７月の蟻 ~memory of July~

Chick Corea & Stanley Clarke Duet perform the Return to Forever classics "Spain" and "No Mystery," live.

"Spain" and "No Mystery" (Chick Corea & Stanley Clarke Duet)

God Bless the Child, by Billie Holiday.
   
   Dan Harvey: Vocals,Drums
(https://soundcloud.com/danharveymusic)
   Judd Niemann: Guitar



God Bless The Child (feat. Dan Harvey)

■Artist : Inner Science (インナー・サイエンス)
 ■Title : Here (ヒア )

■Price / ￥2,100 (+Tax)
 ■Cat# / PLCD-1006 (12tracks、Time 40:20)  
■Format / CD 、DIGITAL
 
■Label / Plain Music
 ■Distribution / Ultra Vibe inc. (JPN)
■JASRAC

■Release Date / 16 SEP 2015

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SHOP & MORE INFOMATION 
(ENG) http://www.plainmusic.jp/info/plcd1006e/
(JPN) http://www.plainmusic.jp/info/plcd1006/

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Inner Science is a project from a Japanese Electronic music producer/ track maker Masumi Nishimura. In addition to his own music production, live performances and DJing, he gets his hands on numerous other activities such as remixing other artists and making sound for events and installations. However, it’s safe to say that his main focus of self expression has always been centered around this solo moniker. “Here” is the seventh studio album from Inner Science following “Self Figment” which came out around a year and a half ago.

At first listen, it reminded of the timeless masterpiece of Sun Electric’s “30.7.94 Live” from 20 years ago. Arguably one of the best works in the history of ambient techno that was recorded live using immense collages and electronic sounds in 1995. “Here” is easily comparable to such an opus in terms of its strength and brilliance of electronic sound expressions.

From electronica to hip hop, techno to avant-electronics… his beeps and bleeps effortlessly skip around over the whole spectrum. The soft illuminated vision he paints with them spreads through the speakers and diffuse into the air as if it conceals all the darkness. A very optimistic world unfolds.

Coming from the hip hop back ground, where he currently stands is entirely unique. His   lucid synthesizer sounds have become a sort of a trademark of Inner Science production. Needless to say, it’s in the combination with his beats and mixing skills that give his signature sounds to shine through.

The 2011 release “Elegant Confections” was accompanied by disc 2 which contained the ambient version of the original. Even before that, he had more ambient inclined outputs under the name Portral where his use of delicate electronic tones were already significant. And with the completion of preceding album “Self Figment” and the first collection of the abstract electronic collages “Assembles 1-4” released last year, his further explorations with electronic sound expressions reach to the peak. (FYI, The second collection of “Assembles” is due to be out this year.)

This is how he returned to his Inner Science project. The electronic excursions he took in “Assembles” are now in the hands of experienced beat maker side of him, and whipped into more musical structures with plenty of room to elegantly dance in.

The term electronica doesn’t do justice to the music that’s presented here.
This album contains audio expressiveness of electronics, and the world that could only be represented by electronic sounds.

It’s music that celebrates life, and the joy of electronics.

(Yusuke Kawamura / OTOTOY)
(Translated by Yuko Asanuma)

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* 店舗により、CD購入特典(未収録5曲のダウンロードコード/発売日から半年間有効)が付属します。特典が付く店舗の情報は決まり次第随時掲載いたします。

*PLAIN MUSIC WEB SHOPにてCDを二週間先行販売。

*OTOTOYにてハイレゾ音源(48khz/24bit)を一週間先行配信販売。

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Track List
01 - Introduction for Here
 02 - Bare 
03 - Fantastic Distance 
 04 - Ivy  
05 - Well 
 06 - Vary 
07 - Winking Rabbit 
08 - Twin Birds
 09 - Not Far From Here 
10 - Neko 
11 - Silent Thing 
 12 - Even More


Here - Teaser / Inner Science (Original Album)

It is a song that was remaked from members' Mr.Noguchi's songs in a project song originated from mmc.

Shinjuk

2012年11月10日（土）に行われる、Apple User Group Meeting 気仙沼のデモ用に作りました。
（ AUGM気仙沼： http://kesennuma.augm.net/ ）
イベントでは、この曲の制作過程を解説する予定です。（ iPhone5 で制作しました）
作曲は武田忠一郎先生、作詞は気仙沼音頭制作委員会の方々だそうです。
ということで、（お咎めがあるまで）コッソリ公開です。
【制作過程】
1) YouTube の動画を見ながら iVocaloid VY1 で歌を制作 (*1)
2) iVocaloid VY1 の歌を聞きながら、 iReal b でコード入力
3) iReal b の Pop - Disco の全ての音、 Pop - Rock のギター、 Pop - Smooth のキーボードを
   オーディオコピーして MultiTrack DAW に貼り付ける
4) iVocaloid VY1 の歌をオーディオコピーして、同様に MultiTrack DAW に貼り付ける
5) tascam iXZ でもって、MultiTrack DAW にフレットレスベースを録音
6) MultiTrack DAW でミックス
---
7) MultiTrack DAW のバージョンアップによりiPhone5上でのコンプ・エフェクトが解禁に
   なったので、各トラックとマスターにコンプをかけて音圧を上げてみました。
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This is made for Demo in Apple User Group Meeting in KESENNUMA in Nov. 10 2012.
( AUGM KESENNUMA : http://kesennuma.augm.net/ )
I am going to explain the work process of this track in an event. ( It's made by using iPhone5 )
( Composer : Chyuuichirou Takeda, Lyrics : Production Committee of Kesennuma Ondo )
It's copyright music, so I show it for a secret. ( until comes out )
(( How to make this track ))
1) I created a song data by using iVocaloid VY1, watching movie on YouTube. (*1)
2) I created a code progression data by using iReal b, hearing iVocaloid VY1's singing.
3) I pasted the audio data from iReal b (*2) to MultiTrack DAW.
4) I pasted the audio data from iVocaloid VY1 to MultiTrack DAW.
5) I recorded fretless bass to MultiTrack DAW using by tascam iXZ
6) I mixed the track by using MultiTrack DAW's effects.
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7) Since upgrade of MultiTrack DAW came to apply a comp effect on iPhone5,
   sound pressure was increased having applied comp to each track and a master. 
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Kesennuma suffered destructive damage from the earthquake and tsunami on March 11, 2010. 
There's an Apple User Group Meeting Event will be held at the place, in the middle of revival from damage.
Then, I made this track on the topic of the Kesennuma leading. 
This is the music often listened to to a local festival. 
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(*1) YouTube Movie ( Kesennuma Ondo )
http://www.youtube.com/watch?v=_2BPBEBYnHo
(*2) iReal b data 
Pop - Disco / Keyboard & Bass & Drums 
Pop - Rock / Guitar 
Pop - Smooth / Keyboard 
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【iVocaloid VY1】 http://itunes.apple.com/jp/app/id396081265 
【iReal b】 http://itunes.apple.com/app/id298206806 
【MultiTrack DAW】 http://itunes.apple.com/app/id329322101 
【tascam iXZ】 http://tascam.com/product/ixz/

気仙沼音頭 〜 Kesennuma Ondo (iVocaloid VY1) (Cover)

10年以上前に友達とスタジオに入って録音したテイクです。あらためて聴くと新鮮です。

Pure & Dark

This is me, jamming on Donna Lee, using Amplitube for iPad
The whole track was produced on an iPad, except for some final editing in Samplitude.
The sound quality isn't ideal, but it is an interesting experiment to try to produce good results using only an iPad and a guitar. 

The iRig guitar interface is quite noisy and also has trouble with hot signals from active pickups. Maybe the new iRig HD (which has its own 2496 ADC built-in) will be a better way of getting guitar audio into an iPad. I also find the latency to be rather distracting, as even a very slight delay can be detrimental to your timing for Jazz and Bebop.
 
The Head and solos were played on the Ibanez af207bs and the Rythm part was played on the sc607b tuned down to a minor 3rd to A-flat (Ab,Db,Gb,B,E,Ab,Db).



Donna Lee

music by Matthias Hanich; this song is based on the short story "Water" by Fred Leebron
Demo for "The Groovy Cellar"

Water (demo) / Matthias Hanich

Béla Bartók
String Quartet No. 4 - I. Allegro

Logic Pro
SWAM Solo Strings

Bartók String Quartet No. 4 - I. Allegro / MIDI

From the Bluesarella cd available on CDBABY.COM

03 Standby

主に Mac と iPad を使って曲を作ってます。Macで音楽クラブ（ Mac Music Club ）の会員で、そこから発生したバンド MMCAT でベースギター＆ときどき歌とコーラスを担当しています。

I'm making music with Macintosh and iPad mainly.
I'm the member of Mac Music Club (Apple User Group) and MMCAT (The band which performe original songs).
Although I play the bass guiter in MMCAT, I sometimes sing.

(( Mac Music Club - Sorry, Japanese only ))
http://mmc.blogo.jp

(( MMCAT ))
http://www.youtube.com/view_play_list?p=679E0F4DD1CA4323
http://www.youtube.com/view_play_list?p=60062AC97ECBFEDB

(( Mac Music Club Demo ))
Recording with iPad : http://www.ustream.tv/recorded/9343074

気仙沼音頭〜 Kesennuma Ondo (iVocaloid VY1) (Cover)

nagamii

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