The world's largest iceberg, A23a — equivalent to the size of Rhode Island- is endlessly spinning near the South Orkney Islands, about 375 miles from the Antarctic Peninsula. Its dance is caused by a phenomenon in fluid mechanics known as a Taylor column. It's essentially a rotating cylinder that forms when there's an obstruction in a flow. The A23a is trapped in a kind of ocean vortex, a Taylor column.
There are many paths a collaboration can take you down. Although the typical one tends to be shaped as a kind of dialog or turn-taking, I like the most those that, instead, become as sawing a seed and watching what happens then, including some active intervention: somebody tells an idea, or provides some materials or tracks to you and they start a self-organizing process in one's DAW. That's what happened here: @user-737426987 Ambient Annie provided some tracks that made some musical sense by themselves, but I used them as seeds for something different though related. Another of Ambient Annie's relevant contributions to this track has been in providing a concept, even though this was originally unintentional: some of our email conversations deal with natural phenomena, and therefore Antarctica, its fauna and icebergs gracefully popped up. Some months later, the seeds swelled, stems grew and leaves appeared, giving way to the flowering that you can now listen to.
During the final mixing rounds, Nyarlathotep, the three-lobed burning eye creature from Lovecraft's cosmogonies, passing his crawling chaos through the throat of @lhtrah Lht (another SC artist you should listen to), unexpectedly contributed with some primordial chants to this track: my degree in Miskatonik studies allowed me to decode the singing as "I will die and nobody will remember me", which is quite appropriate for an iceberg that is slowly melting. As far as I could find out this song was first featured in a film by Alejandro Jodorowsky, "Fando y Lis" (1968).
Ship bell by Mateusz_Chenc @ freesound.

A Taylor column

Diving Bell Accident

Departure (OST DEMO WIP)

Seramind - Sun, Sea (naviarhaiku589) [Ambient, Drone, Electronic]

https://www.naviarrecords.com/naviarhaiku589-rising-sun/

rising sun
and nothing else –
misty sea!

Inoue Shiro (1742-1812) was a doctor and poet from Nagoya.

haiku by Inoue Shiro https://wkdhaikutopics.blogspot.com/2007/12/inoue-shiro.html

picture by Vlad Kostiuk https://unsplash.com/photos/a-view-of-the-ocean-from-the-top-of-a-hill-gwRxTnvh6RI

Visit my other pages:

Official: http://www.seramind.de
Artcore: https://artcore.com/seramind
Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeKa
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
MixCloud: https://www.mixcloud.com/seramind
YouTube: https://www.youtube.com/channel/UCSVk1v75Cpzc7Bf-KVsrUUg

Sun, Sea (naviarhaiku589)

Troisième tir pour ce merveilleux anniversaire et cette belle communauté des Beat Battles. Bon anniversaire pour cette 100 ème.
https://discord.com/channels/1075579383781261322/1367755558328991814

LE BEL ÉBOULIS

LE BLINDAGE DU CUISINIER

Reworked an older "song" and made it faster, noisier and probably worse. Just percussion (and a bass guitar, used as additional percussion) and some two note droney synth in the background.

Aapo the 2nd

subterranean

L'EMBOUCHURE DE L'ENTONNOIRE

TROUVER UNE PLACE POUR L'ECCHYMOSE

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

A/ Like Seeds Without Rain

Partager, écouter, faire partager les émotions

subterranean

My Own Cubic Stone

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