In greek mythology the titan Mnemosyne (Μνημοσύνη) is the personification of memory and mother of the Muses. This new series of archival sonic mixes wants to celebrate Memory, as it covers the most important role in creativity, progress and life itself.
By presenting a different vision of it on each episode, participants will distill memories and ideas that formed their projects, using a variety of audio materials, ranging from finished songs to extracts of performances and jam sessions, to interviews and field recordings, and so on, to create a sonic self portrait.

MNEMOSYNE - 2023

Ruinas Futuras

https://soundcloud.com/placa_fer is a tool to experiment and to connect. Its main intention is to generate a sonic diary, gradually adding layers of information, memories and emotions. 
With an attraction towards storytelling, imperfection and out of control  scenarios, placa's compositions aim to take the listener to concrete places and ephemeral situations with field recordings as its cornerstone. Archiving moments, as if clips were filmed and stored for future reference. 

 "kyo-ka" for Mnemosyne is the sound map of a trip to Japan in late 2019. 

"What was a crucial sound experience in your life?"
When I first listened to my first field recordings with studio headphones I was shocked by the power they had to take me to specific moments and places in life instantly. Even if some years have passed by, they still hold that super power. It is also fascinating how, every time I listen to them, I hear new details and new strong connections are built. The micro macro perception when listening to field recordings has really influenced the way I listen to my everyday context. 

Links:
IG: https://www.instagram.com/fer_placa/
BC: https://placa-0f.bandcamp.com/music

Tracklist:
chengdu
jingūmae
unreleased (field recordings from Narita and Umeda stations) 
daimon
ueno 
unreleased (field recordings from Sumida)
yuki 
unreleased (field recordings from Kyoto) 
nakazakichō
unreleased (field recordings from Shibuya station)

MNEMOSYNE #042 - PLACA

https://soundcloud.com/feldermelder is a composer, musician and in!allation arti! that co-runs the record Label -OUS, and is part of ENCOR.STUDIO.
He's on a quest to create and find dense, intense, intricate and surprising music that contains a transformational attitude.
Besides that in play and create in the following formations.
Musique Infinie ( with https://soundcloud.com/noemibuchi ) 
Duo with https://soundcloud.com/jsartorius
Duo with https://soundcloud.com/bamanya-brian
Duo with Sara Oswald

"What was a crucial sound experience in your life?"
In simple terms, the discovery as a child that I could manipulate and record audio. The Basics.

About the mix:
"It’s an audio collage of things I’ve worked on, random recordings from my hard disc and inspiring music.
The Files list is in no particular order. But contains the names of all audio files used."
Check the full file list here: https://www.instagram.com/p/CoXVVveM3UX/

Links: 
https://feldermelder.bandcamp.com/music 
SC: https://soundcloud.com/feldermelder 
https://www.instagram.com/feldermelder/ 
https://www.feldermelder.ch/ 
https://ousooo.bandcamp.com/ 
https://www.encor.audio/

MNEMOSYNE #043 - FELDERMELDER

https://soundcloud.com/thisismartenot, pseudonym of Simone Gottardi, is an Italian electronic music composer, based in Turin. His compositions, exclusively computer-based, are founded on a minimal vocabulary and instrumental apparatus and, aiming to exploit the entire musical spectrum, they orbit around a solid sound body, which has as its main source a monophonic synthesizer that he developed in Max/ MSP and gives a precise timbre direction with radical aesthetic constraints. The feature that unites his tracks is the dichotomous alternation of claustrophobic patterns that evoke the rigid molecular structures of plastic materials in contrast to freer and more irregular sections where the musical fabric dissolves and opens up to airy and rarefied scenarios.
Martenot launches his own collective and curatorial project called https://soundcloud.com/neanche-per-sogno-records publishing his debut EP called Sfilate Spaziali in September 2022.

“What was a crucial sound experience in your life?”
The experience that changed me first as a listener and then as a composer was when, studying John Cage during my first class in composition of concrete music at the Conservatory of Trento, I was asked to use poor common objects not traditionally conceived as musical instruments, considering any noise produced as a potential vehicle of musical meaning. The result was awful, but it opened me up to sound in all its facets.

Links:
IG: www.instagram.com/martenot_/ 
BC: nxsrecords.bandcamp.com 
SC: https://soundcloud.com/neanche-per-sogno-records

Tracklist:
Queens of the Stone Age - Go With The Flow   
Johnny Mox - Praise the Stubborn 
Nine Inch Nails - We’re In This Together   
Deftones - Minerva
Verdena - Spaceman 
St. Vincent - Bring Me Your Loves 
Kasabian - explodes 
Thom Yorke - Dawn Chorus 
SOPHIE - Not Okay 
Caterina Barbieri - Spine of Desire 
Hecker - Jxean-z Character Generator 
Martenot - Starburst 
Oval - Panorama 
TCF - D7 08 2A 8D 2A 37 FA FE 17 0E 62 39 06 81 C8 A1 49 30 6F ED 56 AD 5E 04   Arca - Xen 
SOPHIE - Ponyboy 
Lorenzo Senni - The Shape Of Trance To Come

MNEMOSYNE #044 - MARTENOT

https://soundcloud.com/missing_ear aka Matteo Gualeni, drummer and sound designer based in Milan, he is also part of the AV duo https://soundcloud.com/baransuofficial. " Missing Ear", a key concept in this project, and interpreted by the artist as the awareness of the listener to actively understand the music in its genuine and purest form. In this way, the act of listening becomes an act of protest against the overstimulation displayed in the digital world. Following this principle, our sound perception is at the core of the creative process, working as a processing tool, and turning itself into the very same instrument.
Matteo’s sonic quest straddles futuristic landscapes enclosed in a post-natural aesthetic, where ambient sounds meet noises and break-glitch rhythms. His main influences span from the harsh experimentations of artists like Objekt, Atom, Autechre to the fine drum work of Steve Gadd and the abstract and fluid sounds of Lee Gamble and Boards of Canada.

“What was a crucial sound experience in your life?”
The crucial experience that I'm still hearing every day has an exact name: Tinnitus (in Italiano it's called "Acufene")
I can definitely say that this situation changed my mind... not because I struggle against that (or so and so) but because that begins me really next to some problems that we every day live.
First of all the noise pollution, the inability to listen, and thus also the way listening has changed. I'll speak about this very soon in a paper that I'll release with Mille Plateaux. I hope this has piqued your curiosity.

Links:
https://linktr.ee/makethesoundtouchable

Tracklist:
Baransu - depths I
Baransu - cygnus X-1
Kangding Ray - nn/peaks
Alva Noto, William Basinski, Martin Gore, David Bowie - Subterraneans  
Albert Van Abbe - Cellar closet
Second Woman - ////\
Klara Lewis · Peder Mannerfelt - Sell Art 
Missing Ear - Heavy Cuts
Bienoise - LCL Open is Porn - Closed is Fetish 
Huerco S. - Plonk II  
Grand River - Mr. Speaker
Surgeon Girls - Clouded Temper  Small Steps

MNEMOSYNE #045 - MISSING EAR

Alma G. Ferrer ‘Mim’ is a culture curator and music storyteller based in Mexico. https://soundcloud.com/mitaminelab, a contemporary sound archive and curatorial project, is one of her outstanding artistic projects. She also works with cultural and artistic projects doing art production and project management. Mim explores the articulation of networks of exchange, collaboration and hospitality through sound, contemporary music, digital archives and radio;  she’s currently exploring new forms of therapy with ancestral medicine, painting and mixed media.

“What was a crucial sound experience in your life?” 
Being a hypersensitive person has been pretty extreme sometimes, I always get mad and anxious with some sounds —like hearing another person chewing or car klaxons and traffic— so music has been always my comfort zone and shelter. Of course living in a city is kinda complex but I truly enjoy the urban sound experiences related with soundscapes of specific spaces and in general with ‘natural’ sound culture (or aural culture).

Links:
http://mitaminelab.org/
https://soundcloud.com/mitaminelab
https://www.instagram.com/mitamine_lab/

Tracklist:
Lo escucho lo pinto - Bandera negra - 2023
Sa Pa - AI-33: Atmospheric Fragments - Studio mix - 2023
Walking @ Mexico City 
Momoko Kamiya - 竹林 - 1999 
Haruomi Hosono - Himalaya - 1995
Sa Pa - AI-33: Atmospheric Fragments - Studio mix - 2023
Wind @ Centro Histórico, Mexico City 
Wind @ Tacubaya, Mexico City 
Japan Blues - Tsugaru Aya Bushi  - 2023
Apichat Pakwan - Nam Ton Tad (dub) - 2021
Hiss Sound - Kenau - 2022
PVAS - Somaesthesia - 2023
El afilador @ Mexico City
Commodo - eyewitness - 2022
Melody Beecher - Careless whisper (jura soundsystem lovers version) - 2023
Walking @ Mexico City 
Lakmé: Act I Dôme épais le jasmin (Lakmé Mallika)
Walking @ Mexico City 
Martyna Basta - Speechless Lately - 2023
Wind @ Centro Histórico, Mexico City 
Richard Pinhas - Dronz 1 - Ketter - 2017
Lagoss - Barranco del infierno - 2023
GConnection - Free Your Spirit 16 Bit Mix - 1993
Walking @ Mexico City 
Groove Corporation - A Voyage On The Marie Celeste - 1995

MNEMOSYNE #046 - MIM

𝓢𝔀𝓲𝓷𝓮 𝓟𝓻𝓮𝓶𝓲𝓮𝓻𝓮 ✦ @mira-shindento ✦

"Symchthonia" is a word derived from the ancient Greek συμ (together) and χθών (earth/soil). Forged by philosopher Donna J. Haraway it means "the coming together of the earthly ones".

MIRA新伝統 (Honami Higuchi / Raphael Leray): "Since we wanted this short hymn to be rooted in our reality rather than ecstatic escapism or complaisant dystopia the composition is balanced between urban field recordings and synthetic sound design."

Article + Discord invitation link ▶【 https://swinedaily.com/swine-premiere-mira/ 】

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[Swine Premiere] MIRA新伝統 - "Symchthonia"

10_r3n - larvae first vibrations 蛰虫始振

OPFX (deriving from the latin name Opifex) is a project with the main focus on rediscover old traditions, nature, culture and language of forgotten places of Ticino. The goal is to look at this region with a different point of view by using the local dialect for the soundtrack titles, taking pictures of remote places in the wilderness and the contrast between humans and nature, and use field recordings taken in those locations as a starting point to create his tracks.
These elements drive the project to play with the relationship between nature and humans, reminding that nature will always reclaim what belongs to it.

"What was a crucial sound experience in your life?"
There are two episodes in my life which gave me a huge impact and helped me to develop an interest in music. The first was when I was ten, I heard the song from Gorillaz “Feel Good Inc.” and at the same time I bought my first CD’s of Linkin Park: Hybrid Theory and Meteora.
Those two influenced my musical taste since I realized multiple music genres can be mixed together and made with the use of drum machines or synthesizer.
The second episode was at the age of 14 when I discovered randomly on Youtube two fingerdrummers and producers: Memorecks and Equalibrum. They made me realise that music can be made in this way, so I fell in love for sampling and I bought my first midi controller.

Links:
https://linktr.ee/OPFX

Tracklist:
This mix consists of only unreleased music by OPFX which maybe one day will see the sunlight.

MNEMOSYNE #049 - OPFX

MARTINA BERTHER / PHILIPP SCHLOTTER, Matt, LP

Release date: September 29, 2023
Catalogue nr. – HG2305
Red vinyl, ltd. to 200 copies
Hallow Ground

hallowground.bandcamp.com

Tracklist:
1. Unruhe (14:10)
2. LFO 1 (07:55) – Single release on September 1
3. Gallia (05:03)
4. LFO 2 (06:26)
5. Frachter (05:10)

Credits:
Music by Martina Berther (bass, organ) and Philipp Schlotter (synthesizer, organ)
Recorded by Flo Götte at Reformierte Kirche Matt (GL)
Pre-Mix by Roland Wäspe
Mastering and Post-Production by Lawrence English
Cover photo by Andrea Ebener
Band photo by Jeremie Luke
Design by Laurin Huber

///

Martina Berther and Philipp Schlotter are prolific in their respective ways, having been active in pop and jazz music, respectively, as well as playing in bands and exploring the outer fringes of sound art or composing music for film. Their first joint album »Matt« was recorded over the course of four days in a church in the Swiss village after which the album was named. Berther and Schlotter worked with the buildingʼs organ as well as synthesizers and electric bass to follow an experimental approach that oscillated between composition and free improvisation. The five pieces, recorded directly to tape by Flo Götte without any additional overdubs, are characterised by an intimacy and rawness that calls to mind the introspective atmosphere of Hallow Ground label mateʼs FUJI||||||||||TA or mastering engineer Lawrence Englishʼs latest album for the Swiss label. »Matt« is the result of two versatile composers and musicians executing minimalist ideas by giving them plenty of space to unfold.

The album opens with »Unruhe,« a composition that is based on the twelve-tone technique. Using a stopwatch to ensure the adherence to the pre-determined temporal intervals between the individual notes, Berther and Schlotter used the church organ and synthesizers for an ominous piece that traverses different moods and levels of intensity throughout its 14-minute run time. »LFO1« and »LFO2« are different variations of the same concept: Based on a synthesizer preset and structured by an organ drone, two tone generators slowly fall silent, resulting in elegiac pieces that call to mind the work of Éliane Radigue. »Frachter« and »Gallia« put more emphasis on percussive elements. Again working with organ as well as Bertherʼs prepared electric bass, this improvisation comprises interlocking textures that sound almost menacing on »Frachter,« while they create a very different atmosphere on »Gallia.« These notable discrepancies in sound and mood are even more astonishing if you consider that the two pieces are based on the exact same recording, played at different speeds.

As two variations on the same idea with very different results, these two pieces perfectly represent how the duo effectively creates emotionally affective sound worlds with very few means. Berther and Schlotterʼs conceptual minimalism yields rewarding, multi-faceted aesthetic results. »Matt« is an intimate album, marked by a sense of vividness and spontaneity, but also the product of compositional conciseness.

Matt

MARTINA BERTHER / PHILIPP SCHLOTTER - LFO 1 (HG2305)

Giovanni Corgiat makes his debut in the extended format and releases his first album under the Catalan label Hedonic Reversal. This Italian artist is a sound perfectionist and a dedicated composer who constantly explores new musical forms due to his diverse training. He graduated in Electronic Engineering from the Politecnico di Torino, completed his studies in Electronic Music Production at the SAE Institute in Milan, and obtained a degree in Electroacoustic Music Composition from the Conservatory "Giuseppe Verdi" in Turin. His dissertation focused on the development of morphing systems and the integration of musical elements.

Antropo-Amorfo is his first album, but it is also an audiovisual project developed with Riccardo Franco-Loiri, aka Akasha, a promising Italian visual artist, member of the prestigious High School of Music and member of the consolidated High Files collective that Akasha co-founded in 2018. The result is a fine speculation on the perception of sound and its relation to human nature, combined with an innovative and creative investigation into digital abstract art. Antropo-Amorfo has already been presented as A/V performance at events such as Paratissima Festival (Ita), Apolide Festival (Ita) and Blues Rauschen (Ger).

ANTROPO-AMORFO A/V project was born by the fortuitous encounter between Giovanni Corgiat Mecio aka Corgiat and Riccardo Franco-Loiri, aka Akasha. The Live Show was conceived by mixing abstraction with concrete forms through extreme manipulation of data and signals in order to seek the point of contact between the ephemeral and the tangible world.

All tracks have been composed using analog synths and processors, real instruments. Raw and free recordings of voice (Claudio lo Russo, Luana Monisteri, Giulia Impache), percussions (Davide Broggini), saxophone (Angelo Rodio), double bass and cello (Piero Poli) have been stretched, morphed and filter to create an interpenetration between physical, analog and digital world. The result is a bpm-less continuous flow of gestures that follow one another spontaneously.

Corgiat at the audio with Ableton live, controller and analog gear communicates with Akasha’s Touchdesigner instances through MAX/MSP patches and OSC in real time, creating an endless A/V flow that hypnotises the audience while sparking new existential questions around human essence.

Release date: July 6th, 2023.

Premiere: Corgiat - Story of a Lamb [Hedonic Reversal]

1. Ankubu - Misfire
2. Pushlock - Wakizashi
3. Capiuz - Sorties de l'Oubli
4. Gabsphere - Eukaryote
5. Hampar Soum - Up Tea
6. Eduardo - Our Shelter
7. PRESENTE - Untold
8. Coeden & espect - Faraway
9. Pleading Fern - Stacco
10. Holy Similaun - Undrilled
11. Coeden - Arcane Sword
12. Wavefold - Stonehead
13. SY/N - The world is what you make of it 

Wetware Echo presents Residual Image, a compilation aimed to collect different perspectives on a common theme: the hijacking, disassembly and recombination of sonic DNA. From woofer-shredding distorted soundscapes to hi-pressure rhythmic solutions, this collection of tracks represents the residual image of a common vision shared among thirteen different artists, each bringing their signature sound in a narrative continuum exploring different evolutionary branches. Spanning across a broad spectrum of genres and moods, what emerges is a future-proof pool of sound data, ready and open to be re-encoded differently at each listen.

WETWARE ECHO - VA - RESIDUAL IMAGE [WETECH03 SNIPPETS]

Blink Of An Eye

MNEMOSYNE w/ Myalo & Rogian (16.03.2024)

Wave Channel is back with a late April Episode featuring Myalo.
 
Diving into different topics ranging from sociology to neuroscience, conscious and unconscious behaviors, Myalo aims to explore the different aspects of what we call mind/soul through his musical experiments. Guided by everydays sound, media malfunctions and aleatoric composition, Myalo’s sound ranges from introspective ambient works constellated by fragmented textures to slow and bassy rhythmic tracks and high pitched digital glitches. 

To further explore the mind, Myalo started MNEMOSYNE, both a label and a memory driven mix series of “sound collages”, where artists can musically describe themselves with all kinds of sound data and influences.

For this episode on Wave Channel he maps out a comprehensive landscape of contemporary electronic music, layering a variety of sounds for a new sonic journey.

Welcome to the Wave.

Wave Channel Ep. 18: Myalo

Glingling

"Here we celebrate memory, the most precious gift of life, the only root of dreams, inspiration and knowledge"

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MNEMOSYNE is a series of archival sonic mixes that wants to celebrate Memory, as it covers the most important role in creativity, progress and life itself.
By presenting a different vision of it on each episode, participants will distill memories and ideas that formed their projects, using a variety of audio materials to create a sonic self portrait.

Contact: myalomusic[at]gmail.com

MNEMOSYNE #049 - OPFX

Myalo // MNEMOSYNE

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