Calm classical music. Updates every Wednesday with popular tracks in India.

Classicalm

Soundtrack to The Man who Painted his House (2025)
score by Richard Uttley
(Richard Uttley, piano; Rosalind Ventris, viola)

Layers: Time & Pattern [2025]

3. Behind You
언제쯤 너의 시선이 나를 향할까?
항상 너의 뒤에서. 괜찮아, 익숙해.

Behind You

From Four Venezuelan Waltzes - II. Andréina & III. Natalia  
Composer Antonio Lauro  

Performed by Plínio Fernandes 
Recorded live at Riverbank Arts Centre, Newbridge, Kildare on Saturday 5th April 2025.

Part of a Music Network tour. 
5 - 13 April 2025, toured to Kildare, Dublin, Galway, Clare, Wexford and Waterford.

Recorded, Edited & Mixed by Donncha Moynihan (The Rise Studio | Cork) 

From Four Venezuelan Waltzes - II. Andréina & III. Natalia - Composer Antonio Lauro

An album to indulge thoughts about how you can grow to become your best you.

Count To Ten

#ambient #piano #instrumental #Relaxing #sleep music #meditation#soothing #peaceful #emotional #new age

可逆性

Prelude

River Flows In You - YIRUMA

My original soundtrack for Al-Jazeera's Documentary about the life of the legendary Egyptian composer Ali Ismail
Full Documentary - https://youtu.be/VnDwSpf_nzw?si=010jD-gecZRBmGMA

02 Ali Ismail (Main Theme)

"In Thoughts of All Those We Love" - A quiet musical tribute — composed for piano, cello, clarinet, and orchestra.

The piano opens gently, like an inner reflection. The cello responds with deep warmth, a voice drawn from memory. The clarinet adds a touch of light — a fragile spark between sorrow and solace. The orchestra unfolds with restraint, offering space and support, never overwhelming.

This piece is a tender greeting to those who have shaped our lives — near or far, present or remembered. A soundscape that doesn’t seek closure, but carries us forward. Between loss and connection, music emerges that remains.

In Thoughts Of All Those We Love

SHINE belongs to the four-piece EP, True Lights Piano Miniatures, Vol. 1 featuring minimal piano works with subtle electronic processing, blending simplicity with depth. 

True Lights Piano Miniatures, Vol.1 - FLARE

03 Yellow Einstein

めぐる pf

Eternal Ascent for Reed Quintet

Eternal Ascent portrays the Greek myth of Sisyphus, who was punished by the Gods and sentenced to roll a large boulder up a hill every day, only for it to fall back down when it neared the top.

This constant and arduous task symbolizes the more frustrating side of learning to play an instrument, the stretches of time where no progress is being made or even periods of regression. The music reflects this anguish through its dark and somber tone, with moments of ascending hope anticlimactically returning to the same introductory material, starting this relentless journey over once more.

Though this myth can be a daunting one, we can all be hopeful that we have the ability to push the metaphorical boulder to the top of the mountain with enough work and persistence.


Eternal Ascent

Recorded at Zion Community Commons, August 21, 2025

Laura Harada, violin
Aaron Kerr, cello
Rebecca Hass, piano

About “Ad Parnassum” (Ad Parnassum, 1932)
The dark outline of a pyramid-shaped mountain glows beneath a warm orange sun while an open archway invites the viewer to take the first step on their journey towards enlightenment. Inspired by the pyramids and temples of Egypt, Paul Klee’s pointillistic masterpiece from 1932 is built from contrasting blocks of color built up brick by brick in a style that he called “divisionism.” In the same way, the music takes the form of a rondeau as repeated musical progressions are developed through textural variations. In Greek mythology, Mount Parnassus is associated with Orpheus and the home of the nine muses and “a step towards Parnassus” (gradus ad Parnassum) came to define the gradual process of pursuing mastery in scholarship or the arts through diligent, repeated practice. The climb towards any summit begins with a single step and although that journey can be defined as a series of steps towards a goal, there is no guarantee that the path will be straightforward. The path may be winding, or may double back on itself, or seem to disappear altogether – it is built from small victories, epiphanies, frustrations and defeats – and by the end you have come full circle, stepping through the door towards Parnassus once again, both an exit and an entrance.

Ad Parnassum (1932) - No. 144.1 from Paul Klee : Painted Songs

12 C418 - Dry Hands

Digital Piano: KAWAI CA9500GP. 442hz, Loudness
Home Recording: ZOOM h1nvp 48k 16bit wav

Link
No. 1. Aubade
https://soundcloud.com/pulchraflow/louis-vierne-aubade-suite-bourguignonne-op17-no-1   
No. 2. Idylle 
https://soundcloud.com/pulchraflow/louis-vierne-idylle-suite-bourguignonne-op17-no-2
No.3  Divertissement
https://soundcloud.com/pulchraflow/louis-vierne-divertissement-suite-bourguignonne-op17-no3
No.4  Légende bourguignonne
https://soundcloud.com/pulchraflow/louis-vierne-legende-bourguignonne-suite-bourguignonne-op17-no4
No.5  A l'Angelus du Soir
https://soundcloud.com/pulchraflow/louis-vierne-a-langelus-du-soir-suite-bourguignonne-op17-no5
No. 6. Danse rustique 
https://soundcloud.com/pulchraflow/louis-vierne-danse-rustique-suite-bourguignonne-op17-no-6
No. 7. Clair de Lune 
https://soundcloud.com/pulchraflow/louis-vierne-clair-de-lune-suite-bourguignonne-op17-no-7

blog link
https://pulchraflow.blogspot.com/2025/11/louis-vierne-suite-bourguignonne-op17.html
artwork
https://unsplash.com/ja/%E5%86%99%E7%9C%9F/%E6%9C%A8%E3%80%85%E3%81%AE%E5%A4%9A%E3%81%84%E6%A3%AE%E3%81%AE%E4%B8%AD%E3%81%AE%E6%9C%AA%E8%88%97%E8%A3%85%E3%81%AE%E5%B0%8F%E9%81%93-QrUE21_oKBU

めぐる pf

ennyu natsuki

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