Very nice, lovely to hear a live version! :D

I love the variety of instruments and also the dynamic composition, the difference between hard and soft themes.

Youtube: https://www.youtube.com/watch?v=W7sFOPB5aa8

The guitarized version of my OSC 162 track "Shifting Station".
DAW: Ardour 6.9 on ArchLinux

Audio Plugins:
LSP Parametric Equalizer
Dragonfly Hall Reverb
Calf Vintage Delay
airwindows ToTape5
ZaMultiCompX2
ACE Compressor
LibreArp

Amp Simulation:
Guitarix
airwindows amps

Synths:
SurgeXT
AMSynth
setBFree
 
Master Bus:
ToTape5
LSP Parametric Equalizer
LSP Stereo Compressor
LSP Multiband Stereo Compressor
ZaMaximX2
x42-dpl

Shifting Station II

KVR One Synth Challenge submission
https://sites.google.com/site/kvrosc/2023/osc-176-wavetable

Tractor Overdrive

Rusty Inside

An entry for the KVR One Synth Challenge #176 - Socalabs Wavetable.

The story so far :
A wavetable, a Jamaican, and a cowboy walk into a bar...

Thanks to Socalabs for a fantastic free wavetable synth!  10 instances used here, with some additional free effects (Deelay, FreeClip, kHs Transient Shaper, MEqualizer, and Kotelnikov and Nova from TDR).

OSC176 - Socalabs Wavetable

High Plains Grifter

OSC176 OnTrackP "Fill In the Blank"

YouTube version has better streaming quality: https://youtu.be/_RndMOSLUzo

"An anomalous behavior of unknown origin..."

Created entirely with "Wavetable" synthesizer from SocaLabs

A nice free synth for those who starting experimenting with wavetables and modulation. However, some of the modulation sources seems to be not synching with the DAW correctly (particularly the trance gate).

16 instance of "Wavetable" used to create a track.

Submission for One Synth Challenge #176 featuring "Wavetable" by SocaLabs.

One Synth Challenge archive: https://sites.google.com/site/kvrosc/2023/osc-176-wavetable?authuser=0

Follow me on Twitter: https://twitter.com/infravolt

***Additionally, you can find download links on my Patreon page https://www.patreon.com/infravolt. The links for this track will be available for public till the end of November. After that, they will be available to purchase in the shop.***

Circus 76

Infravolt - Circus 76 (OSC#176)

Here's my OSC for the month using Wavetable vst.
made with 27x wavetables and the following plugins:

VST:
Air2
BusterSe
IronOxideClassic2
Kolin
KolinMB
Limiter No6
LoudMax
MackEQ
Melda MRecorder
PurestGain
STFU
SuperCharger
Tilta
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR Vos SlickEQ
Valhalla Supermassive
Wider

Bitwig:
Arpeggiator
Chain
Convolution
Delay-2
Drum Machine
Eq2
FX Layer
Gate
Humanize
Instrument Layer
Key Filter
Note Delay
Note Grid
Note Repeats
Note Transpose
Peak Limiter
Tool

Tones Of The Color Woeel

MadMcMan - Tones Of The Color Woeel

OSC KVR submission
https://sites.google.com/site/kvrosc/2023/osc-177-synful-vsco2

Sunrise

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

OSC#177: Synful Orchestra

DAW: Cubase
Instances: 3 + VCSO2 Percussion
FX: Cubase EQ, Frequency 
3rd Party FX: Panagement 2, Berlin Studio, LALA, Oril River, Deelay, The God Particle

Taron - Synfully Romantic

Final Placement: 5/32 (Top 5)
Made for KVR Audio's "One Synth Challenge" #177

This month, it was "SynfulOrchestra" by Synful; and "VSCO2 Percussion," recorded by Versilian Studios/Sam Gossner. These two plugins, as well as some raw approved samples used in the latter, were the only plugins(/samples) used across multiple instances. This month, in addition to the use of stock-effects and perpetually-free effects, free plugins could be used to break the normal rules, while commercial plugins were allowed and could be used to follow them.

Because of this rule-forgiveness, it was also requested that the use of these plugins be explained. Instead of wasting the space required to do so in this description, I have instead done so in this Google Doc: https://docs.google.com/document/d/1X0a-u-xW2ewqLFM5_s7vW8pk0zEhk5rLwspcwQKPEQ4

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YouTube: www.youtube.com/user/NeuKatalYst
SoundCloud: soundcloud.com/neu-katalyst/tracks
FaceBook: www.facebook.com/NeuKatalYst
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Email: NeuKatalYst@gmail.com
Discord: neukatalyst

Thanks for all your support!!

Shifting Station II

MyLoFy

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