Note:
(English below)

Ennesima testimonianza del sotterraneo fermento Nefariano che ribolle incessantemente tra le pieghe della storia, questo mottetto del XVI secolo si basa, ancora una volta, sul testo de ‘La Mi SoReLa’, il quale, sebbene non esista alcuna evidenza al riguardo, è indiscutibilmente da attribuirsi a Fra Lubrìco da Cortona, l’oscuro monaco che sarebbe in seguito diventato l’oramai celebre e celebrato Papa Nefario I.

Diversamente dalla versione trecentesca, precedentemente palesata su questo stesso canale, qui la melodia si alterna tra le parti ed è inframmezzata da un oscuro testo che recita “Lorem ipsum, dolor sit amet.”

I criptomusicologi ancora non concordano se la misteriosa frase che inframmezza l’esplicito testo Nefariano sia un messaggio redatto in un codice che solo gli iniziati possono comprendere o la pubblicità subliminale di un word processor rinascimentale.

Anche in questo caso, le varie voci che declamano i versi originali, intonano le note prescritte dal testo stesso. È però interessante notare come, in questa versione, l’utilizzo del Si bemolle eviti il tritono (diabolus in musica), chiaro artifizio prudenziale data la pervasività dell’inquisizione romana in quel periodo storico.

L’antico manoscritto, redatto su un papiro di epoca precedente che si crede facesse parte del corredo sepolcrale del Faraone Patapumfete XV, pare sia venuto rocambolescamente in possesso del 127° Gran Maestro dell’Ordine del Sacro Mascarpone all’inizio del XXI secolo.

Rinvenuto all’interno di una forma di pecorino, il manoscritto è finalmente entrato nelle disponibilità degli studiosi dopo la dismissione delle proprietà del Gran Maestro a seguito della sua dipartita.

Per coloro che non avessero ancora chiaro l’ineffabile contenuto del testo ecco, di nuovo, come recita:

La mi sorela la si fa fare sol solfà.
Fami dorere! Fami dorere! Si! Do! Si! Do!
Si la mi sorela la si fa fare sol solfa, l’afare mi si farebe molle.
(Qui l’anonimo autore della musica si è preso una licenza, in quanto -dal contesto- si evince come il re bemolle sia in realtà un do diesis. n.d.r.)

Come già esposto, le voci che recitano il testo Nefariano, intonano effettivamente le note citate nel testo stesso.




Additional testimony of the underground Nefarian ferment that incessantly bubbles beneath the folds of history, this motet from the sixteenth century is once again based on the text of ‘La Mi SoReLa’, which, although there isn't any evidence to support it, is certainly attributed to Lubricious of Cortona, the obscure monk who would later become the now-celebrated Pope Nepharius I.

Unlike the fourteenth-century version previously presented on this same channel, here the melody alternates between the parts and is interspersed with an obscure text that reads “Lorem ipsum, dolor sit amet”

Cryptomusicologists still do not agree on whether the mysterious phrase that intersperses the explicit Nepharian text is a message written in a form that only the initiated could understand or an advertisement for a renaissance word processor.

The ancient manuscript, written on a papyrus from an earlier era believed to have been part of the burial equipment of Pharaoh Patapumfete XV, had come into the possession of the 127th Grand Master of the Order of the Sacred Mascarpone at the beginning of the 21st century.

Concealed within a form of pecorino cheese, the manuscript finally came into the possession of scholars upon the dismission of the Grand Master’s properties following his passing.

For those who may not yet be clear on the ineffable content of the text, please note that it is a pun, as the solfège -in Italian- sounds like a licentious text.

Here is a rough translation:
“My sister is getting it on the couch.
Give me pleasure! Give me pleasure!
Yes! No! Yes! No!
If my sister is getting it on the couch, my ‘thing’ would become flaccid.”

As already said the voices that recite the Nepharian text indeed sing the notes suggested by the text itself.

La Mi SoReLa (another one...)

I'm standing by the precipice and pray, feeling you flowing through me
Far up from above and from below, the wind is whispering your name

Lover's lost for words in the haze of a post-orgasmic daze...
Behind scarlet veils, shadows dancing upon the walls...

Emotions into motions, divinities entwined...
Bodies bathing in glowing red neon lights 
In passion dwells union a babylonian communion 
Venus lash the yearning flesh with the whips of her desire...

Their ambrosia is honey and wine...
From fruits that grow in heavenly realms divine 

I can hear you breathing next to me 
Feel your presence stirring up my being 
Alchemical matters of the heart dissolves and wash away the dirt 

Tounges taste and lips devour 
Heart's full and pouring over 
And he breathe her in, and she let him in

Emotions into motions, divinities entwined...
Bodies bathing in glowing red neon lights 
In passion dwells union a babylonian communion 
Venus lash the yearning flesh with the whips of her desire...

He is the air and she is the wind
(One soul, one heart, one spirit)
Like a sunlit morning just after the rain 
When all is reborned and reaching for the sun 
(Snow dance in vernal light)
A whispered augury in petals white...

Tounges taste and lips devour 
Heart's full and pouring over 
And he breathe her in, and she let him in

Emotions into motions, divinities entwined...
Bodies bathing in glowing red neon lights 
In passion dwells union a babylonian communion 
Venus lash the yearning flesh with the whips of her desire...

Emotions into motions 
Divinities entwined 
In passion dwells union 
A babylonian communion 

Spiritus Veneris

You should probably fear me
cause baby I read sign
and from what I've seen
the tracks U leave
is just how far I am behind
yea
I see U getting tricky as ur 
crossing over water
but I gotta remind ya
yea
I'm my mama's wild daughter
and I read sign
yea do U fear the reaper
do U think he's blind
(my god I need a better timeline)
cause I am the anchor point
and I swing wide
and I am the gravity
put myself outside
yea, and I read sign
cause, I am my mama's wild daughter
and I crush time
cause I am the line
and I read sign
do U fear the reaper
yea...do U fear the reaper

Bass Code

CeeJay Daryl💥 🚨

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