Tatyana Jane - Elixyr
NAAFI 2024 NF074

Pre-order: https://tatyanajane.bandcamp.com/album/elixyr

Tatyana Jane - Mapanes

J. Córdova & karennoid - aruÑo

We are thrilled to unveil our debut EP, Cápsula, and proud to announce Agua de Rosas as a music label. Cápsula is a collection of tracks created on the Southside of Chicago while Entrañas was on tour in the U.S. in May of 2024. This EP is a collaborative effort in friendship between Entrañas, J. Córdova, karennoid, Kema, Moreit, and Liquid City Motors.

Gage Park - Entrañas x J. Córdova x Liquid City Motors x karennoid

Computation RMX

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024
Artwork by Benfika

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Caverna

PRE-ORDER

Entrañas - Coscacho (IM114)

Brazil, Peru and Chile unite their hybrid club BPMs on the Third World Gang Vol. 2 compilation brought to you by the Algol, Matraca and Makinmovs labels.

Read more on CxC 🔗 couvrexchefs.com/en/snpr-bss-muevelo-t-w-g-vol-2-algol-matraca-makinmovs

Article

PREMIERE: SNPR BSS - Muévelo (T.W.G. Vol. 2)

"y?" weaves in and out layered vocal chops from two very famous perreo samples, mandatory ones in any perreo sample pack.
In this track, electric basslines, combined with switches between 4-on-the-floor and broken drum patterns, y? suggests a creative and stimulating tune for the club.

Free Download

Juana Valeria - y? [FREE DOWNLOAD]

Magma diisponible en bandcamp:

https://undrwght.bandcamp.com/track/magma

Magma

TSVI - Syyyyymn (Girl Tool Remix)

SLSWP - Vol. 2

Cash From Hash - Pimenta

DNZA and Undrwght, two Mexican producers from Tlaxcala, make their anticipated debut on Terminal with "Ravers," the first glimpse of their upcoming self-titled EP. This release marks the fourth collaboration between these artists, who have built their reputation through a sonic approach that fuses the intensity of Latin bass with the textures of club music, drawing influences from hard drum, baile funk, and leftfield bass. In this single, DNZA and Undrwght push the boundaries of club sound and Latin bass.

Recorded at DNZA’s studio in Tlaxcala, "Ravers" is the product of an improvisational process where studio sessions become a sonic laboratory. The producers have struck a perfect balance between experimentation and dancefloor functionality. Inspired by the energy and atmosphere of raves, the track bridges textures and rhythms that echo the raw and powerful vibrations of both UK and Latin American club music.

"Ravers" is both a tribute to rave culture and a testament to the evolving sound of DNZA and Undrwght. With every release, they refine their craft, cementing themselves as one of the most exciting collaborations in the Mexican scene.
créditos

Mastered by @imaabs and cover art by @uinaina.

Ravers

DNZA x Undrwght - Ravers  (TRdrop019)

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Tatyana Jane - Mapanes

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