Excrept from "Straight is a lie" EP. Buy at https://temet.bandcamp.com

French producer Elise Massoni and digital artist Jack Anderson reflect on resistance and destiny in the visual for ‘G & More. Full video clip on YouTube :  
https://www.youtube.com/watch?v=e4WsDPc9cWo


Release : 07/02/21

Visual by Jack Anderson & DR.ME
Mastering by Krikor

Elise Massoni - G & More (Original Mix)

PRE-ORDER: https://post-hoc.bandcamp.com/album/v-a-out-of-living

Coming out on Post Hoc on November 4th

PRE-ORDER

PREMIERE : kiille809 - BUNK02 [PH005]

Taken from "Conrad Pack - Receptor EP"
Out 2nd December 2022.

Pre-order here: selnrecordings.bandcamp.com/album/receptor-ep

@conradpack

Conrad Pack - Stepper

Paris-based producer @ahossan pushes the stark poetry of Richie Culver’s track to a heart-shatteringly distorted peak

More info: https://djmag.com/listen/premiere-richie-culver-love-abscess-aho-ssan-remix

I was born by the sea (The Remixes)

Premiere: Richie Culver ‘Love Like An Abscess (Aho Ssan Remix)

don't let the sun dip below the waterline, let it aim let it trace with intention, let it tread the water, spring is over, don't close your eyes, let the sun blur in bloodshot gold as it slips into, a line who split the sky open, its brain draining into breath for warmth and romance, once a breeze and now a sign of belief

Guixine - Sun Hovers Parallel To The Waterline

artists Music Merch community     edit navigation bar  Everything Is Just For a While Vol​.​1

Hngwy - Braam Smoker

Guixine, pronounced gwisin, is a Korean folkloric ghost that haunts the living world out of spite. On the debut album by Guixine for Psychic Liberation, Woodland Fantasies, Guixine haunts through fifteen tracks of pressurized techno with deceptively complex minimalist gestures. Woodland Fantasies is rooted in a scene of narrative dichotomy for Guixine, wherein the forest exists as a “resting place for aspirations” while also the setting for an eroto-charged male getaway. Throbbing psychedelia pulsates through the album, soundtracking Guixine’s hedonistically inclined character, K. K embarks on layers of sexual viscerality in the tactile and relational, transcending the material sexual escapades of the group sex meet-ups in the forest environment towards a chemically vesseled psycho-spiritual realm. Negotiating K’s anti-climactic post sex purge with nymphs and forest characters, the emptying out of K elicits a portal of stripping away the inner burdens. K’s catharsis is only an entry point to their fevered experience, as K holds clutches a gay pornography magazine in the back of a van they enter  deeper and more difficult to ascertain “void”. We, the listeners, are left on a cliffhanger around K’s fate.
On Woodland Fantasies, Guixine gives you a long-form meditation on pointed rhythm efficacy through pressurized clicks and boiling bass curves. Composed entirely using the FM 8 VST, the longform release feels something like a peak Raster-Noton album, or Sigha’s “Purification Loops” through a Mika Vainio lens. Recorded during what the anonymously guarded Guixine recalls as their “worst depression of January 2022”, the album accentuates a winter isolationist sonic makeup, yet cleverly mixed for a louder and more sociable potential. Guixine’s anecdotal woodland fantasy sets a tone for a headier listener's evening nature stroll towards a night of unprecedented indulgences and potential. Full pressure and full volume applied, the walk towards the titillating unknown is enveloped by Guixine’s psycho-psychedelic-eroto journey.

Woodland Fantasies

PURCHASE

GUIXINE - Nobody can see us here (PLIB031)

Download: 
https://drive.google.com/file/d/10F8WW_xd8Y2TJI24TiO6QwxO8syt4naH/view?usp=sharing

Streaming: https://bit.ly/3rtd8Ey

Download

Broken Chains

Gh0st

fatalism — Deafening [M]oon

Club music culture necessarily shifted gears in many ways during and after the course of the pandemic. Older participants found their way into other interests and younger participants took new reigns to orient spaces they felt good inside of. The agenda for the music, and the cultural industry surrounding it at large, took a more frivolous and “fun” turn. Clubs needed to recoup lost money, people needed more refreshing catharsis for their nightlife escape, and in some pockets scattered around the globe a newer and younger cadre of producers/promoters/DJ’s pulled optical cues from a scattering of “darker” influences to give an alternate aesthetic to the aforementioned “vibes” culture. In the midst of this, a large polarization of conceptual energy shifted within the compositional and utilitarian machinations of the club music culture leaving behind the brooding and cerebral placeholders for a different kind of enjoyable hedonism. Terrestrial Paradise’ “Artificial Hell” harkens to another prescient time before that shift occurred. “Artificial Hell’ might just be an illustration of what all of this fun escapism encapsulates.

Terrestrial Paradise is the latest moniker from Montreal come Los Angeles based producer Jaclyn Kendal. Having developed and cemented her sonic positionality with releases on North American labels like Ascetic House and Summer isle over the years, as well as a series of monolithic live sets, Bank is pleased to announce Kendal’s Terrestrial Paradise first full length album “Artificial Hell”. Over the course of nine recordings, “Artificial Hell” gives a master class in pressurized industrial techno of the slower variety. Fitting with the legacy of Bank’s output since it’s inception, Terrestrial Paradise’s aesthetic sensibilities sit within the canon of a certain tinge of club music imbued with a sense of natural grit, sans pretense.

“Artificial Hell” nods to artists like Scorn, Regis, and 400 PPM while maintaining it’s own territory in the landscape of cerebral and brooding rhythmic techno. Ominous, mechanistic drones sit above succinctly exacted percussion composition and sound design. Throughout “Artificial Hell”, Kendal shows her proficiency with the push and pull of building and releasing tension. On tracks like “Salvation” and “Relativity” she melds her synth wash wallscapes with driving percussion, serving as both a hint and counterpoint to the the entirety of the latter part of the album taking on spartan ambient compositions as a way to keep the listener in a subdued stasis. This album is a statement piece from a long time participant in the North American underground music sectors. It reminds the listener through perilous, considered rhythms and darker drone impositions to cement themselves back into a place where not everything is always a good time.

Broken Chains

Mystics

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