Im sorry Bro, I Vomited during your track but I will Clean It Up.

et coagula

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A Proper Goodbye

“We may move in different circles but we all dance the same dance on the music of the spheres”
― Wald Wassermann

Free download here

Disektor - Spectral Morphism

Mesceted Mirgoa

A preview mix of @amaranth_todd - Abyssal EP 
Bandcamp : https://geometriccorruption.bandcamp.com/album/abyssal

In the depths of our being, where the innermost thoughts reside and the essence of our existence takes shape, there lies a profound realization that the self inside the self is an infinite abyss. It is a concept that delves into the intricacies of our consciousness, unraveling the enigma that lies within.

Abyssak

Stream / Download

amaranth_todd - Abyssal (EP preview)

Benni und die VitaVate

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

nucio

Idiosyncratic

with @disektor @gorloj @tenebralcortex @freddypaul
///Welcome to the world of Geometric Corruption, where after 1 year of it's existence we bring you a compilation of some of our beautiful sonic artists.

The list is very diverse and packed together with 10 unique creations in a chaotic Data Moshpit / / /

Fasten your seatbelt, enjoy and most of all don't forget to

S A C R I F I C E Y O U R S E L F
credits
released December 29, 2020

Artwork by : Bzzz Gun (www.facebook.com/bzzzgun)
All tracks mastered by Rodrigo Passannanti (Hypercube) (www.facebook.com/hypercubeaudio) ,
expect track one mastered by Tenebral Cortex (soundcloud.com/tenebralcortex) .
license
all rights reserved

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