Single release from awry, out May 15

https://redacted-bell.bandcamp.com/
https://open.spotify.com/artist/3XIXVH00m25QAt8yGZZhuj

Don't Care

For Violin (2022)

2022 Work 25

performed by Maciej Skrzeczkowski on 21.06.22, Royal Conservatory of the Hague (NL)
mixed & mastered by Lilita Dunska

for blandine & maciej

with Bastien Pouillès , accordion

score: https://unboundedpress.org/scores/dawning_redux_score.pdf
video excerpt: https://vimeo.com/786305143

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This piece was written in consideration of the general metaphor of dawning. As in... to dawn (verb). As in... the cosmic dawn: during which primordial elements coalesced to form the first stars---and thus first light---of the universe followed by a continual cycle of renewal as elements from the death of one generation of stars fuse and give birth to the next generation of stars. The piece begins with a prelude/introduction. Patterns and motives slowly arise out of a rhythmically nebulous texture built on a four note pitch gamut. A series of interpolations/modulations follows. Patterns continually evolve into one another by a process in which measures from the current pattern are slowly replaced by measures from the successive pattern. Rhythmic and melodic repetitions serve an exploration in timbral heterogeneity by exploiting an idiosyncracy of the accordion where each note can sound in one of three ways: strictly from the left reed bank, strictly from the right bank, or both simultaneously. The piece concludes with a relative spare coda that lays bare the atomic elements and fundamental essence of the piece. The timbral exploration is reduced to just one pitch class such that listener has the possibility to hear distinct timbral combinations for extended periods of time.

dawning (redux)

2023 Work 22

a series of short pieces distantly inspired by the work of Mustapha Skandrani, and written for (ideally retuned) piano and/or physical models of piano  
this is a first, rough & unedited output from SuperCollider — maybe inconsequential, maybe not, distorted without a doubt
https://lucienezri.com/work/for-semaison

for semaison ( preview )

{
-- .- -. .. ..-. . ... - --- [*~ ] -.. . ... .- -.-. . .-.. .- .-. -.-. .. --- -. .. ... - .- [~* ] .. -. ..-. .. -. .. - . ... .. -- .- .-.. MANIFESTO DESACELERACIONISTA INFINITESIMAL -- .- -. .. ..-. . ... - --- [*~ ] -.. . ... .- -.-. . .-.. .- .-. -.-. .. --- -. .. ... - .- [~* ] .. -. ..-. .. -. .. - . ... .. -- .- .-..

}

Manifesto Desaceleracionista Infinitesimal

2020 Work 11

descensus trio (2020)

first 15 minutes (pages 1 & 2) of premiere performance (55 minutes total) performed by:

Biliana Voutchkova (violin), Lucy Railton (cello), and Cat Lamb (viola)

commissioned by the DARA string festival, Berlin, August 2020
recorded by Roy Carroll

dawning (redux)

Michael Winter

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