Room144/6

a track from my new album, https://nystagmuskay.bandcamp.com/album/f-410?fbclid=IwAR0NIxerD0s6BtzdheSPldEWPfbgT5Mz7-ku3_ih0H4fz9w1lILUMlDs4bQ
 cover photo by @tathevenin

F 41.0

You Didn't Feed The Birds

Jingle - Коля/Сёма
Николай «Кока» Катков - Шизойд (Новосибирск)
Iванов Даун - Я вигулюю свою рибу (Киев)
АукцЫон - Колпак (Ленинград)
Людьска Подоба - Transsexual (Киев)
Красивая Пришла - Track 4 (Ижевск)
Апрельский Марш - Сержант Бертран (Свердловск)
Kurs Valüt - Veselo (Днепр)
Хуго-Уго - Мотороллер (Тольятти)
Город-Спутник - Untitled (Киев)
ДК - Заберите вашу жизнь (Москва)
Iванов Даун - Eyes (Киев)
Самцы Дронта - IIIeven (Ижевск)
Kurs Valüt - Kurs Valüt (Днепр)
НИИ Косметики - Оборотень лис (Москва)
Людьска Подоба - Шутка Бога (Киев)
Алексей Вишня - Вурдалаков гимн (Ленинград)

https://soundcloud.com/kursvalut
https://soundcloud.com/lyudska_podoba

One Arm Dj - Go Fight Yourself/03.03.2022

Bruises Reprise

Ψlstn

welcome to the house of whorrors
where your biggest dreams manifest into your worst nightmares


eternal darkness

Recorded live at Fields 2016 Festival at Muzeon. 
Music: Kira Weinstein, Lovozero.
Artwork: Daria Beskorsaya.
Recording & Mixing: Mikhail Myasoedov.

Lovozero + Kira Weinstein — Fields

Release date: September 29th
Pre-order: https://lullabiesforinsomniacslabel.bandcamp.com/album/l-szl-hortob-gyi-transreplica-meccano

Hungarian composer and musicologist László Hortobágyi, took his first expedition to North India in the late 1960's to record music, study philosophy and learn traditional instruments such as the rudra-vina, sitar, surbahar and tabla. These ongoing trips heavily influenced his musical style and much of his recorded work. LFI is happy to announce the reincarnation of one of his most illustrious works, Transreplica Meccano originally released by Hungaropop in 1988. 

As a child László fantasised about interacting with otherworldly muses and imploring them for the hope and guidance he yearned to escape the intellectual bareness of his surroundings. His early feelings of alienation combined with the almost sensual pleasure he remembers from these interactions, influenced and helped shape his life long musical journey.  In 1980 he established the musical society called Gáyan Uttejak Mandal. It was named after the Hindu-Moslem musician's society founded by Navraojí Kabrají in 1870 (it was the school of the great musicologist, V.N Bhátkhánde).
The society expanded throughout the 1980’s with an archive of oriental music, to be considered unique and unrivalled in Eastern Europe, which has operated parallel to the Gáyan Uttejak Studio and the Gáyan Uttejak Orchestra. The members have made it their duty to practice and study the world heritage of traditional cultures. 

The remastered and revised edition of Transreplica Meccano is reborn after 31 years.     László weaves a tapestry of sample based magic, transcribed from travels across the orient, transporting the listener to a fascinating world of archaic musicality. His sound palette is rebuilt and restructured using PCM morphology and FFT spectrum analysis as well as virtual overtone, processing synthesis software he developed in 1988. 
The new live program's repertoire is based on the classical Indian instrumental technique of the Gáyaki-Ang and the Tablá-tárang polyrhythmic structure and is mixed with his developed sound morphology of the granular systhesis technique according to his original 'computed memesis of music' concept. The result is an incredible amalgamation of musical worlds, allow yourself to be immersed in a truly unique dialect.


L. Hortobagyi : ibm-pc, sampler, been, synths, tabla, sitar, vocoder
Nora Hortobagyi : voice, strings

P. Radvanyi : Sygnus modular-synth (on Cathedral of Reptiles)
Toto : bass
Goezi : pozauna 
Chipy : flute
(on Nono-bol)

Recorded in the Gayan Uttejak Studio, Budpest. 1986 
Remastered and revised by L.Hortobagyi in 2006

László Hortobágyi – Transreplica Meccano (LFI009) Preview

Zweitbesetzung - All Der Verkehr

ВОСТОК 2

Support artist

Burning Woman – Machines

Однажды мне приснился сон - в нем плакала земля,
Стонали горы, и водой смывало города,
Огнём кипели жерла Зла и лава склоны жгла,
Лишь в нашем доме был покой, была любовь тогда.

Луну накроет тёмный дым, не будет солнца днём,
Погаснут звезды - и Земля уснет смертельным сном,
Холодным ветром унесёт последние лучи...
Тепло дыханье лишь твоё, легко дыхание твое
И губы горячи...

Иногда нам снятся сны, похожие на смерть,
Иногда нам снятся сны, похожие на боль,
И хочется сильней сжимать твою ладонь,
И хочется скорей забрать тебя с собой

Ничего не бойся

_______________________________________________________


Do Not Be Afraid 

One day a vision came to me; the earth was shedding tears. 
The mountains made a groaning sound and cities washed away. 
The fires of malice thundered forth and lava crossed frontiers. 
Yet love stood strong within our home - tranquility held sway. 

The blackest smoke will shroud the moon. The noontime sun will wane. 
Its final rays will disappear in freezing hurricanes. 
The stars will fade; the Earth descends into a deathly sleep. 
The only warmth is in your breath - a breath that’s so serene. 
Lips radiating heat… 

Sometimes we witness dreams, reminding us of death. 
Sometimes we witness dreams, reminding us of pain. 
Inspiring me to hold your hand – and tighter still. 
Inspiring me to take you far away from here. 

So do not be afraid. 

translated by David MacFadyen 



Ничего не бойся/ Don't be afraid

I am a sound artist and an experimental musician from Yerevan. Since 2002, I have been active in different punk bands as a musician. Since 2010 I have been producing experimental music. As a base for my work I use field recordings, as well as electromagnetic sounds that I record using devices I built myself. Technically I'm interested in any kind of sound, also the sounds that we don't hear, the electromagnetic wave activity. I am interested in the authenticity of street noises and acoustic sounds and I don't try to cut them to pieces. That's the reason why I manipulate and process the timbre of the sound in my sound work, without changing the form, the structure or the duration. Sometimes my music is created from the study of psychological problems, the diagnosis of disorders.

You Didn't Feed The Birds

n y s t a g m u s

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