(DAWNV/A2)
100 limited copies 
CD
Photos by Melchior Tersen
https://www.instagram.com/melchiortersen/
Mastering by @lastrackqlf

"The influence and presence of trap and rap in dance/experimental is obviously massive, and the lines between genres are more blurred than ever. HAJJ, however, says this is a recent thing; “I find that the electronic scene in France is just starting to encourage the integration of this culture. Not so long ago people insulted me when I played rap/trap in my sets.”

The underpinning idea for this compilation brought electronic producers not explicitly of that world to unpick whatever boundaries remain and contribute tracks for a mixtape – while a few of the artists are more obviously ready to “play the game” and already make music which exists pretty close to this horizon, this has been a challenge to think creatively for a few of the other artists invited."
Elliot Stevens for Ifonly

Dawn2021

Jonquera - Refluxus

@ubinas @ka-blam
https://ubinas.bandcamp.com/
https://kablam.bandcamp.com/

KABLAM - Flabbergasted & Stainful (Avbvrn Remix)

ALL TRACKS produced by N1L
AVAILABLE:  https://bit.ly/2DKcCYu
DISINTEGRATION TUTORIAL (video) 
☁☁☁☁☁☁☁☁☁     https://bit.ly/2QN6eCN     
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ARTWORK:
https://www.instagram.com/fume.head/
https://frktl.bandcamp.com/
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CONTENT METASTASIS #1

CONTENT METASTASIS #1 (mixtape)

SUPPORT via BANDCAMP

mixtape #1 (UNABRIDGED)🔁 2018

@thoo-m @infinite-machine
Read more: pw-magazine.com/2020/premiere-thoom-left-hand-crane-e-saggila-remix

Left Hand Crane

Left Hand Crane (E-Saggila Remix)

Premiere: Thoom »Left Hand Crane (E-Saggila Remix)« [Infinite Machine]

Although the initial seeds had already been planted, the largest part of these two tracks was produced by Francesco Birsa Alessandri (Sense Fracture) in Milan, Italy, during the strictest part of Covid-19 lockdown. While all around people were trying to make the best of their home confinement, all the Haunter co-founder could channel in this work was a sense of rage and frustration. The global pandemic was revealing once more how the current political structures do not exist to provide for the common good. World leaders exploited the state of emergency to provide for their own authoritarian agenda, working in conjunction with multinational Capital to reinforce the hegemonic status of the ruling class. It was immediately apparent that not even the possibility of death on mass scale was enough to re-think the force and economic relations that govern Earth. The possibility to think and work as a community constantly mauled by the paranoid, individualistic narrative of power, reinforcing the state of anxiety that permeates the world.

The furious yells in “What We Could Have Done” were sampled from Italian hardcore punk band Wretched’s 1984 classic “Spero Venga La Guerra”, its intro famously stating “I hope war comes, only then you’ll understand you could have done something”. War hasn’t come to the global north, but pestilence has, have now grasped what we could have done? How we could overthrow the present state of things and organize towards the future?

This single also comes out a few days after the murder of George Floyd at the hands of a police officer raised once more the evidence of systemic racism and the issue of white supremacy not only in the USA but in all western countries, giving birth to a mass uprise that makes the need and hunger for radical change impossible to ignore.
“RAN” a Japanese word for “riot” and “rebellion” is an invite to take action in burning down the castle, to join together and do all we can.

These tracks is dedicated to all individuals and organizations that have engaged in active popular solidarity and aid.
All the profits made by the sales of the single will be donated in an even split between the Brigate Volontarie Per L’Emergenza (Italy) and the National Bailout Fund (USA).

What We Could Have Done

Taken from SBKT034: Nahash - Flowers of the Revolution

‘Flowers of the Revolution’ is the new album from Nahash. 7 original tracks, including a collaboration with Osheyack, plus remixes from Elvin Brandhi featuring Kanja from Duma, Gabber Modus Operandi and DJ Plead

‘The album was written while researching and reading about the role that the US played in installing dictators in central and south America. The harsh and industrial sounds I used as a way to talk about what happens when the harsh reality of neo-liberalism takes over a country that could do very well without it.

I was reading and watching documentaries about Haiti and Cuba and trying to imagine what those countries would be without any western influence.

The ‘’flowers of the revolution’’ are the flowers that never grew, the fields that were burnt down, the plants that were trampled by boots.’ – Nahash

Flowers of the Revolution

Nahash - A Secret Christian Influence

Read more about Sprælle' single on CxC: https://couvrexchefs.com/en/tangible-spraelle/

Article

[PREMIERE] Sprælle - Tangible [self-released]

This week, we have two guest mixes from Philadelphia, PA and Richmond, VA (secret sister cities for those in the know). From Philadelphia, we have Estoc, a working DJ in the underground with a dance floor burning blend of hard dance and club music. From Richmond, we have Stiff Dance, known as the co-resident of Movement, one of the Richmond punk scene's favorite afterparties where she honed her blending and selecting to a razor's edge with a powerful command of gritty, old school and industrial influenced techno, EBM, and electronic post-punk. Enjoy! #supporticecream

ICE CREAM SUNDAY - VOL. 14: ESTOC X STIFF DANCE

Llanto - Cabrón

FAZA

"HYDRO" is the first track from @ice_eyes upcoming album "Vicious Circles" for @hypermedium

Read More:

https://soulfeederweb.com/blog/premiere-ice_eyes-hydro/