gorgeous playing - extra special - wonderful whole tone experience - love this stuff - A+

excellent tracks on your cloud, radical approach & great guitar. play on sir. (<;

Sympa ! (Un petit air de Joe Satriani) 🎸🎸🔥

This is one of those songs, you just had to get off your chest! All of you creatives will understand that. Its not the hippest or the coolest song , even the music  is understated and the production is lacking, but the words are where the heart is .

Thank you for all of your wonderful plays playlists and shares, very much appreciated!


(c)  Vocalatti ASCAP

Deep Blue

A short tune built on random lyrics that popped into my head. Some sloppy piano but, for better or worse, it came out the way I imagined. Hope you enjoy it!

Five Times Faster

Written and produced by Belial Pelegrim for Triplicate Record's June 2024 various artist release of "Selections For Solitary Moments"
released June 26, 2024
https://tripfm.bandcamp.com/album/selections-for-solitary-moments

Mastered by Michael Southard

Iris

Sometimes it feels like we’re two old young lovers
We break up to avoid embarrassing promises
We get back together and the cycle repeats
And the clock keeps on ticking and the years slip away

Slip away, slip away, time slips away
The clock keeps on ticking but we still feel okay
Two old young lovers and we think we’re so hip
Two old young lovers on a strange crazy trip

We’re two uncertain hunters on a futile quest
Searching for the lost ark looking for the address
We’re two supporting actors looking for a leading role 
But most nights we’re just hunker down in our fox hole

Slip away, slip away, time slips away
The clock keeps on ticking but we still feel okay
Two old young lovers and we think we’re still hip
Two old young lovers on a strange crazy trip

We see ourselves as young brilliant story tellers
But as we tell our tales, we repeat ourselves
Sometimes we’re tossed about by insignificant whirlwinds
We feel as precarious as crumbling towers

Slip away, slip away, time slips away
The clock keeps on ticking but we still feel okay
Two old young lovers and we think we’re so hip
Two old young lovers on a strange crazy trip

We break up to avoid embarrassing promises 
That we never intended to keep
But then we get back together again 
Cause this hole that we dug is so deep

Sometimes we’re riding on the shoulders of giants
Other times we’re completely self-reliant

Some days it feels like we’re in control
Other days it feels like it’s just a dice roll

Sometimes we’re as strong as a young climbing flower
Other times it feels like we’re losing our power

We’re two old young lovers who don’t want face the truth
We’re two old young lovers trying to cling to our youth

Slip away, slip away, time slips away
The clock keeps on ticking, but we still feel okay
Two old young lovers and we think we’re so hip
Two old young lovers on a strange crazy trip
Two old young lovers and we’re joined at the hip

Old Young Lovers (lyrical collaboration with Michele Ansani)

Candy Glue

Happy to be back on SC with a new track, a new collaboration with my great friend and music inspirer Tom Régnier. Tom suggested we cover this popular French classic from the 70's, originally performed by Michel Delpech, and he created a wonderful arrangement in the purest Tom Régnier style. All I had to do was to sing and add a few guitar notes.

Arrangement, piano, keyboards and other instrumentation: https://soundcloud.com/tom-r-gnier
Vocals, guitar: https://soundcloud.com/alexis-roche-2

J'ai mon rhumatisme
Qui devient gênant
Ma pauvre Cécile
J'ai soixante-treize ans
Je fais de la chaise longue
Et j'ai une baby-sitter
Je traînais moins la jambe
Quand j'étais chanteur

J'avais des boots blanches
Un gros ceinturon
Une chemise ouverte
Sur un médaillon
C'était mon sourire
Mon atout majeur
Je m'éclatais comme une bête
Quand j'étais chanteur

Un soir à Saint-Georges
Je faisais la kermesse
Ma femme attendait
Planquée, dans la Mercedes
Elle s'est fait jeter dans l'Indre
Par tout mon fan-club
J'avais une vie de dingue
Quand j'étais chanteur

Les gens de la police
Me reconnaissaient
Mes excès de vitesse
Je les payais jamais
Toutes mes histoires
S'arrangeaient sur l'heure
On m'pardonnait tous mes écarts
Quand j'étais chanteur

Ma pauvre Cécile
J'ai soixante-treize ans
J'ai appris que Mick Jagger
Est mort dernièrement
J'ai fêté les adieux de Sylvie Vartan

Pour moi, il y a longtemps que c'est fini
Je comprends plus grand-chose, aujourd'hui
Mais j'entends quand même des choses que j'aime
Et ça distrait ma vie

Alexis Roche's Album

Quand j'étais chanteur (cover) with Tom Régnier

Since You Been Gone

Rockazul

Je cherche un sens

Je Cherche Un Sens - 23 - 07 - 16

Written and performed live on Elektron Analog Rytm Mk2 and Analog Heat+FX

#techhouse #uktechno #elektron #dc10 #bassline

DC-10

Metropolis

Free Album

K G G - Apocalypse Rising

- Official digital release on 27/12/2017

https://torresp2b.wixsite.com/matziz-compositeur/m-z


you can support the project and pre-order it at this address:

https://matzizrecords.bandcamp.com/album/prisme
by clicking on "Pre-order now"


Thank you for your attention.

Prisme

Perception (Reception)

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

Perception (Reception)

MZ

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