bien mais la musique met trop de temps a se lancée bisous  continu comme ça

Credits : Emmanuel Bellina helped me mix and masterize this album.

Visuals : http://www.chloecoislier.com/

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CINQ

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3PNa55

ACID

Get FLAC or MP3@320 version here:
http://subjex.bandcamp.com/track/manneken-acid

Subjex - Manneken Acid

my expectations in commercial club music - Sober And Crying 202305091133

'Howl' is the new album by Rival Consoles, London-based electronic producer Ryan Lee West, set for release through Erased Tapes on 16th October 2015.

Pre-order it on (Ltd. Red) 2xLP · CD · DL here:
www.erasedtapes.com/store/index/ERATP076
or via iTunes: http://snip.ftpromo.net/howl

"Rival Consoles scuttles and murmurs magnificently" – Spin

Foremost a guitarist, growing up listening to rock rather than club music, West continues to strive towards finding a more personal balance between music for home listening and larger spaces. The title track was inspired by the howl-like tones he developed by running synths through guitar pedals. 

"By slowly drifting the pitch through distortion and delays, the result sounded like vocal cries – something which was perfect for the song and this inspired me to take on a darker set of tones across the whole album. It was made over the past few years, inspired by capturing small performances on synths, touring with some of my musical heroes, playing with feedback when I should have been catching a train, sampling my voice in unexpected conditions and recording textures in different countries.” 

The album explores a wide range of emotions; from the dissonance eruptions and primal rhythms in 'Howl', to the mournful improvisations of '3 Laments', which features a sample of his own voice. Alongside his performances on Moog, Prophet, tape delay and guitar, West enlisted the help of drummer Fabian Prynn for ‘Low’ and cellist Peter Gregson for ‘Walls’, both long-time collaborators of Erased Tapes peers Douglas Dare and Michael Price.

"This album features a lot of my own recordings, rather than simply using samples that I have sitting on my computer. This gives the album a more personal feeling, which is very important to me because I think we live in a time where there is just so much recorded material out there, and accessible at a click of a button, that the joy of recording your own drum sounds, your own percussion, your own claps, seems redundant – but it’s not! That should be a priority because its often more interesting and makes you choose a different creative path."
 
It’s rarely reported that Rival Consoles was Erased Tapes' very first signing, with a CDR of early demos under the name Aparatec that inspired founder Robert Raths to start the label. Indeed West has more in common with his contemporaries Nils Frahm and Peter Broderick than some might think. His consistent desire to create a more organic, humanised sound sees West often draft early ideas on traditional, acoustic instruments like the guitar or the piano; forming pieces that capture a sense of songwriting behind the electronics. 

"I try to create atmosphere and mood throughout with a less-is-more approach to composition. I'm always trying to find an exciting reaction from a few ingredients, because that is magic to me. To make something interesting with tons of layers of effects just doesn't excite me. But to make something interesting with just three layers requires a special alignment of sounds, ideas and timing. This is my most personal work to date, following on from 'Odyssey' and 'Sonne' which gave me the confidence to continue exploring my own ideas and approach to sound. The essence of this album was made with a few synths, some guitar pedals and lots of cups of tea. I hope you’ll enjoy it."
 
Having repeatedly performed at such prestigious venues as the Tate, and having created a bespoke audio-visual performance for Boiler Room at the V&A Museum, the blueprint for West’s current live A/V show was formed. Featuring self-programmed visuals in Max/MSP has earned him appearances at music festivals around the world including Mutek, Decibel, Big Ears and Berghain’s Pop-Kultur Festival, as well as tours in support of Clark, Nosaj Thing, Luke Abbott and Kiasmos.

October 2015 will see West perform Rival Consoles debut headline shows in the UK, followed by North America and Europe mainland dates throughout the winter months. 

Howl

Rival Consoles - Howl

Mefjus was nice enough to record a mini mix in anticipation of our festival coming weekend in Groningen. We’ll be doing a radio show special on Friday including this mix and mixes from other artists that are playing the festival. Subscribe to Noisia Radio to make sure you don’t miss it: https://www.noisia.nl/radio

Festival Line-up:
Noisia (NL), Camo & Krooked ft. Youthstar (AT), Ed Rush & Optical (UK), Funtcase & Cookie Monsta (UK), Icicle Entropy Live (NL), Jack Beats (UK), Joker (UK), Mefjus (AT), Dope D.O.D. (NL), Jameszoo (NL), Ivy Lab (UK), Posij (NL), Hybris (US), ZES (NL), Sofie Letitre (NL), Ordure (NL). More info about the festival and tickets: http://festival.noisiainvites.nl

Mefjus on Soundcloud: https://soundcloud.com/mefjus
Mefjus on Twitter: https://twitter.com/martinmefjus
Mefjus on Facebook: https://www.facebook.com/mefjus

Festival Info & Ticket

Mefjus - Noisia Invites Festival Mini Mix

This is the Best of my songs in demo versions. 
Feel the multi-colored styles.
Enjoy !

Alone (Love Depress)

20 minutes of your life you won't get back

"Download Aids" to get all the individual mash ups.

Facebook: www.facebook.com/WillcoMusic
YouTube: http://tinyurl.com/willcovision
Instagram: @willcomusic
Snapchat: @brandonhurhur

Artwork: Ash Schmitt
www.facebook.com/schmittillustration

Download Aids

Literally Fuck Genres

Free adaptation of a russian poem.

Credits : Emmanuel Bellina helped me mix and masterize this track.
Mélissa Midelton sang on this track.

Visuals : http://www.chloecoislier.com/

Уральская Рябинушка (feat. Mélissa Midelton)

Credits : Emmanuel Bellina helped me mix and masterize this track.

Visuals : http://www.chloecoislier.com/

Zugzwang

Credits : Emmanuel Bellina helped me mix and masterize this track.
Eraserhead. (1977). [film] Directed by D. Lynch. American Film Institute.

Visuals : http://www.chloecoislier.com/

Midazolam

Credits : Emmanuel Bellina helped me mix and masterize this track.
Batman: The Animated Series. (1992). [video] Directed by B. Timm and P. Dini. Fox Broadcasting Company.
Evil Dead 2. (1987). [film] Directed by S. Raimi. Renaissance Pictures.
Murphy, C. (2012). Duality. Brainfeeder.

Visuals : http://www.chloecoislier.com/

BHEIDH

Credits : Emmanuel Bellina helped me mix and masterize this track.
Leberre, P. (2012). PASSEUR D'ÂME: L'HEURE D'UN CHOIX.

Visuals : http://www.chloecoislier.com/

Miviludes

High City

*** #pianoday2021 - preview ***

“Learn how to see. Realize that everything connects to everything else.” — Leonardo DaVinci

Old #Bechstein goes dancing at #Fusionfestival.

Music 2021 by J.C. Groth (Koltbach)
Mastered 2021 by Maximilian Hardinghaus (Milian Mastering)
©&℗ 2021 by Springstoff

Feel free to REMIX! @ www.koltbach.com/download

Pi (π)

🔁 Koltbach's Ritalin

Pi (π) [original]

#Electronic #Attentive
#Analog #Prog
#Interactive #Generative

Music and sound for films, games and myself.
#Preview #Nonserie #GoldenMoustache #EcumeetAcide

Zugzwang

Nairod.

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