UNDER CONSTRUCTION]

Meet ____________ (insect and spider specie, when I'm back in linux)

Calm and Steady tracks series no. 465

created on 2024/08/06

Picture CREDIT (none yet, there's no picture so far ; )

hk_calm-steady_tracks_465

The Pizza Party

Trop Intense

Chaptage - Wonders

The lost

From Long time ago album by @18uah
Bandcamp: https://mystictrax.bandcamp.com/album/long-time-ago
Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_mZOn5SKnJV1O3PH2P3FTR9WDCXopDc6cY&si=pT_x_9f5FixBXBqb
Spotify: https://open.spotify.com/album/3qsZSiOrQ0rJ5V3WbmHySo?si=KiBxs5SiRKCXCIDC9PVYrQ

«I started making this album at the beginning of a full-scale rissian war, and it was kind of spot-on - because all the tracks on this release were written by one take and I came back to them only when I started mixing. Because of that trax are my emotions and experiences of that moments and period of my life. This is my first release, although I've been writing music for a long time, but I'm glad that it will be my debut in it everything that I love in music from groove to noise, from breaks to ambient. For me, this release is something enigmatic and maybe for some it will seem depressing, but it is not, it inspires me to create and return to music again and again. Why exactly the name of the tracks? - the process of creating this release took me one and a half years, I very rarely returned to music during that period, but as you can see, it's good )))»

«Цей альбом я почав робити на початку повномасштабної війни
це було якось точково - бо всі треки які є на цьому релізі написані одним тейком і до них я повернувся тільки тоді як починав робити зведення і через це вони є моїми емоціями та переживаннями того моменту, та періоду мого життя. Це мій перший риліз, хоч і музику я пишу давно, але, я радий, що саме він стане моїм дебютним в ньомі все, що я люблю в музиці від груву до нойзу, від брейксу до ембіанту. Цей реліз для мене - це щось загаткове та можливо для кого здасться, що депресивне але це не так, він мене надихає створювати та повертатись до музика знову і зновy. Чому саме така назва треків? - процес створення цього релізу зайняв в мене півтора роки, дуже рідко повертався до музики у той період, але як бачите, мітко )))» 

Music by Illia Pryimak
Artwork by Volodymyr Baranovskyi
Mastered by Taras Bril

Bandcamp

18uah - Longtimedidn'tspeak

UntitledDec132023931AM.m4a

Noumen returns to Central Processing Unit after a six-year absence with Altum. This bumper record, the Ukrainian artist’s fourth release for the Sheffield label and first since 2019 double-LP Obscurium, serves to remind us all why Noumen’s music has been lauded by the likes of Mixmag and Resident Advisor in the past. Altum is a consummate piece of contemporary electronic production, a technoid exploration of outer-edges electronica that nods to genre greats like Autechre while still maintaining its own unconventional charm.

Across well over an hour of music here we find Noumen repeatedly playing punchy mid-tempo beat work off of some more cerebral tuned synths. Altum kicks off with the epic ‘Oion’ - beginning in that Autechre/AFX mid-tempo zone, full of deep-sea bangs and whirrs, the track slowly builds to a final stretch of delay-drenched keys which set us free amidst the outer cosmos, almost Sun Ra-style. It’s a perfect liminal-space roller and an apt scene-setter for Altum.

‘Oion’ provides a blueprint for several of the album’s other highlights - plenty of the joints here adopt that same approach of hitting hard with the drums and soft with the synths. Second track ‘Splitter’ takes on the baton from ‘Oion’ while souping up the kick to warehouse levels; the beats in ‘Far Wind’ splutter like a needle skipping on a mid-90s Tresor drop; ‘Fate Carette’, all eerie looped synth leads, is a highlight as the album enters the home straight.

The rhythm production (which, it should be noted, is exemplary throughout Altum) is ratched up in intensity on a handful of numbers. ‘Telemask’ displays a delightful breakbeat - if you’d told me this was sampled from golden age A Tribe Called Quest, I’d have believed you. Mid-section anchors ‘Awe’ and ‘Axis’ are glitchers in the Mike Paradinas mould, with the latter showing off some pleasing steel pan-esque synth leads for good measure. And while Altum generally maintains a processional pace throughout, there are points where Noumen toughens up the drums for club deployment - ‘Unveilness’ shows off a real chunkiness in the low end, closer ‘Spurling Sign’ plays a satisfying rolling groove off of ever-layering synths, and the title-track is an alien machine-funker in keeping with fellow CPU electronauts like Silicon Scally and Cygnus.

Noumen’s third album for Central Processing Unit is a pleasingly hefty double-LP which builds on the zany invention of acts like Modeselektor and Autechre to delightful effect.

FFO: Autechre, Aphex Twin, Modeselektor, Bochum Welt, LFO

Noumen - Altum

Azurite

READ > https://inverted-audio.com/premiere-synalegg-computer-series-14

French producer @synalegg returns to @ooh-sounds with Computer Series / Last Run - the final chapter in his radical generative music experiment. Built in Pure Data, Synalegg’s system composes autonomously, creating immersive, unpredictable sound worlds that blur the line between human design and machine logic.

The result recalls Autechre’s algorithmic precision, Jimmy Edgar’s Michaux project, and the mechanical curiosity of Aphex Twin’s Computer Controlled Acoustic Instruments Pt2 - yet feels entirely its own. Glitching rhythms, fractured harmonics, and fleeting human cadences emerge from the code, forming an uncanny balance between control and surrender.

A bold statement on authorship, automation and abstraction —-Computer Series / Last Run closes Synalegg’s exploration of machine-driven composition.

Synalegg - Computer Series 14 [OOH-sounds]

Pads From Outer World EP

Brain Computer Interface

Brain Computer Interface (PL_anet Remix)

BRISTOL,United Kingdom, Monday, August 18th, 2025—A multifaceted artist with a formal and lifelong training in jazz and electronic music, ZOiD (Daniel Jacobson), launches his seventh album Industrial Wind Quartet in collaboration with Cassiopeia Wind Quintet through his label Zoitrax, with twelve tracks available digitally through all streaming platforms including Bandcamp and limited edition vinyl starting on November 7th, 2025.

Industrial Wind Quartet is home to twelve tracks, with nine original pieces composed and arranged by ZOiD in collaboration with Ireland’s finest wind musicians from Cassiopeia Wind Quintet.

Four of the five talented members performed for the album: Deirdre O'Leary on clarinet and bass clarinet, John Hearne on bassoon, Cormac Ó hAodáin on French horn and Catriona Ryan on flute. Future live shows will also feature the Quintet's oboe player, Matthew Manning.

The album is rounded out by three remixes from some of the best techno and IDM producers: μ-Ziq (Mike Paradinas), EOMAC (Ian McDonnell) and Dan Curtin, each adding their own creative spin.
 
 ZOiD
Soundcloud: https://soundcloud.com/z_o_i_d
Instagram: https://www.instagram.com/zoid999/

μ-Ziq
Soundcloud: https://soundcloud.com/mikep
Instagram: https://www.instagram.com/mikeparadinas/

Zoitrax
Soundcloud: https://soundcloud.com/z_o_i_d
Instagram: https://www.instagram.com/zoitrax/

PREMIERE: ZOiD - Day Eight (Mu-Ziq remix) (Zoitrax)

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Carré & Danny Goliger - Up Too Late (Konduku Remix) [FAW004]

After completing another whirlwind mission of fast-not-hard righteousness, the Fast At Work crew returned home to reunite around their first chosen matriarch, who arrived with a cherished friend of the family in tow. Ideating a standout and full circle return to the ethos contained in the original FAW alien disc, Carré embarked alongside Danny Goliger not with the intent to craft a particular “sound,” but driven by the pursuit of discovery. Navigating through textured atmospheres, rhythmic explorations, and immersive landscapes, they allowed their gospel to unfold naturally—an organic process shaped by curiosity and intuition.
Each track was born from sampling its predecessor, creating a recursive dialogue that guided the creative flow and speaks to the spirit of DIY collaboration always present in FAW mantra. A commitment to a tension-building groove in ‘Up Too Late’, the warped dub throughlines of ‘Tricky One’, the intricate, delicate uptempo delight that is ‘Exit Plan,’ and the bridge between all four tracks ‘Don’t Keep Me In Suspense’ — each reflect different moments in this heli-journey. An expert in textural exploration, Konduku brought out the true hypnotic potential of the title track. Their influences ripple outward, yet the sound remains inherently theirs—fluid, unbound by singular genre or label.

Written and Produced by Carré Orenstein & Danny Goliger
Mastered by Nikolaj Jakobsen
Vinyl production R.A.N.D. Muzik
Artwork & CD by Studio Balcony
Distributed by One Eye Witness

 𝑪𝒂𝒓𝒓é
Soundcloud : https://soundcloud.com/carreo
Bandcamp : https://carre-carre.bandcamp.com/
Instagram : https://www.instagram.com/carre__carre/

𝑫𝒂𝒏𝒏𝒚 𝑮𝒐𝒍𝒊𝒈𝒆𝒓
Soundcloud : https://soundcloud.com/dannygoliger
Bandcamp : https://dannygoliger.bandcamp.com/
Instagram : https://www.instagram.com/danny_goliger/

𝑲𝒐𝒏𝒅𝒖𝒌𝒖
Soundcloud : https://soundcloud.com/kondukukonduku
Bandcamp : https://konduku.bandcamp.com/
Instagram : https://www.instagram.com/konduku/

𝑭𝒂𝒔𝒕 𝑨𝒕 𝑾𝒐𝒓𝒌
Soundcloud : https://soundcloud.com/fastatwork
Bandcamp : https://fastatwork.bandcamp.com
Instagram : https://www.instagram.com/fastatwork/

Up Too Late [FAW004]

Up Too Late (Konduku Remix)

Support & Buy

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Carré & Danny Goliger - Up Too Late (Konduku Remix) [FAW004]

It's Episode nr. 4 and we will keep going straight where we left off. Providing some deeper and darker bassy Acid electronics :)

www.operator-radio.com

pH<7 w/ Mau's Acid Machine - 21st October 2025

New premiere on Sonidos Subterraneos
This time we welcome the Athens-based label FERMA with Romphea – “Calls From Salem”, part of the stunning “Clash Driven Policies” EP.
Seven original tracks (3 bonus digital) full of character and atmosphere. Dive in and enjoy.
Next, you’ll find the full release description below_

As a co-founder, he has long shaped the label’s uncompromising DIY ethos—placing experimentation, raw energy, and community at the heart of its vision. After releasing in a series of acclaimed platforms, the forward-thinking DJ and producer from Vyronas, Athens returns to vinyl with a genre-defying release. Building on the experimental pulse and reshaping the edge between electro, breaks and techno, Romphea continues that trajectory,
weaving together tense polyrhythms, warped melodic fragments, and cavernous spaces.
This release features four, plus three digital bonus original tracks, aiming to provide a clear sound identity for the artist. The A-side opens with “Calls from Salem”, a dystopian slow burner that sets the tone with broken-beat percussion and dissonant synth stabs. “Steel Chair” surges forward with unrelenting force, propelled by serrated arpeggios and a barrage of fragmented vocals that rise and fall within the space, crafted for peak-time eruption.

Flipping to the B-side, “Paid Dividends” reaches full intensity, layering hammering kicks and percussion, while the low end rumbles with tectonic weight, amplifying the energy to fever pitch. Closing the record on a more contemplative note, “We Are The Universe” slows the pace, easing the tension and drifting into deeper territory. Echoing chords drift into space, layered with fragile percussive details and low, throbbing pulses. It’s a meditation on collapse and renewal, offering a moment of breath after the storm.

Extending beyond the physical record, this release comes with three extra digital exclusives. "Moonlighting" is another dancefloor stomper, capturing the tension and guiding dancers into a space where time dissolves, while in "Keygen Music", the rhythm remains grounded, but it is softened by melodic fragments that swirl in and out like fleeting memories. The release closes with "The 286 Theory" as a fierce statement: a four-to-the-floor cut, with layers of percussion that drive the groove forward, bringing the record full circle.

Straight from the source, defying the norms, devoted to the art. Do not sleep.

Artist_ Romphea
Title_ Clash Driven Policies EP
Label_ FERMA
Country_ Greece
Genres_ Electronic, Electro, Techno
Format_ Vinyl/Digital
Catalogue_ FERMAV005
Release Date_ October 30, 2025
Buy_ https://ferma.bandcamp.com/album/clash-driven-policies-ep

Follow FERMA_

Facebook_ www.facebook.com/ferma.athens/
Instagram_ www.instagram.com/ferma.athens/
SoundCloud_ @ferma_athens

Follow Romphea_

Facebook_  www.facebook.com/rompheamusic
Instagram_ www.instagram.com/rompheamusic
SoundCloud_ @rompheamusic

Follow Us

linktr.ee/ssubterraneos

| PREMIERE | Romphea - Calls From Salem | [FERMA]

TL Premiere #2029 (2025.10.25) : Noumen - Fate Carette [Central Processing Unit]

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For this 188th Premiere of 2025, we have a track by Noumen titled ‘Fate Carette’ from his forthcoming LP "Altum" on the independent British record label, founded in Sheffield in 2012, specialising in electronic music : Central Processing Unit.

The album will be available on November 7, 2025 in Limited edition 2 x 12" white vinyl LP + Digital. 

▶︎ Pre-order : https://centralprocessingunit.bandcamp.com/album/altum

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

Release Info :

Noumen - Altum

Preview here: soundcloud.com/cpurecords/noumen-altum

Noumen returns to Central Processing Unit after a six-year absence with Altum. This bumper record, the Ukrainian artist’s fourth release for the Sheffield label and first since 2019 double-LP Obscurium, serves to remind us all why Noumen’s music has been lauded by the likes of Mixmag and Resident Advisor in the past. Altum is a consummate piece of contemporary electronic production, a technoid exploration of outer-edges electronica that nods to genre greats like Autechre while still maintaining its own unconventional charm.

Across well over an hour of music here we find Noumen repeatedly playing punchy mid-tempo beat work off of some more cerebral tuned synths. Altum kicks off with the epic ‘Oion’ - beginning in that Autechre/AFX mid-tempo zone, full of deep-sea bangs and whirrs, the track slowly builds to a final stretch of delay-drenched keys which set us free amidst the outer cosmos, almost Sun Ra-style. It’s a perfect liminal-space roller and an apt scene-setter for Altum.

‘Oion’ provides a blueprint for several of the album’s other highlights - plenty of the joints here adopt that same approach of hitting hard with the drums and soft with the synths. Second track ‘Splitter’ takes on the baton from ‘Oion’ while souping up the kick to warehouse levels; the beats in ‘Far Wind’ splutter like a needle skipping on a mid-90s Tresor drop; ‘Fate Carette’, all eerie looped synth leads, is a highlight as the album enters the home straight.

The rhythm production (which, it should be noted, is exemplary throughout Altum) is ratched up in intensity on a handful of numbers. ‘Telemask’ displays a delightful breakbeat - if you’d told me this was sampled from golden age A Tribe Called Quest, I’d have believed you. Mid-section anchors ‘Awe’ and ‘Axis’ are glitchers in the Mike Paradinas mould, with the latter showing off some pleasing steel pan-esque synth leads for good measure. And while Altum generally maintains a processional pace throughout, there are points where Noumen toughens up the drums for club deployment - ‘Unveilness’ shows off a real chunkiness in the low end, closer ‘Spurling Sign’ plays a satisfying rolling groove off of ever-layering synths, and the title-track is an alien machine-funker in keeping with fellow CPU electronauts like Silicon Scally and Cygnus.

Noumen’s third album for Central Processing Unit is a pleasingly hefty double-LP which builds on the zany invention of acts like Modeselektor and Autechre to delightful effect.

Tracklist : 
01. Oion
02. Splitter
03. Altum
04. Telemask
05. Awe
06. Calm
07. Axis
08. Centrip
09. Fate Carette
10. Unveilness
11. Twelwind Scars
12. Far Wind
13. Spurling Sign

releases November 7, 2025

All tracks written and produced by Andriy Vezdenko.
Mastered at Computer Club Sheffield
Design by Human / www.humanstudio.com

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Follow Noumen : 
Facebook : www.facebook.com/noumenmusic
Instagram : www.instagram.com/andrewnoumen
SoundCloud : https://soundcloud.com/noumen

Follow Central Processing Unit :
Facebook : www.facebook.com/cpurecords
Instagram : www.instagram.com/cpurecords
SoundCloud : www.soundcloud.com/cpurecords
Website : www.cpurecords.net
YouTube : www.youtube.com/user/cpuoutput

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Altum

Fate Carette

TL PREMIERE : Noumen - Fate Carette [Central Processing Unit]

We are pleased to announce the release of a new Artificial Intelligence vinyl reference.

This special limited edition vinyl features an outstanding selection of braindance and techno anthems by Tensal under his alias Komatssu.

1. A1-Contempla Abismo 
2. A2-El Gran Impostor
3. A3-Xenomorfo
4. A4-Oxidade Amanite 
5. B1-Animalia 
6. B2-Dementia
7. B3-Luna De Las Flores
8. B4-Suaño 

Pre-order now!
Also available: Test-Pressing 1x12' Ltd. edition.

https://artificialintelligencercrds.bandcamp.com/album/ai008-tensal-vs-komatssu-pulchra-errata

Format:12" Special Deluxe Limited Edition.
LTD. EDITION 12" TRANSPARENT YELLOW 180 gr.

Artificial Intelligence™
©+Ⓟ Artificial Intelligence 2025. Copyright Control

Mastering by Carlos Koschitzky at Koschitzky Studios, Gijón.

Artworks & Design by Fortun Fortun, Madrid.

Distributed by Clone, Rotterdam.
www.clone.nl

[AI008] Tensal vs Komatssu - 'Pulchra Errata' [Vinyl Snippets]

Ukrainian Experimental Laboratory of Sound
----------------------------------
world by @lostlojic

.
International Vermin Consortium
.
.
The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is eternal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
.
...
Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

18uah - Longtimedidn'tspeak

mystictrax ®

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