for INFO Unltd.’s show on Cashmere Radio 

One day City’s came to town. Some people would argue City’s just like any other mall, eating culture and souls, leaving it to rot in its dysfunctional digestive system. But how would they know? The saying went like this; once you go to City’s, you’ll never go back. Born from mist, she’s like a custom made divination, serving you all your prophecies in paper-wrapped lies.

Voices from inside the mall: Ming Lin, Yen Chun Lin, Nikhil Vettukattil Kameran Nayyer, Adam Dove, Tosia Leniarska

https://cashmereradio.com/episode/info-unltd-ft-schloss-salon/

ewa awe & Matilda Tjäder - City's

NANAO

key! ft bobby raps - boys don't cry // this mortal coil - dreams are like water

boys who cried as they kissed (key! x this mortal coil)

ishi vu – La Luz
Label: Glum Trigger – GLUM3; Different – DIF480LP
Format: 2 x Vinyl, LP, Album, Clear & Yellow Transparent
Country: Sweden
Released: Aug 27, 2021

All motifs containing veneers of pressed straw (cross; hearts; clovers; etc) originally crafted by P. Bryntesson for 'Halmdokumentationen' (1984) & provided by Vänersborgs Museum and appropriated under a Creative Commons Attribution 4.0 license. Butterfly wing lettering sourced from Public Domain. Praying Man = Teo. Artwork ishi vu. Photo by Lisa Broms aka Inflykt. Written & Produced by ishi vu. Mixed by ishi vu. Mastered by Matt Colton. Additional production by DJ Haydn. © & ℗ 2021 Different Recordings / Glum Trigger. All rights reserved. DIF480LP Made in the EU. You Only Live Forever.

Digital album & Buy vinyl: https://linktr.ee/ishi____vu

🌐 https://www.instagram.com/glum_trigger/
🌐 https://www.instagram.com/ishi____vu/
🌐 @ishivu

Buy digital & vinyl

ishi vu – La Luz BLue18

Open Your Mind

Out now on DL & streaming. Taken from the album "Autobiography (Music from Wayne McGregor's Autobiography)" out 28 September 2018.
Mu store: https://planetmu.bleepstores.com/release/105082-jlin-autobiography-music-from-wayne-mcgregors-autobiography
Bandcamp: https://jlin.bandcamp.com/album/autobiography-music-from-wayne-mcgregors-autobiography
Buy: http://smarturl.it/JlinTheAbyssOfDoubt

By now, the story of how Jlin went from working in a steel factory in Gary, Indiana to being one of the most widely appreciated electronic musicians is well known. “Black Origami” was one of the most critiically lauded albums last year. Seriously prolific and seriously hard-working, she has toured constantly since its May 2017 release and despite being involved in a wide range of projects, still manages to find a balance and “do some personal healing and growing.”

Here we are over a year later with “Autobiography,” the score for her collaboration with renowned British choreographer Wayne McGregor (arranged by Unsound). This isn’t technically her third album (that’s due to arrive in 2019 or 2020), but the soundtrack flows with all the emotional peaks and troughs of a well-sequenced LP.

For Jlin, making music for dance is the fulfillment of one of her lifelong dreams – and remarkably, Company Wayne McGregor’s performance was the first show she’d ever seen. She describes the process of working with Wayne: “We first met face to face in October 2016 in a downtown Chicago hotel, talking for about a solid two hours. Immediately, I saw Wayne was very friendly and energetic. He’s brilliant, witty, and knows exactly what he wants; an absolute gem to work with. Before I even started composing for Autobiography, Wayne told me so gently that he trusts me completely with my direction of creating the score. That was the best feeling in the world. I would wake up at two in the morning and work until six in the evening until I completed all the pieces. We were both very happy with the outcome. Creating the score for an impeccable piece of work such as Autobiography changed my life as an artist.”

“Autobiography” is a highlight in an evolving and growing career. During the last year, Jlin has also become an in-demand remixer, securing her place among a roster of music heavyweights. Unsurprisingly, given her positive and outgoing nature, she also developed friendships with the artists she has remixed such as Björk, Max Richter and Ben Frost.

Jlin will be touring with Company Wayne McGregor performing “Autobiography” this year into next. She’s also completing a commission for the Kronos Quartet titled “Little Black Book.” She still approaches every performance “with the same attitude of doing my best to execute a good show, no more, no less. Doing my best is what’s most important to me.” She also still lives in Gary, Indiana, which keeps her grounded. She notes with her typical humility, “The local community is a little more knowledgeable of me now. But I don’t mind my community taking its time.”

Autobiography

Jlin - The Abyss Of Doubt

Mastered by @iseeflame
Artwork by TASHA KAPYUSHON (https://www.instagram.com/tashakapyushon/)

Release date:
7 April 2019

D Life

LOFT makes her Tri Angle debut in May with the ‘and departt from mono games’ EP. Hear the frenetic and electrified bass cut  ‘And Eats Itself And Eats Itself And Eats Itself’ now…

Read more: https://dj-m.ag/2vkq7YL

and departt from mono games

Premiere: LOFT ‘And Eats Itself And Eats Itself And Eats Itself’

Soft Serve

Ur blue

Do I hold you down
Bring you down
When Im around
But you're never coming back
Are you never coming back? 

You’re grasping on to all you got
Erase your self, you’ll be forgot

You’re trapped beneath the sheets upon your bed
Your wasted in the yellow and the red
Your trapped beneath your word and what you said
But Im better off without you

vocals by @https://soundcloud.com/babiibabiibabii
https://babii.bandcamp.com/album/iii-acapellas

BABii - RGB+ (N9OCS B-FLIP)

SLA07: 'Angels In The Sand' by @avastarr

"Angels in the Sand is the second album from Berlin-based artist ava*. Told through swaths of ambience that reference ava*’s own childhood spent on the shoreline, Angels in the Sand poses the ocean as something metaphysical and elemental, the solid ground of the shore rooted in reality while the waves and endless abyss beneath them represent memories and the allure of nostalgia.

Floating in the depths of memories provides a sense of weightlessness, their currents blanketing and comforting but also overpowering and suffocating. Memories are all we have to cling onto, but they can’t be changed. The longer you spend underwater, the more you uncover, and the more it closes in on you. The ocean’s tides are cyclical, but unpredictable: you know you’ll return to its undulating patterns, but it’s unclear who you’ll be when you emerge. Its a sacrifice to go in, but you innocently fall into a belief that heremust lay the answer.

Angels in the Sand is a project about loss. It’s about spending too much time underwater, too much time in reflection, too much time in your childhood, where benign symbols like the beach or the gardenia tree planted outside of your bedroom window become tainted by trauma, their glow of purity tarnished as the picture becomes clearer and clearer. It’s teary eyes in the water, where childlike melodies still play on repeat, the echoes of your voice as a little girl barely audible through the crash of the water.

Angels in the sand is a deeply personal record written, recorded, and mixed by ava* during intense periods of self-isolation, with little to no influence or reference, the writing process itself a silent, lived-in wave of reflection."

Production, vocals, mixing - ava*
Mastered by Jesse-Osborne Lanthier
Artwork by Amalcrossing
Video by Jenna St George
A&R by Otis Dehaes

BABii - RGB+ (N9OCS B-FLIP)

n9oc

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