Bianca Oblivion & ONHELL - Sinais

NAAFI PIRATA 666
Nuestra colección de bootlegs, edits, unofficial remixes y club tools de amigos y familia. / Our summer collection of bootlegs, edits, unofficial remixes and club tools from the naafi family & friends.
credits
released July 25, 2023

Compilado por: DJ Fucci, Mexican Jihad & LAO
Master: LAO
Arte & Gimp: mexicanjihad&co.
NAAFI –2023 CDMX

EL ALFA X PESO PLUMA X YELRAM - PLEBADA EDIT

LA ZOWI X W.A.H.– CHAPIADORA EDIT

Dj Fucci Feat. CRRDR - Freseo

Mix: Dj Fucci
Master: Imaabs

Dj Fucci Feat. CRRDR - Freseo

#DecidiendoJuntos

TRACKLIST ➫http://naafi.mx/tardeada-mix/


Tracklist

PAUL MARMOTA - TARDEADA MIX

Bianca Oblivion & Onhell - Sinais (The Glitch Mob Remix)
https://biancaoblivion.bandcamp.com/track/sinais-the-glitch-mob-remix

Bianca Oblivion & ONHELL - Sinais (The Glitch Mob Remix)

Sinais (BJF Remix)

Dj Fucci & Jensen Interceptor - El Infierno
credits
releases November 15, 2024 

Arte: Tobias Dirty - Chismosas (2022) Cortesía del artista & Galería Agustina Ferreyra. 
Master: Imaabs 
N.A.A.F.I ® 2024 CDMX
license

Manita de Gato

BALKAN PRINCE CHRONICLES VOL. 2

CRIMINALA KIUCHEK

Furia Bajío

Furia Bajío

CRIMINALA NEKIUCHEK

Gashadokuro

Este EP ha tenido un proceso creativo muy divertido, ya que gran parte de la influencia del sonido que decidí adoptar en esta ocasión, fue inspiración de la night life en Europa, principalmente en ciudades como Budapest y Barcelona.

Snessorial

Senssorial

Komokulea

Luxuria

LUXURIA

Na Pista was born during a sweltering summer in Lisbon, as King Kami experimented with synths at a friend’s studio. What began as playful sessions evolved into a hard-hitting blend of aggressive Jersey club and breakbeat patterns, infused with nostalgic melodies from early 2000s funk brasileiro. The track also features energetic vocal samples from DJ Celly, adding a layer of club heat and Brazilian flair. The result is an electrifying, percussive anthem built for the dancefloor—where bass-heavy pressure, syncopated drums, and shimmering synth lines collide.

King Kami is a dynamic and forward-thinking DJ and producer, known for electrifying sets and genre-blurring productions. Her unique style weaves together funk brasileiro, breakbeat, electro, and volt mix, often incorporating elements of jungle and the nostalgic melodies of early 2000s Brazilian funk. Her music pulses with both raw energy and a playful, emotional edge, drawing inspiration from underground club scenes worldwide.

Na Pista

Kaosmetrik

Hotwire

Meanstreak

Ce Eh

Hop Drum

Nereie

En El Fondo Hay Asiento was crafted in Zunfo’s Denver studio, where the two artists combined rhythmic patterns from kuduro, dembow, and raptor house. The track culminates in a striking tempo shift, breaking down into zouk bass—a move that deepens its hybrid club energy.
Designed for adventurous dancefloors, the single is a bold exploration of Latin American rhythms, club futurism, and heavy low-end experimentation.

Entrañas & Zunfo - En El Fondo Hay Asiento

Rituales

Accioné

Rituales brings together four tracks that deepen a creative process Tufi has been developing over the past three years—built on experiments with recorded samples, online fragments, and heavy sound processing chains. Each track is a unique exploration of hybrid rhythms and emotional textures.

Fuera de Serie unfolds in 3/4, with a percussive framework drawing on cumbia and murga. Accioné began as an attempt at UK garage, later absorbing kuduro, grime, and hyperpop influences. Retruco leans into Jersey Club, EDM, and dubstep intensity. Up the Mont interweaves broken rhythms, rave shouts, and percussive patterns, co-created spontaneously with friends and colleagues.
The EP reflects Tufi’s collaborative spirit, featuring joint sessions with Cimarrón in Buenos Aires and DELLA in Barcelona, later developed through remote exchanges.

Retruco (Ft. Cimarrón)

@nomusicforgenocide is a cultural boycott of Israel. Over 400 initial artists and labels have geo-blocked and removed their music from that territory in response to Israel's genocide in Gaza; ethnic cleansing of the Occupied West Bank; apartheid within Israel / '48; political repression of Pro-Palestine efforts wherever we live; and the music industry's own ties to weapons and crimes against humanity. 

This tangible act is just one step toward honoring Palestinian demands to isolate and delegitimize Israel as it kills without consequence on the world stage. The successful cultural boycotts against apartheid South Africa prove that our creative work grants us agency and power. When we wield it together, we add unified pressure to a growing, global, interdependent movement, from Hollywood to the docks of Morocco.

Within a few months of Russia's invasion of Ukraine, every major label either unilaterally removed their entire catalogue from Russia or closed operations entirely, implicitly or explicitly condemning Putin's actions while donating to Ukraine. No such measures have been taken against Israel, or in support of Palestine, after decades of illegal occupation and 23 months into Israel's accelerated genocide.

This initiative is borderless and open to all artists and labels who want to boycott. We hope it leads to additional efforts against the music industry's complicity.

https://nomusicforgenocide.org

Tracklist: 

1. Eisebelle - Trance2001
2. TSVI & DJ Plead - Swanky
3. Nazar - War Game
4. Dj Narciso - Vazio
5. Surusinghe - Likshot (Original Mix)6.  Scarlett - Ultra (Javier Estrada Remix)
7. Entrañas - Dale Sonido
8. Aria - Flub
9. J. Córdova - No Quieren Tiroteo
10. Le Kacang - Droid Ambush
11. Imaabs & Other Islands - n-1
12. Omaar - Cherry Boy
13. Jameson - Urban Hero (Zutzut Edit) 
14. Lila Tirando a Violeta - Rest and Relaxation (Imaabs x Other Islands Remix)
15. Lao &  Other Islands -  Menos Dicho
16. PLAYBOI CARTI - FOMDJ (KAVARI RIP MORPHINE MIX)
17. Pura Pura - Just Gettin' Hot
18. Negdedunn - Mizik pou la Klib
19. King Doudou -  MOTOTAXI
20. Exploited Body -  Unravel
21. Imaabs & Other Islands - Deposition

NMFG

Imaabs & Other Islands - NMFG x RADIO ALHARA

TRIBAL 2025

La  Revolcada

Tecuani

Suspiro

Trabant

La Araña

Al Sabor

Juicio Rojo

La Tremolina

Huimanguillo

Nivel de Conciencia

TRIBAL 2025 arrives as both a tribute and a reinvention of Mexican tribal—a genre that, since the early 2000s, has collided coastal percussion, pre-Hispanic rhythms, and regional sounds with global electronic music. From Monterrey and the State of Mexico to Guerrero-Oaxaca’s Costa Chica, tribal has left its mark on dance floors and shaped the cultural identity of a generation of Mexican and Latin American producers.

Over a decade after NAAFI helped put this sound on the map, TRIBAL 2025 offers a fresh take. This isn’t nostalgia. It’s the raw power of tribal—its driving rhythms, communal pulse, and deep-rooted cultural ties—pushed into conversation with experimental strands of contemporary music and new ways of thinking about the club.

The compilation gathers a new wave of producers exploring tribal from every angle: Clap Freckles, El Chico Callado, Dj Fucci, DNZA, Underwght, Dj Weed, HMR, Lao, Entrañas, El Irreal Veintiuno, Debit, Siete Catorce, Homie Luna, Ezya, Cler, Sandunga, Syztema, OZOMATECUHTLI, Ruido Con H, WTTLC, and Zutzut. Each track bends the genre, expands its edges, and asks: what can tribal mean today?

More than a tribute, TRIBAL 2025 is a declaration: tribal remains a space for experimentation, identity, and the global reach of Mexican electronic music.

Curator: Pablo Ramirez (Dj Fucci)
Artwork: Espejo de Obsidiana por @mexicanjihad_co con logo de ZOMBRA (2025)
Mastering: Imaabs at Modos Studios

Tecolotl ft Siete Catorce

Agujero

Toka (Short Mix)

Thakuki

Selva Artificial

Abismo represents a powerful fusion of two electronic styles with deep Mexican roots: Circuit and Tribal Guarachero. The track’s infectious cadence blends Latin rhythmic tradition with a modern club sensibility—an anthem crafted with flavor and intensity for the dancefloor.

Clap Freckles is a Mexican DJ and producer from Monterrey with over a decade of experience in electronic music. Since the early days of the tribal movement, he has kept its essence alive and vibrant while expanding its possibilities. His distinctive style fuses Latin roots with contemporary electronic sounds, positioning him as both an emerging reference and a key figure in the evolution of Tribal Guarachero.


Abismo

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