Mettaton and Frisk on background is looking like "Bitchs we are fabolus" xD

sounds like Shovel Knight! ...... Shovel Knight x Undertale? ..... Shoveltale!?!

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@noteblockremix

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https://www.youtube.com/channel/UCeWfIaers5jqKN3_F3LGR8w
https://soundcloud.com/brockisawesome24

NoteBlock | Electric Boogaloo - DELTARUNE Chapter 2 Medley [ft. Nah Tony]

Similar to phase 1,  decided to remake my phase 2 remix.

Two Planets Approach The Roche Limit Phase 2 - Remix [Remake]

Full remix here: https://www.youtube.com/watch?v=ugd_NThcWXs

Remember to subscribe to my channel so you don't miss anything!

Pic used is called "Made for Entertainment" made by pikminAAA

Undertale - Death By Glamour (8-bit) (Link in description)

Hey look, what do you know, more Undertale! The game itself may have gotten stale but it's music (to me) is still timeless and will never cease to randomly pop in and out my mind no matter what I find myself doing. Surprisingly enough, I've chosen another song about rain, after my Animal Crossing remix that I did not that long ago! ANYHOO, HOPE YOU GUYS ENJOY AND SUBSCRIBE, OR YOU'LL BE DEAD WHERE YOU STAND.

"It's Raining Somewhere Else" Undertale Remix

HAPPY BIRTHDAY, UNDERTALE! This game has been a massive inspiration to me in so many different ways- in my music, in my art, heck, I'm even part of an Undertale fangame team! I owe so much to this game and how it has helped this channel grow through the two medleys I did as well as the many other remixes and mashups. I felt it was right to do another to celebrate the first full year of this wonderful game! As for the question of why did I pick this theme? The simple answer is UHH I DUNNO, I JUST LIKE IT I GUESS! Hope you guys enjoy!

"Battle Against A True Hero" Undertale Remix

Oceantale is an AU where everything takes place in the Ocean and Flowey isnt Asriel!!!

Credit to Owner

Undertale Battle Arrangements

Bonetrousle ~Orchestral Cover~ | Oceantale

Oh boy, it's an Undertale! The argument of "Why are you still covering this game, it's been dead for a long time?" has never made sense to me, as I could cover a song from a game that's 10 to even 20 years older and nobody would bat an eye. On top of that, for some people Undertale is ruined by it's fanbase. Although I admit Undertale's fans can be a bit much at times, I don't think it's unreasonable to just enjoy the game for yourself, and not associate yourself with the community. No matter your opinions on the fanbase or the game itself, I still adore this game and it's soundtrack, so you can choose whether or not you want to watch! Thank you so much for listening in this week! Hope you guys enjoy! If you did, feel free to leave a like or subscribe to the channel!

This Song on Youtube: https://youtu.be/dJ6ppbOfEfQ

Have a suggestion for a future remix? Let me know here: http://goo.gl/forms/p5kOw02eYV

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The amazing channel art I have was made by my good friend Hannah! Attack her Deviantart with love! http://ham4782.deviantart.com/

"Enemy Approaching" Undertale Remix

This was the first piece I wanted to arrange, along with Field of Hopes and Dreams (I haven't figured out how to approach that one yet!). What's really exciting here is that I got to build further on techniques and instrumentation I developed from pretty much all my previous Undertale arrangements. Plus I spent a considerable amount of time balancing every instrument, EQ'ing every track to get it sounding good.

My takeaway from the original track and the context of the boss fight is a mix of shock, terror, and some mischief. You know while ascending the palace that the king is not going to grant you access to the fountain, but what surprises you is his disapproval of his son. Not only does he show such disdain, he even relishes in his villainy. This creates a strong motivation to the player to abandon the pacifist method and go all genocide on him.

Hopefully you can tell from listening to my arrangement that I had so much fun with the percussion. After doing the I Am Setsuna track, No Turning Back, I had an itch to make another track with percussion that is intense but still quick on its toes. Nearly all of toby fox's original rhythm is preserved, and I merely layered on top of that.

For others wondering how to orchestrate music, think of it as remastering a game. You don't just copy the same notes and substitute orchestral instruments. That's like slapping on some high-res textures and calling it a day. Does anyone enjoy playing the Final Fantasy games ported to mobile with the smoothed out graphics? You have to remodel everything from scratch with more detail. So for percussion, a trick I use is to subdivide the original rhythm, and then cut it up and distribute it among a bunch of instruments. Give the big booming drums the down beat, and the higher frequency instruments the syncopated and faster 16th note beats. Here are all the percussion patches I used in this song.

Spitfire HZ01 Percussion - Boobams, Paper Djuns
Spitfire HZ02 - Sony Stage Drums
Soundiron Clacks - Bamboo Pole
Cinesamples CinePerc - Taikos, Concert Toms, Tambourines, Tubular Bells, Crash Cymbals, Ensemble Claps + Snaps
QL Stormdrum - Ambient Largeness, Lord of Toms Ensemble, Clacks (Taiko), Spring Drums

I used to only use the stage mic versions of the patches because I naively thought that was the best when trying to recreate the sound of a full orchestra. Here, I experimented a lot with close mic versions, and I discovered that with the right control I can really get the punchy sound of the drums out without having to raise the volume out. This extended to the melodic instruments too, and allowed me to give the cello the same percussive rhythm.

I repeated the first half of the song because it's my favorite part. I had a lot of ideas that I wanted to explore without repeating the entire track. I didn't want to rush into the more intense variation right away because it deserves a build up. If you listen closely, the percussion rhythm in the first run-through is inverted before being restored at the repeat at 1:35. Another first for me in this track is pairing up instruments from different families. I used to keep the woodwinds, strings, and brass separate in their motifs, but here I had them all make friends and do parts solos together, so you'll hear match-ups like Harpischord/Horns, Piccolo/Trumpet, String/Percussion, Brass/Choir. Hope you guys enjoy this!

MP3 and FLAC available for Patrons. ► https://www.patreon.com/thesecondnarrator

Arrangement by Jeremiah Sun

Original Song composed by toby fox
DELTARUNE Chapter 01 is currently free to download

Deltarune Orchestrated

DELTARUNE Orchestrated - Chaos King

I thought final boss music was good enough, but then I encountered this one. HOOOOHHH BABY THIS ONE GIVES ME NOSTALGIA. Although I have never played this game before, it looks fun though!!
The only Mario & Luigi game I've played was Partners In Time, it's in fact one of the first Mario games I have ever played, the story, the music, the sprites and colors. It's all beautiful.

Enough talk about the other Mario games, THE FINAL BOSS OF THIS ONE WAS AMAZING. Check out the upcoming remake!! It's already available in Japan!
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Credits time!!

Mario & Luigi: Bowser's Inside Story OST by Yoko Shimomura.

Original song:
https://www.youtube.com/watch?v=FBLp-3Rw_u0

Cover art by Lollergator:
https://www.deviantart.com/lollergator/art/Final-Fight-Dark-Bowser-202879953

Requested by:
https://soundcloud.com/beethovenus

Mario & Luigi: Bowser's Inside Story - 𝙄𝙉 𝙏𝙃𝙀 𝙁𝙄𝙉𝘼𝙇

Watch on Youtube- https://youtu.be/PPTfkoby94Q

"Pokey Means Business!" Earthbound (Smash Bros. Fanmade Cover)

Not mine, just wanted to listen to it on soundcloud.

Noteblock -  "The Ultimate Show" Super Paper Mario Remix

Compositions by me in different sound sets or just VGM remixes in general.

Undertale - Death By Glamour (8-bit) (Link in description)

MyNewSoundtrack

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