2 mix

Gene Pitney - Only Love Can Break A

A Swingin' Summer is a 1965 comedy film in the beach party genre. It was directed and co-written by Robert Sparr. Raquel Welch stars in her first featured film role and makes her singing debut in the film.

A trio of college kids – all friends of each other – attempt to insure summer jobs for themselves by becoming concert promoters at a lakeside dance pavilion that is in danger of closing. A local lifeguard, Turk (Martin West), jealous of both Rick (William Wellman, Jr.) and Mickey (James Stacy), tries to ruin their plan and at the same time tries to steal Rick’s girl, Cindy (Quinn O’Hara) – who has secretly arranged for her rich dad to finance the pavilion. Rick flips when he finds out about Cindy’s dad, and Turk tries to sabotage the dance hall with some hired goons – who, after failing, bully Turk into ripping the place off. In the meantime, bookworm Jeri (Raquel Welch), takes off her glasses, lets down her hair and causes some new problems.

In spite of all the drama, the kids actually succeed in securing an impressive roster of brand-name talent to the pavilion.

check out the movie and buy the soundtrack today!!!


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-------------------------------------------------------------------------------------
Justine
written by
DEWEY TERRY
DON HARRIS
performed by 
THE RIGHTEOUS BROTHERS
-------------------------------------------------------------------------------------

Justine! (Justine! )
Justine! (Justine! )
You just don't treat me right
Justine! (Justine! )
Justine! (Justine! )
You just don't treat me right
You like to ball in the morning
Stay out late at night

Goin' to the barber shop
Gonna have them do me up
Gonna get clean for my little buttercup
Justine! (Justine! )
Justine! (Justine! )
Yeah, you just don't treat me right
You like to ball in the morning,
Stay out late at night.

Hey (Hey)
Ho (Ho)
Hey (Hey! ), Ho (Ho! )

Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
You like to ball in the morning
Stay out late at night

Do you feel all right? (Yes I feel all right)
Do you feel all right? (Yes I feel all right)
I wanna know, I wanna know (Yes I feel all right)
Do you feel all right? (Yes I feel all right)
Do you feel all right? (Yes I feel all right)
Do you feel all right? (Yes I feel all right)

Goin' to the barber shop
Gonna have them do me up
Gonna get clean for my little buttercup

Justine! (Justine! )
Justine! (Justine! )
Yes you just don't treat me right
You like to ball in the morning
And stay out late at night

Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
Justine! (Justine! )
You like to ball in the morning,
Stay out late at night.

Hey! 

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Righteous Brothers - Justine [As Featured in "A Swingin' Summer"] (Master /1966)

Canción dedicada a  su hijo de 4 años, que murió al caer del piso 53, el apartamento donde vivía la ex-mujer de Eric. La melodía había sido escrita 9 meses antes del suceso e iba destinada a la banda sonora de una película, pero Eric decidió finalmente escribir la letra y convertir la canción en una especie de "¿por qué tuvo que pasarte a ti?" y de aceptación de lo que ya no tenía solución...

Eric Clapton Tears in heaven

11 the chi-lites - have you seen her

Oldies from early 60's to the early 70's.
 
Tracks from:
Otis Redding
The Delfonics
The Stylistics
Marvin Gaye and Tammi Terrell


Sunday Night Oldies

Cos Eric Clapton is one of my favourite artist,I have to sing this sad story.
He wrote this song when his boy tragically died.

Tears in heaven-Eric Clapton/Cover

Eric Clapton - Layla (Acoustic)

Allensworth "Don't Let Me Down"

The Bee Gees - holiday

Angel of Harlem (U2 Cover)

U2 - Stuck In A Moment You Can't Get Out Of (Ft. Mick Jagger - Live)

Kenny Rogers - The Gambler

Eric Clapton & Tracy Chapman - Give Me One Reason

Ike and Tina Turner A fool in Love

@theojays - Backstabbers

Learn more about THE O’JAYS – LIVE IN CONCERT (CD+DVD)
https://cleorecs.com/store/shop/the-ojays-live-in-concert/

I Love The 70's (Official Playlist)
https://soundcloud.com/cleopatra-recs/sets/the-70s-music-for-sync

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#CleopatraRecords releases @cleopatra-recs


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(P) (C) 2012 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

#funk #disco #soul #classicrock #oldschool #classic70s #classicsoul 
#pop

The O' Jays - Backstabbers

@theojays - Love Train

Learn more about THE O’JAYS – LIVE IN CONCERT (CD+DVD)
https://cleorecs.com/store/shop/the-ojays-live-in-concert/

I Love The 70's (Official Playlist)
https://soundcloud.com/cleopatra-recs/sets/the-70s-music-for-sync

Please Subscribe to our channel for the latest
#CleopatraRecords releases @cleopatra-recs


http://cleorecs.com/
(P) (C) 2012 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

#funk #disco #soul #classicrock #oldschool #classic70s #classicsoul 
#pop

The O' Jays - Love Train

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Randy & the Rainbows are an American doo wop group from Maspeth, New York.

The group was formed in 1962 in a neighborhood of Queens, and featured two pairs of siblings, along with a fifth member. The Safuto brothers had previously sung in the group The Dialtones. They recorded with the producers of The Tokens, releasing the single "Denise" in 1963. The song hit #18 on the US Black Singles chart and #10 on the Billboard Hot 100 that year.  "Denise" was written by Neil Levenson, and was inspired by his childhood friend, Denice Lefrak.  The song later became a European hit for Blondie, with the title changed to "Denis". Randy & The Rainbows' follow-up single, "Why Do Kids Grow Up", barely scraped the pop charts at #97, and the group never charted again.
 
Randy And The Rainbows with The Earth Angels doo wop band.They continued to perform under several other names (Madison Street, Triangle, Them and Us), and toured in subsequent years with The Spinners, Little Anthony & the Imperials, Tony Orlando, Blood, Sweat and Tears, Freddie Roman, Jay Black, Pat Cooper, The Beach Boys, Dionne Warwick, and The Four Seasons.  They released a new album, entitled Play Ball, in 2001 on producer Jimmy Wisner's label WizWorks.  Two groups now exist; one includes Mike Zero and Sal Zero's replacement Vinny Carella, the other includes Randy and Frank Safuto.

The group appeared on the 2001 PBS special Doo Wop 51; it featured Randy's group plus Mike Zero.


==================
Don’t Let Go
Written by
JESSE STONE / BMI
Performed by
Randy and The Rainbows
==================

Hear that whistle it’s 10 o’clock
Don’t let go
Don’t let go
C’mon baby it’s time to rock
Don’t let go
Don’t let go
I’m so glad I got you here
Don’t let go
Don’t let go
Keeps me grinning from ear to ear
Don’t let go
Don’t let go
Ooo eee

This feeling’s killing me
Awe shux

Won’t stop for a million bucks
I love you so
Just hold me tight and don’t let go
Thunder lighting wind and rain
Don’t let go
Don’t let go
Love is thumping inside my brain
Don’t let go
Don’t let go
I’m so eager I’m nearly dieing
Don’t let go
Don’t let go
You’ve been keeping your lips from mine
Don’t let go
Don’t let go
Ooo eee

This feeling’s killing me
Awe shux
Won’t stop for a million bucks
I love you so
Just hold me tight and don’t let go
Hound dog barking up the side of the hill
Don’t let go
Don’t let go
Love is dragging him through the mill
Don’t let go
Don’t let go
If it wasn’t for having you
Don’t let go
Don’t let go
I’d be barking and howling too
Don’t let go
Don’t let go
Ooo eee

This feeling’s killing me
Awe shux
Won’t stop for a million bucks
I love you so
Just hold me tight and don’t let go
One day baby you’ll quit me ya
Don’t let go
Don’t let go
I’ll be crying and soaking wet

Don’t let go
Don’t let go
One thing I could never stand
Don’t let go
Don’t let go
You just kissed another man
Don’t let go
Don’t let go
Ooo eee

This feeling’s killing me
Awe shux
Won’t stop for a million bucks
I love you so
Just hold me tight and don’t let go
Don’t let go
Don’t let go
Hold me tight
Don’t let go
Hold me tight
Don’t let go
Hold me tight
Don’t let go
Hold me tight
Don’t let go
Hold me tight
Don’t let go
Hold me tight
Don’t let go
Hold me tight
Don’t let go

==================

Randy and The Rainbows - Don't Let Go (MASTER/1993)

BB King & Eric Clapton - The Thrill is Gone - Live Washingto

Righteous Brothers - UNCHAINED MELODY -

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


2 mix

Nadine Kotko