"Hover" is the 1st single from my 3rd album, which will be released in September 2023.

Composed and produced by My Noisy Twins | linktr.ee/mynoisytwins

Mixed and mastered by José Veiga | www.miasma-studio.com

Photography and artwork by Bruno Martins | www.brunomartins.pt

Supported by Fundação GDA | www.fundacaogda.pt

Hover

"With an obvious focus on clubbing culture and combining jazz atmospheres and elements with house and uk garage rhythms, this EP reveals the most uptempo side of My Noisy Twins discography to date. Luminous tones and chords, seductive brass sounds, syncopated basses and swinging beats typical of the dancefloors of the '90s/ 2000s era". 

Composed and produced by My Noisy Twins | https://linktr.ee/mynoisytwins

Mixed and mastered by José Veiga | www.miasma-studio.com

Artwork: Jorge Cunha Machado | https://linktr.ee/jorgecunhamachado

Ghost Clubbing

Skip Class

Quicken Your Step

By The Way

Jumps, Swing and Gamblers

Jumps, Swing And Gamblers

Cut Corners

Composed, produced and performed by My Noisy Twins | linktr.ee/mynoisytwins

Behind Mist and Morning

Last Dust

Cocoon

Voejo

Composed, produced and performed by My Noisy Twins | linktr.ee/mynoisytwins

Voice and lyrics by Karlon | www.karlonkrioulo.com

Si bu kre paz bu ten ki ta paz 
Oubi ke kin sta flabu escuta nha rapaz 
Desdi pikinoti kin dadu edukadon 
Nunka ka bu falta alguém respetu ku razoun 

E ka kestoun di ganha ou perdi escuta nha brotha 
Eskeci kel raiva ki dja bira moda 
Nada ê ka sima na Kel tempo percebi 
E sima um balança ki sta na centro intendi 

Redi social local ilegal 
Manera di controla bu stadu mental
Está controla entri programasoun 
És ta daí remédi ku bu kre nha irmoun  

Pega na lápis escrevi ou desenha 
O más importanti ê da kel registo da mantenha
História Sta poui people na combati 
E kel ki sta da ka vez más piripaki 

Flan kem ki ta fazi justiça 
tudu ki nu ta odja á pála di noticia 
Flan flan flan flan flan flan flan

Nunka en pensaba ma mundo ta tchigaba es pontu ná
dja tchiga dja tchiga dja tchiga dja tchiga

Keli e balada di My Noisy Twins 
Redi madrugada you know what i mean 
Tudu djuntu ta fazi sempri algo inédito 
Keli e ka assunto ki bu ta fazi inkerito

Keli ê mas um aula di doutoramento 
Ê ka á pala disso ki nu ta bai pa parlamentu 
Eskeci conversa di midia ê sou kliche 
Keli ê técnica pa bu pega na livro e lê
  
Na escola és ta inchinanu tcheu matéria 
Más maioria ta caba na miséria 
Um más um pamodi ki ê ka 4 
És ta fazi di manera pa nu xinti me um pacto
 
Ou mamã mundo ka mereceba isso 
Li ke babilónia entri inferno e paraiso 
Tudu misturado ta mata podi dinheiro
Keli ê novo era entri ganha poun e ferro

Flan kem ki ta fazi justiça
Tudu ki nu ta odja á pála di noticia
Flan flan flan flan flan flan flan

Karlon Krioulo, My Noisy Twins, bu sabi ê modi bu ka ten kau di korri bu ka ten kau di eskápa

sempri na ativo, si bu Kremlin um mundu midjor, nu ten ki muda konsciênsia

Flan kem ki ta fazi justiça 
tudu ki nu ta odja á pála di noticia

Flan flan flan flan flan flan flan

Nunka en pensaba ma mundo ta tchigaba es pontu ná 
Dja tchiga dja tchiga dja tchiga dja tchiga

Flan kem ki ta fazi justiça 
tudu ki nu ta odja á pála di noticia

Flan flan flan flan flan flan flan

Nunka en pensaba ma mundo ta tchigaba es pontu ná 
Dja tchiga dja tchiga dja tchiga dja tchiga

Fika firmi, bu sabi, sem medu. Informasoun ki nu ten haji en dia ê en demasia
Nem tudu ki n ta Odja ta servi pâ nous menti
Kabi abó filtra, bu ka ten kau di korrigieren bu ka ten kou di eskápa

Flan (feat. Karlon)

Safo

After Law

Composed, produced and performed by My Noisy Twins | linktr.ee/mynoisytwins

Voice and lyrics by Scúru Fitchádu | scurufitchadu.bandcamp.com

Nina Ninar
Nina Nina
Ninar
Nina Nina?
Ninar Ninar
Nina
A Porta
Aporta
Acorda-te
Atravessa a margem sem lua de dar à costa
num banho imenso em espuma que encalha na rocha
bilhete sem volta? ignora
pelas gentes com linguarejado que vem com sal na língua
pelo gingado das ancas que vem do sul para a finta
pisa a estrada na calçada encardida entre ziguezagues no horário desta rotina
há neblina... olhares de quem jaz na esquina dos audazes tentos à criminologia
A brisa da madrugada traz melodia no bico para as dores de não ter telhado
de correr descalço, incauto em alcatrão que ferve em chão molhado à procura de uma luta digna pelo não salário de fim do mês e uma vida digna é claro que vês
a merda à distância, de fim da linha... linha de branca, uma corda, dormência num vazio, num buraco na cana? Vês, enxerga, estás a ver?
a nota fiscal de cobrança, enxerga paga ou baza
É uma não questão e o foda-se constante, fogo na peça, pé na porta e pedrada no vidro da janela, solta a fera, ferida aberta e dor desperta
de quem repousa prostrado no banco de jardim, rodeado de pombos malditos e afins, meninos ruins de fato de treino que degolam só porque sim
e tu... tu não és passivo, tens é medo de levar no focinho
Descansa menino
Casa para viver, bom porto para morrer
Passadeira de sinal intermitente, mar agitado numa jangada com serpentes de decadência grotesca de som industrial batente.
Nina Ninar
Nina Nina
Ninar
Nina Nina?
Ninar Ninar
Nina
Encadeado pelas luzes, os holofotes, as cruzes e do txim txim do meliante
que te persegue em passo de galope, mas tu vês o reflexo no espelho e és tu o meliante, és tu o transeunte és tu o vulto distante
de toques gélidos e de dedos frios a novas plantações de algodão
luvas, adidas e balaclavas perdidas, duas claves de niilismo pós puberdade
correntes, pólvora e lâminas refundidas prontas a cantar se lhes olhas torto e viras.. já foste dentro de um carrossel em rodopio
onde tombas nesse asfalto ainda quente de quebra gerebra quebra
por onde jaz a paz e o desassossego dum bailado decadente e de um ruidoso silêncio em modo tenso
A noite onde histórias desaparecem com o vento
Anónima a voz da memória, o vento
a memória a voz anónima
o vento

Luta? Essa luta
que te brinda de cálice vazio
e aperta o punho até que o vidro
penetre a carne
o vazio
Luta? Essa luta
numa noite sem lua
entra pelo mato a dentro
a caçada o alimento
Luta? Essa luta
numa noite sem lua
Noite
Sem lua

Ninar (feat. Scúru Fitchádu)

Next Door

Bite the Bullet

Composed and produced by Jorge Cunha Machado aka My Noisy Twins.

from "Fragments of a Living City", released December 9, 2019.

"Petit Doigts" (Adapted from "Laughing Song" by William Blake)

Quand les bois verts rient plein d’accents de joie,
Et que le ruisseau ridé suit son cours en riant,
Quand l’air rit aussi de nos joyeux ébats,
Et que la colline rit de tout ce bruit d’éclat,

Quand les prés rient de leur verdure vivante,
Quand les prés rient de leur verdure vivante,
Quand les enfants
De leur douce bouche ronde chantent: “Ah, ah, hi !”

Quand les oiseaux pleins de couleurs rient,
Quand les oiseaux pleins de couleurs rient.

from "Fragments of a Living City", released December 9, 2019.

Fragments of a Living City

Petit Doigts (feat. Berta Azevedo)

Composed and produced by Jorge Cunha Machado aka My Noisy Twins.

from "Fragments of a Living City", released December 9, 2019.

Sudden Drop

Composed and produced by Jorge Cunha Machado aka My Noisy Twins.

Voice by Berta Azevedo.

"Strand to Strand" (Adapted from "Lines" by Frances Hellen Watkin)

Don´t give it room, don't oh no

At the Portals of the Future,
Full of madness, guilt and gloom,
Stood the hateful form of Slavery,
Crying, Give, Oh! give me room
Room to smite the earth with cursing,
Room to scatter, rend and slay,
From the trembling mother’s bosom
Room to tear her child away;
Room to trample on the manhood
Of the country far and wide;
Room to spread o’er every Eden
Slavery’s scorching lava-tide.

Shall the wings of darkness
Brood and hover o’er our land,

At the Portals of the Future,
Full of madness, guilt and gloom,
Stood the hateful form of Slavery,
Crying, Give, Oh! give me room
In his hand he held a banner
All festooned with blood and tears:
‘Twas a fearful ensign, woven
With the grief and wrong of years.
On his brow he wore a helmet
Decked with strange and cruel art;
Every jewel was a life-drop
Wrung from some poor broken heart.

And from many a throbbing bosom
Came the words in fear and gloom,
Tell us, Oh! thou coming Crisis,
What shall be our country’s doom?
Shall the wings of dark destruction
Brood and hover o’er our land,
Till we trace the steps of ruin
By their blight, from strand to strand?

Shall the wings of darkness
Brood and hover o’er our land

from "Fragments of a Living City", released December 9, 2019.

Strand to Strand (feat. Berta Azevedo)

Seizing The Dawn

Ricochete

Composed and produced by Jorge Cunha Machado aka My Noisy Twins.

Voice by Berta Azevedo.

"Cold Hill's Side" (Adapted from " La Belle Dame Sans Merci" by John Keats)

O what can ail thee, my knight, knight-at-arms,
Alone and palely loitering, haggard and so woe, so woe - begone?
I met a lady in the meads, so beautiful —a faery’s child,
I met a lady in the meads, and her eyes, her eyes were wild.

I made her a garland, set her on my pacing steed,
For sidelong would she bend, and sing to me
She found me roots oh so sweet ,took me to her Elfin grot,
wept and sighed full sore, and there I kissed her wild wild eyes.

O can ail thee, my knight, my knight-at-arms,
Alone and palely loitering, haggard and so woe, woe – begone?
I met a lady in the meads, she lullèd me asleep,
there I dreamed, woe betide! The latest dream I ever dreamt.

I saw pale kings pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci Thee hath in thrall!’
I saw their starved lips with horrid warning gapèd wide,
And this is why I sojourn here, alone on the cold hill's side
Though the sedge is withered from the lake, and no birds sing.

from "Fragments of a Living City", released December 9, 2019.

Cold Hill's Side (feat. Berta Azevedo)

Composed and produced by Jorge Cunha Machado aka My Noisy Twins.

Voice by Berta Azevedo.

"Open Road" (Adapted from "Song of the Open Road" by Walt Whitman)

Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.
Henceforth I ask not good-fortune, I myself am good-fortune,

I whimper no more, postpone no more, need nothing,
Done with indoor complaints,
Strong and content I travel the, I travel the open road.

The earth is,
I said that the earth, that is sufficient,

(Still here I carry my old delicious burdens,
I carry them, men and women, wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return).

Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.
Henceforth I ask not good-fortune,

I whimper no more, postpone no more, need nothing,
Done with indoor complaints,
Strong, healthy and free I take to the, I travel the open road.

The earth is,
I said that the earth, that is sufficient,

I do not want constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

from "Fragments of a Living City", released December 9, 2019.

Open Road (feat. Berta Azevedo)

Ambush

Composed and produced by Jorge Cunha Machado aka My Noisy Twins.

Voice by Berta Azevedo.

"Rush" (adapted from "A Report to an Academy" by Franz Kafka)

I come from the Gold Coast.
A hunting expedition lay hidden in the bushes by the shore as I ran down in the evening. Someone fired a shot. I received two hits, one in the cheek, the second below the hip. I woke up in a cage.

Hold onto, hold on brothers
Hold onto, hold on sisters

For the first time
in my life
no way out, no way out
my new life, one feeling
no way out, no way out.

I was without a way out yet I made remarkably little noise,
without a way out remarkably little noise.
If I were invited to that ship again...

Hold onto, hold on brothers
Hold onto, hold on sisters

burning pipe
against my fur
spit faces
always came back,
burning pipe
against my fur
spit faces
always come back

I have beaten my way through the bushes.
I had no other way, always assuming that freedom was not a choice, assuming that freedom was not a choice
I do not complain, but I am not content.

from Fragments of a Living City, released December 9, 2019.

Rush (feat. Berta Azevedo)

"Portuguese electronic music producer, sound designer, musician and DJ, also known as Jorge Cunha Machado. Characterized by an evident appropriation of cinematographic language, it sways from dystopian, gloomy narratives connected to a urban imaginary related to trip hop, dub and bass music, to light, luminous spatiality associated with nu jazz and house. It is a living, mutant, kinesthetic organism, one of stories, metamorphosis and events. An organism of strong contrasts, layers and juxtapositions in which sound is almost visual". 

Biography: "Driven by the interest in melding music and other arts (performing arts, visual arts, amongst others), he soon found out that this interest had turned to an academic and professional career. Involved, as a musician, in multidisciplinary projects, he composes for theatre, dance, cinema, video-art, performance and children’s storytelling. He also cooperates as a percussionist with several musical projects, producers and authors. Amongst other groups, his participation in OCO, ATMA, UDJAT Ensemble, Cachupa Psicadélica, stand out. He is currently involved in three musical projects, two alter egos, MY NOISY TWINS and REFOGADO, and is part of the world fusion band OCO".

MY NOISY TWINS

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