vraiment j'aime beaucoup ta vœux et cet univers qui me fait un peu penser  à Dido ❤️

ZenGazer

Games

Collab with the great vocal artist Saskia Goethals from Belgium.

https://soundcloud.com/saskiagoethals/tracks

Lyrics blue men of the Minch:

We are in Scotland,
We hear the story of the blue men of the Minch, some sort of blue creatures looking like human but t hey live under water in deep caves
looking for sailors to drawn
and stricken boats to sink
They have a blue colour, this mythical creatures look much like humans, and are about the same size. But they have the power to create storms.
When the weather was fine they were sleeping under the surface of the water. They swim with their torsos raised out of the water, twisting and diving.
They could cause storm. The blue creatures approached the capitain of a ship
And said that he had to finish the rhyme
The capitain had to solve riddles and finish 2 rhymes of poetry.

If he couldn’t do it the ship was capsised

Blue Chief: Man of the black cap what do you say
As your proud ship cleaves the brine?
Skipper: My speedy ship takes the shortest way
And I'll follow you line by line
Blue Chief: My men are eager, my men are ready
To drag you below the waves
Skipper: My ship is speedy, my ship is steady
If it sank, it would wreck your caves.

Blue Men Of The Minch / Collab with Saskia Goethals

NASA tells me: "Mercury retrograde is an optical illusion that occurs when the planet Mercury appears to move backwards in the night sky. In reality, the Earth briefly overtakes Mercury in its orbit, creating a visual effect."

Thanks NASA. That helps. 

But what about when two people think they're in one place but they're in another? And can sometimes a body, celestial or otherwise, look healthy but it's not? Let me know. Thx bro.

Influences: Roni Size meets Jeff Buckley

(Outta the) Not-So-Silent Planets

Mercury Transit

Rehearsals for my debut album, with the Italian singer and actor Nicola Palladini. Words and Music by Adam Majdecki-Janicki. Rehearsal 2012.

"White Lady" (feat. Nicola Palladini) 2012.

The third song in our summer series "We Solve Most Things If We Talk" examines the so-called progress of modern man. Are humanity's societies and social structures built over centuries really for everyone? Or only for groups of self-selected members?
Unfortunately, it is clear that large parts of humanity, during the course of our collective journey, again and again, ended up by the side of the road.  And what is the difference between the man in the stone cave and the modern man in his cardboard box or concrete conduit/cave?  We can't help but get the feeling that the man in the stone cave was somehow happier and more satisfied with his situation; it is all he knew.  The homeless (for whatever reason) know better...and hope for better.

Music & Lyric; Our dear poet Peter, soundcloud.com/user-264930040/tracks
Compilation, Mix and Production; Seagull, @farout-music-studio
With his high-string guitar; David Dunham, @david-dunhamuser589535203 
Thank you Seagull and Peter for letting me share this painful and poignant vision with you.

Modern Man:

I shuffle to, in my dripping cardboard palace,
Introspect on what the mental mind of evening brings.
The muffled dealer with his clingfilm-wrapped tripping malice
Prospects his kindly rental of the used syringe.

My box of brokenness shadowed by a higher human soul where lumens dare not tread
Detox wrapped in hollow stories still untold that crucify the thoughts within my head.
Needle patterns deathly blue upon my inner arm profess of no tattoo,
But of the crystal meth, whose harm, distressed, for me a living lie holds true.

Woven flaws, tangled webs of sins and hopes, regret a past mis-spent of futures told
Proven cause reflected in the ancients, whose tropes my nights now represent from days of old
Nothing that all of history built can yet detect the progress dial shifted
Nor the deeds nor the strength nor the intellect with which this vile human head was gifted

And within our minor symphonic demise, against which burning cold I close my eyes
All sin and crass politic lies now clear unfold, presenting no surprise that’s evident
I clock the days with callow patience as light defrays and my hopes relent
Futility and contradiction, sallowed latent time displays my childhood benediction rent asunder

Amid the sweet fair calling thunder of the ghosts of every child as yet unborn
There to meet me, falling at the hanging post, tempered mild, await my passing, so to mourn.

Modern Man (Peter; guitar, vocal, Seagull; synths, David; guitar

I've uploaded other tracks on YouTube so I hope you'll check them out!
https://open.spotify.com/intl-ja/track/6bhIrm0rlqLMf7ijBSzFIA?si=af227847996d44c7

https://youtu.be/BjZx5vnh_vY?si=ehk1L5nw7nxVEJgP

もう戻れない発情していく影と
嗚呼、酷い情緒、彫琢していく悲壮と

嗚呼、絡みつく情景は卑猥で
嗚呼、止まらない煩悩が
この悲惨な正体を暴かせてくれ

色欲に溺れた理性
罰当たり当たり前さ本能
止まらない衝動を抱いて
揺れ惑う

嗚呼、止めどなく暴走していくカルマ
もう構わない、罪でも罰でも被って

嗚呼、絡みつく情景は卑猥で
嗚呼、止まらない煩悩が
この悲惨な正体を暴かせてくれ

色欲に溺れた理性
罰当たり当たり前さ本能
止まらない衝動を抱いて
揺れ惑う

色欲に溺れた理性
誰だって抱えてる本能
止まらない衝動がほら
命を焦がす

色欲の罪 【Sin Ob Obscene】by Spotify

Dear friends, with genuine pleasure I’d like to share with you my new collaboration with a highly talented David De Michele. His otherwordly beautiful music is available here: @user-92820487

It’s always a great honour and joy for me to work with David.

Huge thanks to you for listening to this music, we do hope it will resonate with you!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Time Lapse 1 (Ft. David De Michele)

GRIEVING HEART


Grieving heart – I took the part of a dog lost in the woods
Grieving heart – tethered to the bushes and crying out all I could
I shed the pain, sheltered the shame and moved from where I stoodTo where suffering is just a word, to fly is for the birds and what I understood
My grieving heart wasn’t doing me any good



Grieving heart – it’s time to start beating like you should
Grieving heart – pounded into submission by making it on foot
I took the blame, got rid of the chains that kept me from living right
I took stock of it all, stopped it from a fall and saw within my sight, my grieving heart said enough with this fight


Grieving heart, grieving heart, grieving heart, grieving heart


You’ve got a lot of nerve, to put me on that curve and take me so off course
Now I’m back with a plan, you’re not gonna stand in the way of my force
My grieving heart said to feel no remorse
Grieving heart, grieving heart, grieving heart, grieving heart

Grieving Heart

Dancing Echoes

You never know - Atonal Machine

This Is A Hybrid Track..  i made a beat with Bitwig and Arcade,  I used AI For arrangment, I used Ace Studio And Autotune/Fx for the vocal..  And i finally did some chopping, restoration and mastering In Cubase..  And i used Canva for the "ArtWork"   Enjoy  :O)

Music Is Life (Icebreaker)

sequel to the claustrophobic epic, "Blitz". Part 2 explores the period of calm after the bad trip has passed. Multiple key and tempo changes. Madness. Enlightenment. Peace.

Blitz Part 2

in Search of freedom, in care to protect. 

One Teardrop to ripple.

Of Cause & Claws Of Air

Torrid Talons

Follow on Spotify ffm.to/laurenlewis Discover an emerging indie voice with soulful vocals and honest, introspective lyrics. Every follow boosts her journey and helps new music reach more listeners. Your support truly makes a difference. 🎵✨

Stay a Little Softer

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Welcome to my SoundCloud! 🎵 Enjoy my raw, homemade tracks. Thanks for checking out my music and for following me on my other channels 🫶

Games

Nadka B

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Jane A

Big Bizness South Records, LLC

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