This is a stunning collaboration folks, reaching deep into several genres but with no compromise. This works on so many levels. Bravo to you all

definitely doing the tomatoes, like that and the total vibe

Love the intro as it leads into your beautiful vocals.,
Creative .. captivating.. awesome production... 
your lyrics are perfect..
Bravo Nadia 👏👏👏🔥🔥

Soulful, meaningful social commentary. Great work, all involved.

One of the best Ive heard from you - this sound works really well

*COMING SOON: Not My Neighborhood, Extended Rant Mix!
The Rant: Cono Corvino & Nadia 
Instrumental & Mix by Garddwr Porffor: 
https://soundcloud.com/garddwrporffor
Sax by Nigel Manning of The Windscale Blues Experiment: 
https://soundcloud.com/windscaleblues
Lyrics, Vocals, Production by Nadia Selvaggi
'Two Boys Smoking' (1975) by Photographer Peter Bellamy:
https://pswbportaiture.blogspot.com/
http://www.peterbellamyphoto.com/
More on Peter Bellamy: 
https://medium.com/@Brownstoner/in-1970s-brooklyn-when-horses-roamed-gowanus-and-kids-played-stickball-photos-a3bbe85c0246
New York Street Noise by Pixabay

Not My Neighborhood
by Nadia Selvaggi

This, this, this is not my neighborhood!
Where is Williamsburg, Brooklyn --
my crime-ridden, filthy, spray-painted 'hood?

Where is Eastern District High School?
Where is that old school cool?
Where is all the red brick?
Where are all the addicts itchin' for a fix?

I don't know this place at all
I don't smell my Grandma's moth or meat balls
Corporate greed, thy will be done,
as it is in Manhattan and the City of London

Mr. Global's mercenaries killed our low rent, 
our culture, and our authenticity
Damn the L train gentrifiers!
Damn the cold glass and bitter steal!

Bamonte's, Fortunato Brothers, Nunzio and Sons,
survived New York's perpetual reinvention
Tell me craft beer drinking, Hipster trust fund --
where is my 11211?

Not My Neighborhood by Garddwr Porffor & Nadia Selvaggi (w The Windscale Blues Experiment)

Child of Nature

The Blue Dragonfly (2024)

The Forest Army

Looking Back (Remix 2024)

This marks the fourth collaboration with my SoundCloud friend, Seashea. I truly respect him, and I really love his guitar work. We especially have a great connection when it comes to ambient music. When I heard he was going on a journey for a while, we decided to create this track together. I’m deeply moved that our shared understanding across the ocean has come together in this form. For this artwork, I used a photo taken by him at the beach.
I’d like to present this track in celebration of Seashea and his wife’s wonderful journey. 
SeaShea, I thank you from the bottom of my heart.

Composition and Sampling collage by Synline 
Electric guitar playing and arrangement by SeaShea
Photo by SeaShea

'Depart' SeaShea=Synline

-money is fleeting
-l'argent est éphémère

clip @IG: Yangrooger

Money Money (Original Mix)

Modmod

Jack by Jeamland & joerxworx

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Music:  Little Man Project & Janne Hennie
Lyrics & Vocal: Janne Hennie
Instruments & Mix: Little Man Project

Lyrics:

Fighting against a system
That doesn't really care
They tell us we are voiceless
Can't see us
But we are here..
Want us to believe them
When they say they know best
We are just a number
An impersonal case...

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

They treat us as an object
Which shall not make demands
They think they have the power
But we will fight back!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!!

The System

Michel Legrand. Cover. 
Music created with MMJ
My vocal.

Pour Stéphane 🌸

Les moulins de mon coeur

2024 Remix and Remaster version to bring it up to the standard of the later album tracks for full album release in 2024.
-----------------------------------------------------------------------------


This track is dedicated to the memory of Chris A and the time that was 'Elidor'. "I hope you are flying somewhere with that big grin on your face"

This track was very much a collision of ideas. I wanted to follow on from The North Shore and actually take the listener into the air to experience the feeling and freedom of flying like a bird. Additionally the track title "Flight of Fancy" was the title of an original instrumental played by a band I was in in the early 80's. The keyboard player in that band is sadly no longer with us, so I decided to try and reinvent the spirit of that time as a musical tribute to Chris.

Enjoy your Flight of Fancy :-)

This track is now part of "The Pilgrims Way Project" exploring the history and natural world of Lindisfarne.

Project Playlist

soundcloud.com/mrbouzouki/sets/the-pilgrims-way-project

Project Website

www.pilgrims-way.co.uk

----------------------------------------------------------------------------------------------
Instrumentation

(i) Sunrise (0:00 - 0:58)
Part One of the track features strings, brass from my new orchestral library Albion One by Spitfire Audio and timpani. It also includes an additional brass VST from Halion Sonic (Cubase).

(ii) The Shoreline At Dawn (0:59 - 2:28)
Part Two features Albion One Strings (muted - con sordini) and Woodwinds, Synthesizer and Electric Guitar

(iii) Into The Air (2:29 - 6:42)
Part Three has Strings (Longs and Ostinato), Synthesizer, Electric Guitar, Bass, Drums (Simon Phillips Studio Drums in Groove Agent) and a Choir Backing.

Various seabird sound FX that is classed as Public Domain are used to add colour to this part of the track from www.freesound.org

creativecommons.org/publicdomain/zero/1.0/

----------------------------------------------------------------------------------------------
Background

This track seemed to naturally evolve into three discrete sections with a different musical flavour to each part.

(i) Sunrise (0:00 - 0:58)
As the title suggests, it is my musical imagining of sunrise on the beach with all the grandeur of a new day dawning. A big orchestral sound and timpani seemed the way to go.

(ii) The Shoreline At Dawn (0:59 - 2:28)
Part Two has a much more muted sound as nature begins to stir with the dawn and musically this part acts as a linking section between parts one and three.

(iii) Into The Air (2:29 - 6:42)
Finally we are into the air and I wanted to give a feeling of flying by the use of rising chords sequences and a string ostinato (a recurring rhythmic or melodic pattern). I also wanted to give a nod to the original Flight of Fancy so it has a variation of the main guitar riff I played back in the early 80's, some interwoven guitar and keyboard parts and harmony with underlying jazzy drum and bass parts.

Flight Of Fancy - 2024 Remix and Remaster

Garddwr Porffor's fine music: https://soundcloud.com/garddwrporffor
Nadia Selvaggi Reposts: https://soundcloud.com/nadiaselvaggireposts

Not My Neighborhood by Garddwr Porffor & Nadia Selvaggi (w The Windscale Blues Experiment)

Nadia Selvaggi

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