The second movement of BACCHANALIA examines freedom and how it is expressed through movement and dance. This piece is meant to present the body as a conduit for liberation and advocates for the listener to let go of preconceived notions and do things in a way that feels true to oneself. 

To evoke a feeling of joyous freedom and celebration, I drew upon my Cuban heritage for musical inspiration. As such, the lyrics of this movement are all in Spanish, because I believe the themes are better expressed in this particular language. To achieve this sense of glee showcased in Cuban festivities, one’s originality does not have to be lost. The black male joy I’ve experienced and witnessed within Cuban spaces is infectious and puts community at the forefront. To my experience, there is no toxicity in these spaces because to participate in this feeling of unbridled joy one just simply needs to dance; moving and feeling the rhythm of the music around you. Ultimately, Movement: Mueve Má! ('Move More!') showcases the benefits and ecstasy that can be found in experiencing freedom.

As all instruments within the piece reach their peak and stop, Movement: Mueve Má! decidedly comes to a close with nothing but a bass and percussion at the forefront, setting up the fundamental elements of electronic musics which inspired the following movement.

MOVEMENT: MUEVE MÁ

a rainy day in tokyo

crossing railroads

"It's during our darkest moments that we must focus to see the light."
-Aristotle

KNOOL - The Sight of Light

“There is no heavier burden than an unfulfilled potential.” —Charles M. Schulz

(inspired by Thomas Newman)

KNOOL - Unfulfilled Potential

composer for films, games and tv-shows

i write trailer music under the alias: knool

MOVEMENT: MUEVE MÁ

Nahuel Calzado Chaui

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