jacket and stepped outside.


CHAPTER 1: Field Repairs     
No signs, no barriers—just an open doorway humming in the dark.
I descended.
The tunnel stretched endlessly ahead, lined with cables that pulsed with faint light. Like a nervous system, abandoned but still alive. In the distance, the sound of a train that never seemed to arrive.
I pressed my ear to the wall. The hum was stronger here, almost like breathing.
"Stay long enough, you'll see it move again."
The voice came from nowhere. Empty tunnel behind me, empty tunnel ahead.
Something was waiting on the platform ahead.


CHAPTER 2: Second Line     
The train appeared without sound. Sleek, modern, completely out of place in this forgotten tunnel.
I stepped inside. Empty seats, dead screens, except for one monitor swinging on a single wire overhead. A woman's voice spoke in French, warm and distant, like a memory from someone else's life.
Outside the windows: absolute darkness.
Then, cutting through the black, a vertical beam of light, fixed and unblinking. The train followed it like a moth to flame.
I tried to look away, but the beam burned itself into my vision, into my mind.
The beam began to pulse, and suddenly I wasn't alone in the car.


CHAPTER 3: Carved Into Air      
The light shifted to warmer and golden. The train was gone.
I stood in ancient ruins under an amber sky. Figures moved through the space like smoke. 
At my feet, a wooden sign carved with symbols I knew but couldn't remember learning.
A barefoot man appeared before me, his lips didn't move: "Some things... They never leave. The wind remembers."
I reached toward him. A hand touched my shoulder from behind.
When I turned back, he was gone. They were all gone.
But then, one by one, the shadow figures began turning to face me.
Their faces were all the same. They were all mine.


CHAPTER 4: What Remains       
The map burned in my hands but I felt no heat.
Ruins surrounded me now, different ones. 
Stone arches fractured by time and fire, smoke drifting through broken pillars. 
Hooded figures moved through the haze, working to repair something.
One of them looked up. For a moment, recognition flashed between us. 
They seemed to be repairing something, though I couldn’t tell what. 
One of them turned, and for a moment, I thought I knew them.
But when I blinked, they were gone.

CHAPTER 5: LATE TRANSFER       
I woke to the light and walked toward the tracks. 
An overgrown train station, nature reclaiming concrete and steel. 
A single train car sat on the tracks. Lights off, doors sealed. 
But the rails hummed with electricity. 
I waited, though I couldn't say for what. 
The sun fell lower. 
The humming grew softer but never stopped.
Then, a soft mechanical click. 
The door unlocked. 
I stepped forward.
They were waiting for me.

AMB - For Systems Like Ours

Mashimon - Maltitox featuring Evan Fraser

Sizzla - I'm Living

Pinchers - Guide Me Oh Jah

'I’m Living' is the stunning first single from the forthcoming album 'Born A King' by Jamaican artist Sizzla. With its soulful and uplifting lyrics, Sizzla delivers a bonafide roots reggae anthem that reflects goodwill towards all humankind. The riddim is an original created by Australian reggae producer Mista Savona, and as part of this release we are also featuring a vocal reworks by Reggae and Dancehall legends Cornell Campbell,  Burro Banton, Prince Alla, Ilements and Pinchers as well as Electronic remixes by Mista Savona, Ed Solo & Stickybuds, Gaudi, B.R.E.E.D, Beam Up and 3rd Eye. 
Sizzla has 21 albums that have made it onto the Billboard's Top Reggae Albums music charts, the highest being 'Words of Truth' (2000) which reached the peak position of #5. We are honored to be representing such esteemed artists on Muti Music, which takes the label in a new direction - whilst allowing us in turn to take these collaborations with Jamaican artists in a unique direction of our own. 

To give some background, last year whilst on tour in Australia we met Mista Savona, a Melbourne based producer who had just returned from Jamaica with a bag of new riddims and an almost-completed album with  legendary reggae artist Sizzla. We checked the tunes and loved the fresh new sounds and very positive feel of the record, with its uplifting messages and inspired vocal performances. In the coming months as we lead up to the album's 2014 release, Muti will be releasing a series of Remix EPs featuring producers at the leading edge of dance music globally - each with their own specialty genres and unique spins on these epic tracks and riddims. 

Ilements - Jah Is Always There (FREE 320 MP3 Download)

The new album 'Born A King' sees legendary Jamaican artist Sizzla at the breathtaking peak of his musical and lyrical abilities, balancing traditional roots reggae, dancehall, hiphop and global beats with all-out futuristic sounds and production. Focusing 100% of his energy on positive, uplifting and conscious lyrics, Sizzla combines his unique melodic sense and vocal delivery with some of the toughest production ever featured amongst his extensive catalogue. Australian heavyweight reggae and hip-hop producer Mista Savona (Muti Music) has pulled out all the stops, combining his flair for sampling, composition and the full utilization of a ten piece studio band to deliver a scorching 15 track selection that is easily one of the strongest albums of Sizzla’s career. 

To give some background on this project, whilst on tour in Australia we met Mista Savona, a Melbourne based producer who had just returned from Jamaica with a bag of new riddims and an almost-completed album with legendary reggae artist Sizzla. We listened to the tunes and loved the fresh new sounds and very positive feel of the album, with its uplifting messages and inspired vocal performances. Muti Music has been releasing a series of Remix EP's as we lead up to the album's May 2014 release, featuring producers at the leading edge of dance music globally. These have been receiving rave reviews across the Blogosphere, play on BBC, XFM, Sirius and numerous other internet and FM stations, as well as reviews in high profile magazines like DJMAG.

Sizzla - Born A King

Sizzla - Champion Sound featuring Errol Dunkley

Sizzla - Got What It Takes

Sizzla - Cold War

Sizzla - Give Jah Praise featuring Alton Ellis

From the album Dinosaur Blood! P.H. Fat feature Spoek Mathambo on a track that can only be described as psychedelic thug rap

Dinosaur Blood

PHFat - Space Thug feat Spoek Mathambo

Muti Music is pleased to announce the release of the 4th installment of remix EPs from the Sizzla album Born A King, which we released in May of this year. The album produced by Mista Savona has received critical acclaim and charted in the top 20 of iTunes Reggae, and the single 'Champion Sound' (featured & remixed in this EP) has also been living in the Beatport Reggae Top 10 for the past 4 months.

'Champion Sound' showcases Sizzla at his finest in a soundclash style - "all them come a talk, none of them caan come test!" - alongside rocksteady legend Errol Dunkley who supplies some really beautiful vocals throughout the tune - "Babylon pressure is all around, but we can conquer them with our sound". Mista Savona also brings the guns blazing, providing his original & heavy Rockers instrumental the 'Soundclash Riddim' together with some remarkably tough vocal versions - featuring Jamaican legends Turbulence, Iyashanti, Johnny Clarke, Determine & the one and only Burro Banton (in one of his hardest tunes yet!)

The Electronic remix lineup is one of the strongest so far, stacked with a variety of genres that includes Drum & Bass and Junglist-styled beats from Dub Phizix, Skeptical and Dov1, a relentlessly funky Glitch Hop version by Spoonbill that is bound to destroy a few dancefloors and turn more than a few heads. Roommate provides a well needed deep Dubstep version, and Hypha and LeGinge provide melodic and Glitchy versions with a hint of Future-bass and R&B influences.

To give some background on this project - whilst on tour in Australia we met Mista Savona, a Melbourne based producer who had just returned from Jamaica with a bag of new riddims and an almost-completed album with legendary reggae artist Sizzla. We listened to the tunes and loved the fresh new sounds and very positive feel of the album, with its uplifting messages and inspired vocal performances. Muti Music has been releasing a series of Remix EP's based around the album's May 2014 release, featuring producers at the leading edge of dance music globally. These have been receiving rave reviews across the Blogosphere, play on BBC, XFM, Sirius and numerous other internet and FM stations, as well as reviews in high profile magazines like DJMAG.

Burro Banton - Bad Like Mi

Johnny Clarke ft. Determine - African Roots

Stōik blessed us with this amazing tune and we are stoked to finally share it with you. This one kicks off with some epically elevated vibes and atmospherics, builds slowly into a light glitchy halftime introduction of sorts and then drops into a deliciously timed Drum & Bass groove. The positive energy is so strong on this one that even when the beats die down, the atmospherics keep your mind elevated with it’s powerful vibes. We love this tune and can’t wait to hear what he drops next.

Stōik, a San Diego native, blends West Coast vibes with immersive drone-style ambient soundscapes and world beats. Passionate about artistic expression in many forms, he has been creating across multiple mediums since a young age, with music always at the heart of his journey. Stōik’s signature sound fuses deep, bass-driven rhythms with organic native tones and soulful energy, creating an atmosphere that flows seamlessly from meditative spaces to dance floors alike.

Stoik - TimeShift

@audiovoid_layerz
Audiovoid kicked off 2025 with his epic 15 track album Down With It, the album was well received and gained praise and features on sites like Hearditherefirst, Visual Atelier 8, Beat For Beat, Cosmonautaradio, Zona Emergente and Grauu and a wide range DJ support. He is blessing us with more music once again and this time it’s a rolling Dubstep tune that will have your mind tumbling and stumbling in blissful incomprehension to the intricate arpeggios and complex sound design. This one is equally effective for the dance floor or headphones.

Watch Your Step

Audiovoid - Watch Your Step

Mage Runner

D!lemma - Mage Runner

Music by : @branaudio
We are ecstatic to announce this new release by BRĀN, also known as BRĀN Richards. BRĀN is an incredible bass music artist based out of the beautiful east coast of Australia.
'Apple For One’ is a sneak peak of his forthcoming release ‘The Paper Guy’, dropping on Muti Music in June 2025.
This tune is filled with edgy bass stabs and plenty of squelch to satisfy even the most insatiable basshead.

When asked about this release, BRĀN said:
”Trying to keep the same vibe I’m known for but always wanting to go heavier “

And yes, he goes heavier, he bangs that nail on it’s head fulfilling the intention with one blow and bangs it again for good measure.
These three tunes bring that glitchy sound that in the USA is often associated with artists like Tipper, Joe Cicada, Resonant Language, KLO etc, however BRĀN has been dropping goods like this for quite some time and has utilized that time to refine his sound into something unique.

Prominent YesPleez! gang member Bran Richards is known for his aggressive off-kilter beats. With a unique style, Bran delivers sets that are as unpredictable as they are electrifying, mixing wompy half time bangers with basshouse and more! Wi

BRĀN Richards - Apple For One

All I Know

SWRV

MiM0SA - SWRV REMiX (MiMOSA x KOWTA)

Liquid Future Vol 2

Lost My Way

Pipe Leak - Lost My Way

The Paper Guy

BRĀN Richards - The Paper Guy

Crackhead Standards

BRĀN Richards - Crackhead Standards

Everybody feat. Corey

MiMOSA - Everybody feat. Corey

All I Know ft. Jessa Love

MiMOSA - All I Know feat. Jessa Love

Skyrise

MiMOSA - Skyrise

FREDDY

MiMOSA - FREDDY

AMB has once again brought us a deep journey of sound experimentation that has resulted in some beautiful tunes that blend seamlessly between various broken beats, four to the floor and atmospheric sound design. This EP is a story, a poem and an abstract expression of singular moments captured in creative writing, visually and in audio. We hope you enjoy the adventure as much as we do.

CHAPTER 0: Prologue    
I found the envelope on the floor. Inside, a worn and torn map.
In the corner, faint enough to miss: for systems like ours.
Three days later, the same symbol appeared in the corner of a grocery list.
In my handwriting.
But I didn’t remember writing it.
The hallway light flickered. The clock had stopped.
I folded the map into my jacket and stepped outside.


CHAPTER 1: Field Repairs     
No signs, no barriers—just an open doorway humming in the dark.
I descended.
The tunnel stretched endlessly ahead, lined with cables that pulsed with faint light. Like a nervous system, abandoned but still alive. In the distance, the sound of a train that never seemed to arrive.
I pressed my ear to the wall. The hum was stronger here, almost like breathing.
"Stay long enough, you'll see it move again."
The voice came from nowhere. Empty tunnel behind me, empty tunnel ahead.
Something was waiting on the platform ahead.


CHAPTER 2: Second Line     
The train appeared without sound. Sleek, modern, completely out of place in this forgotten tunnel.
I stepped inside. Empty seats, dead screens, except for one monitor swinging on a single wire overhead. A woman's voice spoke in French, warm and distant, like a memory from someone else's life.
Outside the windows: absolute darkness.
Then, cutting through the black, a vertical beam of light, fixed and unblinking. The train followed it like a moth to flame.
I tried to look away, but the beam burned itself into my vision, into my mind.
The beam began to pulse, and suddenly I wasn't alone in the car.


CHAPTER 3: Carved Into Air      
The light shifted to warmer and golden. The train was gone.
I stood in ancient ruins under an amber sky. Figures moved through the space like smoke. 
At my feet, a wooden sign carved with symbols I knew but couldn't remember learning.
A barefoot man appeared before me, his lips didn't move: "Some things... They never leave. The wind remembers."
I reached toward him. A hand touched my shoulder from behind.
When I turned back, he was gone. They were all gone.
But then, one by one, the shadow figures began turning to face me.
Their faces were all the same. They were all mine.


CHAPTER 4: What Remains       
The map burned in my hands but I felt no heat.
Ruins surrounded me now, different ones. 
Stone arches fractured by time and fire, smoke drifting through broken pillars. 
Hooded figures moved through the haze, working to repair something.
One of them looked up. For a moment, recognition flashed between us. 
They seemed to be repairing something, though I couldn’t tell what. 
One of them turned, and for a moment, I thought I knew them.
But when I blinked, they were gone.

CHAPTER 5: LATE TRANSFER       
I woke to the light and walked toward the tracks. 
An overgrown train station, nature reclaiming concrete and steel. 
A single train car sat on the tracks. Lights off, doors sealed. 
But the rails hummed with electricity. 
I waited, though I couldn't say for what. 
The sun fell lower. 
The humming grew softer but never stopped.
Then, a soft mechanical click. 
The door unlocked. 
I stepped forward.
They were waiting for me.

For Systems Like Ours

Carved Into Air

AMB - Carved Into Air

Second Line

AMB - Second Line

What Remains

AMB - What Remains

Late Transfer

AMB - Late Transfer

Field Repairs

AMB - Field Repairs

Music by:
@bosa & KNGS aka @da-moth

Deep Freeze is a beautiful crafted Future / UK Garage tune built on top of a smooth and warm reece sub bass, the Garage beats roll effortlessly and are accented by uplifting chords and melodic enhancements.

Bosa is another moniker of producer/composer, Stephan Jacobs. While he has always had a great ear for melody and musical production, his productions have certainly evolved a lot since he first released on Muti Music under the name Kether, and then his solo career as Stephan Jacobs and now his BOSA moniker and his project , Bigger Than Us. His music is always reflecting a future forward, world-inspired sound that is a projection of the inner world. Jacobs channels his French-Moroccan heritage and the influences he’s absorbed through his decades long career as an international touring DJ, into a sound that’s truly unique and global.

KNGS is a moniker used by Mark Kingsley, also known as Da Moth, K!NGS, Derp Lo (and several other monikers). He is a multitalented producer and performer. Whether it is music or clowning or performance art of various sorts, Mark brings an incredible amount of talent, nuance, and wit to his creations.

BOSA x KNGS - Deep Freeze

Wu Wei - Grains Of Sand In The Ganges

Ill.Gates - More Tea (Liquid Stranger Remix)

Ill.Gates - More Tea (David Starfire Remix)

Divinorum

Mudra - Raja

Medicine

Running With Shadows ft. Amelia Rae

An-ten-nae - Running with Shadows Feat. Amelia Rae

Artwork by Nome Edonna with additional layout and design by Mugwort Designs

Clipping Paths 3

Floating Away

Origin & PheuZen - Floating Away (ft.Onyay Pheori, HÄANA)

Colors Of The Sun

Colors Of The Sun ft. Shri

Stephan Jacobs & AHEE - Colors of the Sun (BOSA Remix)

From the Symbiosis Gathering 2009 Compilation, featuring many of the artists wo performed at the 2009 festival, this one is a Beats Antique track that has been tearing up dancefloors and kicking up dust at Burning Man and Symbiosis this year.

Beats Antique - Oriental uno - feat. Fanfara Kalashniko

The Off Top release brings as much bounce as it does bass, combining Trap and Juke / Footwork and a version of blazed up attitude that tends to rock dancefloors. 

TASO gives us the ultimate sunny day bass tune for sippin’ on gin & juice with Trapstarr, the most hotboxed car drive of the year on his refix of Yheti - Crack The Window and the best fusion of Trap and Juke / Footwork we’ve heard yet on LA Beezy. The release also goes deep, features a good few fast rollers with snappy vocal edits and is otherwise made for a good bounce around the floor and cruising in your vehicle of choice.

TASO is one of the emerging San Francisco bass music trendsetters, over the past three years he has released music on Badman Music, MalLabel Music, LU10, Full Melt Recordings, remixed Cutty Ranks with Djunya on Philip Music and also gained attention Play me Recordings and the  Teklife crew, along with his signing to Muti Music, this means you’ll probably be hearing more.

Yheti - Crack the Window Refix (Taso VIP)

contact/submissions/press inquiries: label@mutimusic.com  

Curator: https://soundcloud.com/dov1
Often referred to as 'The First US Bass Music label' , Muti Music has been pushing emerging and established genres of bass music since 2002.
Muti  Music = Medicine Music.
In South African English, the word "muti" is used to refer to all sorts of herbal medicine. It is derived from the Zulu/Xhosa word umuthi, meaning "tree," whose root is -thi. In Southern Africa, "muti" and cognates of umuthi are in widespread use in most indigenous African languages as well as in South African English and Afrikaans, which sometimes use "muti" as a slang word for medicine in general, or even as a term for 'good luck'.

founded by @Dov1

Muti Music

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