Name: SUBROUTINE by MYRONE in The Upload
Duration: 3 min 21 s
Description: https://myrone.bandcamp.com/track/subroutine

Dem leads and sytnths. Its like one of those commercials where you can see chocolate and peanut butter swirl together in harmony. I like it a lot.

The atmosphere of this track is both mellow and raw at the same time, like something Buckethead or King's X would make.  I can imagine this being used in a fight scene in something like 'Fist of the North Star'.  Long story short, I absolutely love it!  Also, I love the artwork!  It's really trippy and I love the primary color exclusivity.  Did you make the art, too?

This whole songs like, “Hold this in your chest!”

The Upload

Youtube: https://www.youtube.com/c/FlorianOlsson
Twitter: https://twitter.com/FlorianOlsson
Facebook: https://www.facebook.com/FlorianOlssonMusic/

Tabelras EP is now out for free! https://florianolsson.bandcamp.com/

New chiptune, not part of the EP that will get released in just a few weeks. Might be in a future EP, if I would continue doing such things.

Sound quality got destroyed by Soundcloud, sorry about that. Not like it matters. Worse quality enhances chiptunes, right?

Bandcamp

Villfarelse

Melodic speed metal with insane sweeps. Enjoy ya freaks!

The Kingdom Of Freaks

Amplitude Problem's winning entry for the Read Only Memories remix contest. (Technically a cover since I'm not using any audio from the original.) http://midboss.com/2015/09/remix-only-memories-contest-winner-announcements/

Original composition by 2 Mello for the cyberpunk adventure video game Read Only Memories by MidBoss: www.midboss.com/ROM

BUY GAME

Read Only Memories (Amplitude Problem cover)

This is probably a phase but I can't stop making this stuff!

Hatzenbach

Maciej Kuciara  is the artist. they are amazing and you should totally check out their work!

Synth Warrior

https://power46.bandcamp.com/album/new-pripyat

Made in roughly 26 hours, but over the course of more than half a year. The person who started this track isn't the person who finished it. Thus far, this is without exaggeration, the most ambitious, most impressive piece of music I've ever created.

This is a track from an upcoming album which I've teased before. Realising that the album is a long way off, I decided to show off a single for it to ease the wait. Maybe I'll show off more singles as time progresses! We'll have to wait and see.

The album revolves around two concepts:
1. Different environments from around the world. In the case of New Pripyat, this refers to towns, cities and rural areas abandoned after nuclear disasters.
2. Variable mixing. Quickly becoming a staple of interactive media, variable mixing involves loops of music being mixed according to interaction from the audience. When arranged linearly, say, for an album, typically variably mixed music will be structured according to how one loop of music fades into another. This is kind of the opposite: This entire track was written as a linear piece of music, sorted into loops like an imitation of how variable mixing would work.

The original arpeggiator motifs occurred to me after listening to a bunch of Fort Romeau's music, and I knew I had to write it down right away. This section starts at 2:33, and combined with the distant-sounding guitar section which precedes it, contrasts the solemn, desolate loneliness of the area, and the mysterious, electronic side. 

3:48 is the first sign of hostility the irradiated landscape shows, and it's aggressive, powerful, and ever-so-slightly sad. It's a mourning of the destruction caused by this power, as much as it is a display of reverence.

5:32 is what I consider the beginning of Part 2. It's not a very long part, but it's important. It's a moment of majesty and of revelation. I consider this the theme of the reactor core, the epicentre of the disaster, which had the sheer power to provide plentifully for the people it eventually drove away. It is the point where this force originated, and it is the point at which the journey must end.

6:30 marks the beginning of Part 3. This is the piece's climax and its ending. The theme of this part begins with just a string ensemble, to give it that scale, depth and emotional edge, but to leave it timbrally somewhat empty too. The rest of the instrumentation doesn't come in and take the spotlight until the drums kick in, and from there, the piece ascends to its climax.

8:12 was always how this track was going to end. No matter what direction the piece traveled in, I somehow knew that this was going to be its ending. It's supposed to be a point where New Pripyat seems to have reached its peak, only to be pushed just a bit further by that last chord.

9:03 is an obvious homage to Kraftwerk's 1975 version of their track, Radioactivity. I liked the idea of this being quietly played off to one side by an old, worn down record player while something climactic happens off in another room, or perhaps it's just a feeling of winding down after resolving a high-stakes crisis.

New Pripyat (OUT NOW)

https://www.youtube.com/watch?v=_YfeTYz0vZ8&t=1s

MEMBERS ONLY

https://myrone.bandcamp.com/track/subroutine

SUBROUTINE

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Pirate

Buy Now

ZAYAZ - Dreams

Full Compilation : lazerdiscs.bandcamp.com/

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Synth Junipero - A Retrowave Compilation

Miami Days

AM 1984 - Miami Days

A new version of something else I've wanted to do for a while.

Something Else

Something Else (Redux)

my most elaborated future garage song so far, don't know if the best but really high up there definitely.

Spotify

Black Landscape

Forest of Awakening (unmixed) ft. Spamtron

One of my works I didn't feel was finished yet. However, decided I would fit it in to release one more track for this year and this was the closest to finished.

Rise

#softshred 

HUGHBMYRONE AT GMAIL DOT COM 

SUBROUTINE

MYRONE

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Shanahan Mc Manahan

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