Recorded live at Baha Bar, Rye, Victoria, Australia.

A new addition to Myyth's set, Relics is the result of a mission to write a concise pop song. Blending a heavy rhythmic pulse, with fuzzed-out guitars and soaring vocals, Relics embodies the band's sound to a T.

Relics

Recorded live at Baha Bar, Rye, Victoria, Australia.

Drawn & Quartered marked the first Myyth song helmed as a four piece, and it shows. Layered, energetic, and abrasive—it was a clear turning point for what Myyth could really sound like. Sitting somewhere between Baroness and Queens of the Stone Age, this is a punk song with substance.

Drawn & Quartered

Recorded live at Baha Bar, Rye, Victoria, Australia.

Often heard as the live set opener ever since it appeared the Museum EP, Museum of Future Decay is a heavy rocker, that forms itself around a pulsating bass riff, with epic sing-a-long vocals, and huge guitar riffs. Museum of Future Decay is an understated slammer, similar in sound to 90's Soundgarden. Listen out for the live-only outro jam (really, it's very good).

Museum of Future Decay

Recorded live at Baha Bar, Rye, Victoria, Australia.

With the visceral force of Cog, and the denseness of Baroness, Hopeless Trader is a politically charged stomper that builds it's way from a rolling groove in the verse, to an epic chant-a-long chorus, and a bridge section that bursts open a cacophony of rhythm and noise.

facebook.com.au/myythband

Hopeless Trader

Recorded live at Baha Bar, Rye, Victoria, Australia.

The Sleep of Reason is an abrasive punk assault pieced together in Jordy's garage. A permanent fixture at live shows, it is driven by a chainsaw bass line and thunderous toms. Then the bridge explodes into a Rage Against The Machine style funk groove and a psych-rock freak out.

facebook.com.au/myythband

Sleep of Reason

An interview and a semi-acoutic performance on Southern FM's Sunday Sessions. 

Songs performed are: Drawn & Quartered, Eye of the Needle, Hell on Earth, Couldn't Find The Spine, and Relics. If you'd rather not listen to us ramble on, check the comments for timecodes.

Live Sunday Session [Live Acoustic Performance + Interview]

Self-recorded (in a garage, no less)and independently released, ‘RELICS’ is an undeniably unique sound of fuzzed-out guitars and catchy vocal hooks. A pop song at it’s core, ‘RELICS’ is statement from a band that refuses to set rules or genres.

Watch the video: http://youtu.be/G9yMQFEP_jc

myyth.com

B-side to 2015's hit record 'RELICS'. 'COLLAPSE WITHIN' backs it up with big riffs, catchy choruses, and textured jams.

myyth.com

Collapse Within

Melbourne disco-punks Myyth present their brand new single, Familiar. Myyth’s distinctive course edge finds itself engrossed in pop tendencies as the band seeks to further blur the lines between the heavy and the hook.

Familiar is a song about repeating mistakes. About seeking the new and  finding the mundane. About being hurt by what you know the most.

The release marks the first new music from the band in nearly two-years and follows a year of packed shows across Melbourne’s bars and clubs.

Familiar is the first taste of a new EP, due out early 2017.

This song was recorded on the STOLEN LANDS of the Kulin Nation. We pay our respects to them and their elders past and present. 

Drums recorded at Abbey Road Institute by Jonno Gaff.

Familiar

Melbourne disco-punks Myyth return with their new single SAVAGE HEARTS,  a pounding rock number filled with pop hooks and rolling bass riffs.

SAVAGE HEARTS is the lead single from Myyth's debut album due for release in late 2018. 

This song was recorded on the stolen lands of the Kulin Nation. We pay our respects to them and their elders past and present.

Drums recorded at Abbey Road Institute by Jonno Gaff and Joel Robinson.