I bass boost songs and upload songs that I enjoy listening to!

Established in the 90s, Misstress Barbara (word play between Miss and Stress) is a pioneering DJ/Producer and one of the first female superstar DJs who helped inspire future generations with her explosive Techno sets. Whilst headlining major festivals and events globally, there was a period in the ’00s when she was consistently voted inside of DJ Mag’s Top 100 DJs.

Born in Italy, she moved to Canada at age 8. Curious and passionate by nature, she loves exploring new fields and reaching new goals. To name a few, she is a drummer, she has a glider and private pilot license, she graduated University in Communications/Cinema, she is a boat captain and sailing instructor, and she also launched her own bean-to-bar chocolate brand Barbon Chocolate, crafting everything by hand herself. A woman of many talents indeed.

But among all of her passions, music was always her main focus since the start of her remarkable career, which has earned her multiple accolades (2001 Best Montreal International Music Initiative Award / 2002 UK Underground Music Awards’ Best Breakthrough DJ / 2009 GAMIQ’s Best Electronic Album of the Year Awards and 2010 Canada’s JUNO Awards’ Best Dance Album of the Year nomination for “I’m No Human” / 2014 MTL Awards’ Best Montreal DJ, to name a few). Her extensive discography is found among the world’s best Techno labels, including her own, launched in 1999 under the name Relentless, which became Iturnem in 2003. Barbara Brown used to be her alter-ego used for her softer productions, but she now releases all her music under her main name, regardless of the style, as she did for her albums I’m No Human and Many Shades of Grey. This might confuse her most loyal techno fans, although they should rest assured that she will never stray away from her first true love: Techno.

The Online Dance Music Authority.
Dancing without prejudice since 2008.

“Am I a legend?”, asks Jody Wisternoff, questioning the question. “The thing is, legend tends to suggest you’ve had your time, got the pipe and slippers out and only work occasionally as the mood takes you, and nothing could be further from the truth in my case; I continue to push forward and evolve, plus I’m busier now than I’ve ever been!” Seriously? Clearly Jody Wisternoff is a man whose personal dictionary doesn’t contain the term ‘tread water’.

Jody has indeed been pushing the envelope his entire career, which started at the very early age of 13 years when he and brother Sam prodigiously reached the finals of the DMC HipHop Championships. This success was compounded two years later when they found national fame as Tru Funk, landing themselves on the pages of cult magazine The Face and Tim Westwood’s Radio 1 playlist. “Obviously it was a different genre to what I’m known for now,” explains Jody, “Bristol’s always been renowned for the calibre of its dub scene and the artists that have come out of it. In the late 80‘s and early 90‘s I was very much a part of that movement, which provided me with an invaluable foothold in the world of dance. I soon found myself DJing to thousands at fondly remembered festivals such as Universe and Fantazia. It was a crazy time.”

These formative years were influential too, for it was this background that underpinned the ethos of Way Out West, which Jody founded with Nick Warren following a chance meeting in a local record shop. Fusing Bristol’s dub roots with club beats Way Out West captured a sound unlike any other at that time and burst onto the mid-nineties dance scene with
seminal hits such as ‘Ajare’ and top ten smash ‘The Gift’, which they even performed on Top of the Pops (RIP). When not appearing on nationally treasured TV programmes they could be found remixing the likes of Roni Size, M-People, Orbital, Tiesto, Sasha, BT, UNKLE, James Holden and Fatboy Slim’s Freak Power alter ego; touring the world alongside dance titans Faithless and The Prodigy and collaborating with Trevor Horn, arguably one of Britain’s most successful and revered producers. How many can boast a CV like that?

But perhaps most remarkable of all is that, in this highly disposable world of dance, Way Out West continues to this day. Currently working on their fifth album, Jody explains the key to their longevity, “It’s because we don’t live in each others pockets and take long breaks between WOW projects. In other words, we keep it fresh.  It’s a cycle of about 4 years focusing on solo stuff, followed by a year back together, which is great because we bring all our new experiences from this time apart time and feed it back into the band. It’s not something we planned, or rather, do plan, it’s a schedule and process that’s developed over time and works.”

So what of Jody’s solo endeavours? Well, if you think these are fallow periods living off the echo of past Way Out West achievements, you’d be very, very wrong indeed. Once again Jody’s incomparable ability to succeed with production and DJing has seen him climb to the highest heights of Beatport (and we’re talking THE overall, not genre chart here) and iTunes; remix Above & Beyond, Robert Babicz and more; tour the UK alongside 808 State legend Graham Massey; maintain a monthly show ‘Intensified ’ on Frisky radio, now in it’s eighth(!) year; take on an A&R development role for Anjunadeep signing acts such as Lane8 and Lancelot and, as if all of that weren’t enough, release his own solo album, ‘Trails We Blaze’. “It’s probably fitting to end this biog as I began,” concludes Jody, “I really am busier now than ever, which is a blessing. Whether I’m in the studio, playing to 5
thousand alongside A&B at the Ally Pally or touring the world, I’m still as excited by what I do now as I was when I began. The music, style and opportunities may have evolved over the years, but my passion remains the same. No time for pipe and slippers yet!”

This account expresses my 1st Amendment Right of #FreeSpeech
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Universally accredited with being one of the first DJs to open up the world of electronic music to global chart audiences, transforming the sound of radio and with it, the musical tastes of millions of listeners across the world in the process, David Guetta has established himself as a true, modern day dance icon.
After first making his presence most notably felt in the US with his production work on the Black Eyed Peas‟ „I Gotta Feeling‟ in 2009, a track that has since gone on to record over 8.3 million sales and establish itself as the biggest selling download in U.S. history, Guetta effectively laid the foundations for what is now a burgeoning, worldwide dance music scene. This success translated across the Atlantic too, with both „I Gotta Feeling‟ and the equally anthemic „When Love Takes Over‟, featuring former Destiny‟s Child songstress Kelly Rowland, both rocketing straight to the top of the UK Singles charts. Similarly, Sexy Bitch ft Akon, hit the top spot in multiple countries and made David not only king of the clubs, but a household name.
Following the subsequent release of Grammy-nominated, platinum selling albums „One Love‟ in 2009 and follow up „Nothing But The Beat‟, both of which have boasted numerous #1 singles such as „Titanium‟, „She Wolf‟, „Without You‟ and featured collaborations with everyone from Snoop Dogg to Sia; Usher to Nicki Minaj; Lil Wayne to Rihanna, Guetta has continued to build on his vastly impressive, ever-growing musical legacy.
In total, Guetta has sold more than 8 million albums and 40 million tracks. Not bad for a DJ!
Fast forward to 2014 and having focused on his own „Jack Back’ imprint throughout the first half of year - the label from which he cultivated the careers of then-budding DJ‟s Nicky Romero, Avicci, Afrojack, Showtek and more – David released a trio of club singles including „Bad‟ and „Shot Me Down‟ that have each hit the #1 spot at Beatport within their first respective weeks, he is now channeling all his efforts towards what will be an incredible sixth studio album. The new major single “Lovers On The Sun” will bring together the three Jack Back singles for a summer 2014 EP; sure to be an anthem in the Balearics and beyond.
It is also worth noting that Guetta is now regarded as one of the world‟s most popular figures on both social media and streaming platforms. He has close to 55 million Facebook fans, 15 million Twitter followers and 2 billion YouTube views. Plus 5 million Spotify followers which is well over half their registered user base. The stats speak for themselves.
As well as his influence on the culture of dance music and its subsequent impact on popular music across the world, Guetta has also helped solidify the notion of the DJ being the artist. Not just prolific and talented producer, David is a DJ first and foremost and tours non-stop. He has already played to well over 1.5 million people in 2014 alone, reinforcing not only the global reach of his music, but the unprecedented demand that exists to watch DJs perform. Headlining multi genre festivals, EDM gatherings and his own stadium shows, he has helped lead the change of the landscape - forever.
Having also recently announced coveted Ibiza residences at both Pacha and Ushuaia, as well as an extended run of European festival dates across France, Germany, Estonia, Italy, Sweden, Iceland, Italy, Russia, Spain and Scotland before the summer is out, 2014 is shaping up to be one of David Guetta‟s biggest years to date.

🎩 The Magic Track
[Peter Makkai & Andras Szerepi]

Furious Mandrill Records
Masterworks Music
Hot Digits Music
...and more
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The Magic Track is a co-operation of two infatuated house and disco DJs and Producers from Debrecen, Hungary

Gio, formerly known as Giocator was raised on classic house and techno, and also influenced by the sound of the 80's electro and synth-funk sound. In his twenties he produced Drum & Bass, released more than 50 tunes worldwide and also managed a label called: Black Seeds Recordings.

After more than a decade of DNB, he returned to the disco scene and now he takes advantage of his previous experiences and learned skills to create something new.

Gio is a typical INTJ, constantly pursuing and seeking for patterns. A wine-lover, who admires Russian literature as much as Latin culture and mentality.

DRJ, formerly known as Dr. Juzztice - grown up on 80's pop, indie, and UK punk - first played as a DJ 20 years ago in local bars, community radio stations.

With his former crew he was the promoter of a chillout venue of a local festival for more than a decade. He loved playing slower genres, like dub, downtempo and later he was very much into broken beat, nu jazz, or headz - among others.

Always spiced his mixes with some funk and around 2018 he finally fell in love with disco. He is an amateur cook, runner and a big fan of French comics.

It was inevitable that these guys will work together sometimes. They both love the classic funk & soul from the 70s and this is what they mix with brand new and recent house, disco, afro, brazil, indie dance and nu disco tunes.

Their producer career was started in 2020 only, with some minor appearances on And Friends Records. Couple months later but still in 2020, they released their first solo EP 'Four Seasons' on Furious Mandrill Records. Their first little successes, came in early 2021, when their second Furious Mandrill EP reached the TOP 10 at Junodownload and it was sitting there for more than two weeks. By that time their music was supported by Fingerman, Pete Herbert, The Funk District, Stephen Richards, Mannix, Paul Older, Igor Gonya and they made a lot of nice friendships which was a great catalyst on their productivity. They appeared again on toplists several times and made some nice releases on Spa In Disco, Tropical Disco Records or Masterworks Music.

Their latest digital EP was released on Hot Digits Music in July and also made it into the TOP100 on Junodownload. And what's more: some of their latest tunes were hit the record stores as well, as they released on Daje Funk Records, Legofunk, and on The Very Polish Cut outs.

Next magic music is coming soon on Samosa Records, Furious Mandrill Records, Spa In Disco and more...

DJ, producer, label owner and businessman: Mark Knight has proven a rare and wonderful breed of musical heavyweight. The second highest-selling Beatport artist of all time (with no less than eight No.1’s) his career has spanned more than a decade, with releases on a diverse range of labels such as Suara, 1605,  Stereo and of course his own Toolroom. Despite his success, the Grammy-nominated artist has never rested on the laurels of being one of the industry’s most respected and accomplished international players, and continues to push boundaries and set new standards with each year that passes. 

Armed with a musical library that knows no boundaries, a consistent run of hits and chart-topping ventures alike, the success of Knight’s recording career is matched only by the credibility and integrity maintained throughout his discography to date. Heard through a spread of anthems  (‘Man With The Red Face,’ ‘Alright’, ‘Downpipe’) along with producing bands such as Faithless and Underworld has sealed a diverse musical heritage for the accomplished producer. It’s music for passion, not numbers, and it’s what Mark Knight does best. 
 
2015 was a landmark year for Mark Knight. His track ‘Second Story’ on Suara was crowned an Essential New Tune by Radio 1’s Pete Tong, and went on to be one of the biggest records of the summer: another welcome accolade from the national broadcaster following Mark’s induction into Radio 1’s Hall of Fame earlier in the year. 

Last year also saw the release of ‘A Year In The Life’: a collection of highlights from Mark’s illustrious career. All proceeds were donated to the children’s charity War Child, while alongside the album, a feature-length fly-on-the-wall documentary - filmed over the space of an entire year – was released in January 2016. 

2016 has already marked some of Mark Knight’s strongest work to date. The key mantra has been about Mark stripping back his music and going back to his roots, creating more underground, club ready tracks. Mark has certainly achieved this through his sound and the labels in which he will be releasing on over the year, taking a step back from Toolroom from an artists perspective for the first time in over a decade.

Founded in 2004 and responsible for championing a wealth of talent from across the industry spectrum, the award-winning Toolroom Records will of course remain a key component in the life and times of Mark Knight. Having spearheaded the label’s new direction over the past few years as part of their pivotal #RESET campaign, Knight continues to have a leading role within one of the UK’s biggest independent record labels. 

Notable in 2016 is the label’s shift to focus less on singles and more on developing artists and releasing albums: one of Mark’s major priorities for the year. Toolroom has dominated the Beatport charts for over a decade with its forward-thinking house and techno releases, but with album projects coming up from Adrian Hour and Weiss now looks set to embark on a new chapter in its continuing evolution.  

Alongside his bountiful studio output, Knight has continued to grow his much loved radio presence, with Toolroom Radio now reaching over 13.5 million people in 60 countries across the world, all tuning in each week to hear Mark’s records of choice, while on iTunes Toolroom Radio was recently named in the top 20 most influential podcast by Digital Music News based on number of subscribers. Knight also remains a firm fixture on the worldwide touring circuit with a number of key residencies around the world under the Toolroom Live banner and performances at dance music bastions Space Ibiza and Amnesia as well as a host of landmark festivals. With all this in mind, it’s no wonder the Toolroom man has deservedly maintained his status as an indispensable asset to modern dance music.

Hi I Am 27 Years Old And My Name Is Chris So You Guys Can Check Out My Youtube And Ya But You Guys Can Add Me On SoundClound Thanks And This Is My Other Account So Sub To This One Also Thanks And You Guys Know To Follow Me Thanks For The GoodWork Fans.???

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