Tonsatta dikter av min farfar Axel Alfredsson.
Handlar om hans tid i USA, dit han emigrerade 1912-1921
Låtarna på Svenska handlar i huvudsak om hans tid i Sverige och de övriga fem låtarna på engelska om hans tid i USA bl.a. med mötet med Joe Hill.
Detta är ett projekt tillsammans med mina söner, där Anton Alfredsson producerat och Axel Alfredsson spelar bas. Konvolut är designat av Moa Grundvik Ördell

02. Höstnatt

I don’t Care (cover)

At The End Of The Dream- bE AnOthEr

Bolero

Fading away
Our town
It’s just fading away
Our town

Running from this April day
Brush in tow to paint the gray
Going dark with nothing to say, hmm
On the flat side of the night
I see darkness you see light
This homegirl is taking flight

Fading away
Our town
It’s just fading away
Our town

Your old plaid suitcase in hand
No destination no plan
It’s not hard to understand, hmm
Can’t give in fall hard and grieve
I’ll rollup my denim sleeves
Give you the miles that you need

Fading away
Our town
It’s just fading away
Our town

Homegirl fading away
Our town
It’s just fading away
Our town

Fading away
Our town
It’s just fading away
Our town

Homegirl fading away
Our town
It’s just fading away

HOMEGIRL (with Joliz)

Black Hole Boogie

Karawan-Blue-Sky-Version

Electro Genesis

travel diary 5 part

The-New-Adventures-Of-Raumschiff-Novus

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

Electro Genesis

CeeJay Daryl

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