Pylo - View

Antilope

Get The Blessing - Antilope

'The Itis' is from the new album 'Burn' by Sons Of Kemet.

http://www.sonsofkemet.com
http://micachu.biz
http://www.naimedge.com

Sons Of Kemet - The Itis (Micachu Remix)

Get The Blessing's new album 'Lope and Antilope' is out on 20th of January 2014 through Naim Jazz Records.
Check out exclusive cover feature in Jazzwise Magazine (Dec/Jan 2014) issue here www.jazzwisemagazine.com

www.gettheblessing.com
www.naimjazz.com

Get The Blessing - Quiet (NEW ALBUM 2014 TEASER)

Max Raptor - Obey The Whips

Max Raptor - The Alarm

Free Download.

Download in HD at http://www.naimlabel.com/recording-wallflower-free-download.aspx 

Neil Cowley Trio - Wallflower (Free Download)

William Fitzsimmons - It's Not True

Apex is a new release, specially created for Naim, from South London newcomer, Jake Hart. Streamed exclusively here is the full-length version of Apex, the soundtrack to our short film which celebrates the launch of Naim’s first wireless music system, mu-so.

Jake’s music possesses a unique blend of evocative electronic influences, injected with a bold flavour of R&B. With only two full releases out to date, Awake and That Touch, Jake is destined for great things in 2015.

You can watch the film, directed by Tom Hingston (known for his campaign work for David Bowie, Rolling Stones, Nick Cave and Massive Attack) and produced by RSA Films (Ridley Scott Associates) here: bit.ly/1qnb8lr

Jake Hart - Apex

ESKA's self titled debut album. OUT NOW on Naim Edge Records.

Naim Label: www.naimlabel.com/artist-eska.aspx

Shades Of Blue

Buy Now

ESKA - Shades Of Blue

Opening track from the self titled debut album 'ESKA'. OUT NOW on Naim Edge Records.

www.eskaonline.com

This Is How A Garden Grows

ESKA - This Is How A Garden Grows

In 2014, GRAMMY nominated front-woman of the New York electro group Brazilian Girls (featuring only one girl, and zero Brazilians…before you ask) released her solo debut LP ‘Toujours’, having escaped to Paris, started a family and rediscovering her electric guitar. ‘Toujours’ achieved critical mass for Sabina on both sides of the pond, described as “sophisticated and resolutely hedonistic music that connects the Velvet Underground and Talking Heads” by the New York Times and “superb” by the NME.
5tatic, an extremely talented 15 year-old composer and producer (real name Stan Sorrell) hailing from South East London, finds time between studying for his GCSEs to write original works of electronica and has remixed Lorde, Beyonce, Foster The People and even recent Mercury nominees Go Go Penguin. 
This collaboration twists the effortless chic of Sabina’s cosmopolitan vocal delivery into understated and effective glo-fi synth pop. It’s a remarkable effort from a young remix artist with a scarily fully formed vision, making him perhaps the next Disclosure or King Krule?

Watch the video for ‘Viva L’Amour by Sabina here: https://www.youtube.com/watch?v=hV3XLzP4pIw 

www.sabina-sciubba.com 
www.soundcloud.com/5tatic_music 
www.naimedge.com 



Sabina - Viva L'Amour (5TATIC Remix)

Lest We Forget What We Came Here To Do released on Naim Records on the 25th September 2015.

Order Now: https://sonsofkemet.bandcamp.com/

In Memory Of Samir Awad was written to commemorate a Palestinian teen killed by Israeli forces as he fled their gunfire in 2013. 

After the blistering success of their debut album 'Burn' in 2013, Sons of Kemet return with their highly anticipated follow up 'Lest We Forget What We Came Here To Do.' 'Burn' is a hard act to follow - not only did it garner the band fans such as Gilles Peterson (who included the album in his Worldwide Awards shortlist) and stunning reviews, including The Arts Desk (who pronounced it Album Of The Year) and The Quietus, but they also scooped the MOBO Best Jazz Award. The bar has indeed been set high for the second album, but yet again Sons of Kemet have surpassed themselves, delivering an album stuffed to the rafters with the euphoric, danceable grooves and riffs that made 'Burn' such an unprecedented success and audiences go crazy.

www.naimlabel.com

In Memory of Samir Awad

Sons of Kemet - In Memory Of Samir Awad

Say What You Mean, Mean What You Say

Empirical - Say What You Mean, Mean What You Say

Stergin - Bloodmoon

Ali Kuru's rework of 'Life' from Seward's 'Second Two: Chapter Home'.

Check the LV remix here: https://soundcloud.com/naimrecs/seward-a-summer-lv-remix

Ash Walker remix coming soon.....

Seward - Life (Ali Kuru Rework)

Yazz Ahmed - 'La Saboteuse' coming to Naim Records May 2017.

The Space Between The Fish & The Moon (La Saboteuse, Chapter One)  landing January 2017.

@yazzahmed 
https://www.facebook.com/yazzahmedmusic
https://twitter.com/YazzAhmed1
https://www.youtube.com/user/AhmedDinnerJazz

[Preview] Yazz Ahmed - The Space Between The Fish & The Moon (La Saboteuse, Chapter One)

Yazz Ahmed - 'The Shoal of Souls' (La Saboteuse, Chapter Two).

Coming 10.03.2017.

[Preview] Yazz Ahmed - 'The Shoal Of Souls' (La Saboteuse, Chapter Two)

We're pleased to present 'Take Me Old' by Daudi Matsiko from the forthcoming double EP 'An Introduction To Failure'.

Coming to Naim Records 26.05.2017

Pre-orders now live: https://naim.bleepstores.com/release/83015

An Introduction To Failure

Daudi Matsiko - Take Me Old

Live stream from our Brilliant Corners Go Deeper event on the 7th of December, listen back to the night curated by our DJs Femi (NTS), Molinaro (Apron), Queen Kong and Conor Jatter.

Naim Presents: Go Deeper at Brilliant Corners

'The Colours You See' coming on Naim Records 04/05/2018

The Colours You See

Gauthier Toux Trio - Same Answer

Max Raptor - Patron Saint (Of Nothing)

Huey and the New Yorkers - Doo Doo Doo Doo Doo [Heartbreaker] (The Rolling Stones)

Fun Lovin’ Criminals frontman, songwriter, broadcaster and actor Huey Morgan will release his eagerly awaited debut solo album 'Say It To My Face' on Naim Edge Records on 29th October 2012.

Morgan is a rock 'n' roll Renaissance Man, the half Puerto Rican / Irish ex-Marine who, since moving to London in the mid-2000s, has become a charismatic presence across the UK's cultural spectrum - one of Britain's’ best loved radio DJs (on both BBC 6 Music and the mighty Radio 2), winner of a Sony Radio Award too and already multi-million selling as part of the legendary - Fun Lovin’ Criminals, a unique ground breaking rock and soul band that found influences in hip hop, swing, blues and funk. Huey Morgan, force of nature, a man with a paid-for Scottish Lordship (possibly fake), is a long way, now, from the Ladies Man who twinkled his wise-guy way through his incorrigibly Fun Lovin' 90s.

'Say It To My Face' is drenched with the same omnipresent effortless cool of Morgan’s famous gritty vocal style and deft blues licks. Morgan abundantly explores the roots and soul influences on his solo material that he’s become celebrated for sharing on his BBC Radio show.

Missing his native New York, yet inspired by the gift of a re-issued 1920‘s Martin acoustic guitar, Morgan set to work on 'Say It To My Face' enlisting help from his life-long musician buddies he'd played with for years in an occasional band of booze-brothers called the Tangiers Blues Band: Chris Scianni (strings), King (bass), while Frank Benbini (Fun Lovin’ Criminals) chipped-in with drums. Pete Levin, a member of Grammy winning Blind Boys of Alabama (keyboards), Naim Cortazzi (ukulele) - also a member of the group New Yorkers along with Frank Benbini, plus harmonica from Grammy-award winning lensman Danny Clinch (a favourite of Springsteen and taker of the famed Tupac Shakur 'Thug Life' shot, now the man behind Morgan’s new art-work). A gang augmented by legendary class: steel-pedal from BJ Cole and production from Morgan, along with Grammy-award-winning Tim Latham (Fun Lovin’ Criminals, De La Soul, Lou Reed).

Morgan’s disarmingly candid storytelling recalls the bluesmen of old, but with a unique twist befitting the post hip-hop generation. 'Say It To My Face' is a bold, beautiful, poignant, funny, profoundly authentic old-school rock 'n' roll blast, his baritone croon now giving Tom Waits a considerable run for his tobacco-flavoured money. It's a New York Blues bonanza packed full with songs about the human condition: from the grooved-out, hilarious ‘Stick It To The Man’ (like a New York Happy Mondays, indirectly inspired by 70s U.S baseball player Dock Ellis who took LSD on the pitch) to the woozy, country 'n' western opus ‘Fall Into Me’. There's the funkadelic squelch of ‘Dirty Bird’, the honky-tonk holler of ‘New York Bluez’ and the early-Rolling Stones reminiscent serenade to ‘Shaniqua’ (shady goings-on between lovers). Wise words follow in the languorous stoner-blues of ‘The Ripple’ (a rumination on action, consequence and regret), the boisterous profanity of ‘The Way It Was Before’ and the country-hoe-down ‘Christmas By The Side Of The Road’ (a soldier doesn't make it home for Christmas). The closer is simply stunning. A multi-layered dreamscape of a song, ‘The White Guard’ is an epic paean to sorrow and time's arrow, named after Mikhail Bulgakov's Russian Civil War novel with lyrics adapted from the opening page: ‘In the days of blood as in the days of peace, the years fly by.’

Huey Morgan, 44, has made a grown up album about other grown-ups, for other grown ups. “The kids will find something in it,” Morgan assures. “I know that because a lotta kids listen to my radio shows. But my music is for people my age. And I tried to stay away from everything that's normal. Because normal is not me.”

www.naimedge.com 
www.hueyandthenewyorkers.com 
Released by: Naim Edge Records 
Release/catalogue number: naimcd180 
Release date: Oct 29, 2012 

Naim Records

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