Love this track, just heard it and needed to find out more about it, it sounds so timeless, good work fella!

Where will I be able to get the vinyl from in the UK?

NAIVE001 - Violet - 'Togetherness' EP with BLEID remix

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Violet with Photonz and Mix’Elle - 18 December 2021

Violet with PT MUSIK - 15 January 2022

Naive's sweetheart Violet (@violet) brought a broken dreamscape for her mix two years ago (#99) and for this installation on Refuge Worldwide she wove together the percussion of another dream world. 📡🌐🌼

Refuge Worldwide is a Berlin-based independent, community radio station working in solidarity with grassroots and non-profit organizations.
refugeworldwide.com @refugeworldwide

Violet - Refuge Worldwide x Daisychain | 016

Bringing in Tapes #86 is Violet. In her home city Lisbon, Violet is contributing to her local scene from different angles. She’s co-founder of online radio station Rádio Quântica and also resident at mina – a queer rave in unexpected venues. This work permeates Violet’s work as an artist, as she thoughtfully expresses the political history of dance music through her voice and her music.

As a producer, she has released music on One Eyed Jacks and Love On The Rocks, self-released collaborations with artists likes Elles, DEBONAIR and Nightwave for International Women’s Day, remixed on Cómeme and established her own label – Naive. The first self-released EP on it, “Togetherness” resonated widely, using the sound of familiar breaks and twisting them into new contexts with dub-inspired bass, brass flourishes and dreamy chords. 

Violet incorporates similar sounds from her production process into her DJing, melding breaks, extraterrestrial jacking rhythms, imaginative techno, acid house and more in a way that feels natural and challenging all at once.

Follow Violet —
instagram.com/violetakaviolet
soundcloud.com/violet

Origins Tapes 086 - Violet

The heart. The core of it all. A bloody, meaty muscle the size of a fist, pumping perpetually. Working, all day, everyday, against the clock. Nature’s own metronome. Sometimes you feel it throbbing in your throat, spasmodic, wanting to escape. Occasionally it explodes in warmth, sending sharp little electric needles of euphoria through the body. Now and then it sinks down to the stomach, acid, heavy like lead.

And one day it breaks — it is broken —, it shatters, quartered as if pulled apart by horses. It hurts. And the sharp pain, imploding, feels inescapable. A solitary ache, a blow, a deep hole which cannot be seen or explained. But you try to mend it. You reach for the glue and the duct tape. You pick pieces of gut and tripe and patch it back together. You shield it and harden it with leftover scrap metal. As long as it’s running.

Could heartbreak hardcore become a subgenre? A cathartic, visceral style nudging itself into the tradition of the hardcore continuum, written and produced by heartbroken musicians?

Heartbreak is the painful devastation left behind by the fact that we are no longer one. Most of us don’t know what to do with it. There is no funeral, no mourning. The capitalist structures which surround and smother us have no cure, no solution for heartbreak. There is no time for it: pain is not productive. That is: we cannot value it as we value a commodity, unless it is deeply enmeshed in layers of meta-post-ironic subterfuge, lest we seem vulnerable. Abstraction upon abstraction, we’ve forgotten what pain is and we’ve tried to hide it. Violet does not, because she cannot. Her approach is violent, immersive, euphoric sincerity. That’s the only way to escape.

Violet
Soundcloud: https://soundcloud.com/violet
Facebook: https://www.facebook.com/violetakaviolet
Instagram: https://www.instagram.com/violetakaviolet/

Naive
Soundcloud: https://soundcloud.com/naivetrax
Facebook: https://www.facebook.com/naivetrax

NAIVE019

PREMIERE: Violet - HARD (Naive)

The heart. The core of it all. A bloody, meaty muscle the size of a fist, pumping perpetually. Working, all day, everyday, against the clock. Nature’s own metronome. Sometimes you feel it throbbing in your throat, spasmodic, wanting to escape. Occasionally it explodes in warmth, sending sharp little electric needles of euphoria through the body. Now and then it sinks down to the stomach, acid, heavy like lead.

And one day it breaks — it is broken —, it shatters, quartered as if pulled apart by horses. It hurts. And the sharp pain, imploding, feels inescapable. A solitary ache, a blow, a deep hole which cannot be seen or explained. But you try to mend it. You reach for the glue and the duct tape. You pick pieces of gut and tripe and patch it back together. You shield it and harden it with leftover scrap metal. As long as it’s running.

Could heartbreak hardcore become a subgenre? A cathartic, visceral style nudging itself into the tradition of the hardcore continuum, written and produced by heartbroken musicians?

Heartbreak is the painful devastation left behind by the fact that we are no longer one. Most of us don’t know what to do with it. There is no funeral, no mourning. The capitalist structures which surround and smother us have no cure, no solution for heartbreak. There is no time for it: pain is not productive. That is: we cannot value it as we value a commodity, unless it is deeply enmeshed in layers of meta-post-ironic subterfuge, lest we seem vulnerable. Abstraction upon abstraction, we’ve forgotten what pain is and we’ve tried to hide it. Violet does not, because she cannot. Her approach is violent, immersive, euphoric sincerity. That’s the only way to escape.

HEART opens the EP with early-morning IDM inclinations, cushioned by a dubstep-y, wobbly bassline. It melts into angelical, nostalgic pads, topped with a dusty piano that morphs into some sort of brass instrument - and then back, like an indecypherable instrument, yet unknown to those who touch the earth. The track takes inspiration from one of Violet’s biggest influences, Jamal Moss AKA Hyeroglyphic Being and other sonic experimentalists who push the boundaries of palpability.

BREAK delves unbashedly into DnB territories, with a sub-bass piercing the mix in the pad-led oneiric intro — which leads us into a surprise jazz breakdown — and then a drop with a saturated, nasty jungle rave stab, deliberately navigating between opposing frequencies and states-of-being, like one does when heartbroken.

HARD is a no-frills (for Violet standards) ode to techno realness, to those propulsive dancefloor moments which help us believe that it's worth it to keep pushing through the pains of being pure at heart. It’s highly inspired in the UK techno tradition, with a pinch of dub and percussion for days.

CORE comes as an unexpected treat, the record’s closing act. A genreless groover that seems to melt all sorts of influences — from Depeche Mode to DJ Satélite. A fast-paced slow-burner, the track is chock-full of intricate sound design and romantic moments coming from layered pads. Everything, all at once.

If heartbreak is the core of this record, the cover art by Lisbon artists Shcuro and Postmodern Bot suggest tranquil blue skies are just around the corner. After all, we’re naive over here - and Violet still wants to die an optimist.

text by joão biscaia 
credits
released February 14, 2023

mastering by Ten Eight Seven
cover art by Postmodern Bot and Shcuro

NAIVE019 Violet - HEART/BREAK HARD/CORE (preview)

Read our interview with @Violet and check out this mix's track list here: bit.ly/VioPod

Groove Podcast 387

Tracklist

Groove Podcast 387 - Violet

THIS WAS JUST A DRAFT BUT FUCK IT, PLAY IT AT THE NEXT FUNCTION

CHANT IT VOGUE IT

END OCCUPATION

FREE DOWNLOAD

فلسطين VOGUE - FREE FREE PALESTINE

naive's 20th release epitomizes what the Lisbon-based label, run by Violet, has become cherished for: imaginative yet timeless, soothing yet moody, melodic yet sonic music. Entitled 'Computer Hermetics', this new record is an EP by UrbnMowgli, a fairly new Berlin-based artist who began releasing music in 2020. We are pleased to premiere the opening track, 'Fast Love Life', a 145 bpm electro-bred, breakbeat-driven emotive dancefloor banger. It features menacing stabs juxtaposed with beautiful pads and acid-drenched arpeggio motifs that lend it a oneiric quality. Make sure to keep your eyes peeled for this EP as it comes with some more serious dance floor material!

Follow
https://soundcloud.com/urbnmowgli
https://soundcloud.com/naivetrax

NEW HIT: UrbnMowgli - Fast Love Life [naive]

naive has returned to releasing music on vinyl and digital formats, now distributed by Rotterdam's finest Clone Records. NAIVE020 epitomizes what the Lisbon-based label, run by Violet, has become cherished for: imaginative yet timeless, soothing yet moody, melodic yet sonic music. Entitled 'Computer Hermetics', this new record is an EP by UrbnMowgli, a fairly new Berlin-based artist who began releasing music in 2020.

The opening track, 'Fast Love Life', is a 145 bpm electro-bred, breakbeat-driven emotive dancefloor banger. It features menacing stabs juxtaposed with beautiful pads and acid-drenched arpeggio motifs that lend it a oneiric quality. 'Oracle Algorithm' picks up the 303 spirit and delves into trippier territories, densening the dreamlike, expansive atmosphere while infusing the record with electro-driven grit. Closing side A is 'Warschauer Rush-Hour', a futuristik, high-tempo twisted electro banger that's both tough and playful.

'Immaterial Desires' inaugurates side B—an ode to adventurous drum programming and intricate sound design in the form of a percussion-punctuated curveball belter. 'Digital Dawn' brings it all back home to the heart and closes the record with its deepest, most immersive moment, giving us big bass lines that alchemically converse with angelic bleepy melodies as if soundtracking a soulful sci fi movie that doesn't exist yet.

https://soundcloud.com/urbnmowgli
https://soundcloud.com/naivetrax

PREMIERE⚡️UrbnMowgli - Digital Dawn [naive]

Out in 12" and digital on 15th Sept 2017
originals by @Violet / remix by @Bleiddd

early feedback:

Togetherness is my absolute favorite! One of the best tracks I have heard in a while
- Paramida

'All sounds great.. The remix is wicked too'
- Jerome Hill

Killer break and jungle influences in these sure fire dope tracks
- Hannah Holland

A1 VIOLET - TOGETHERNESS

A2 VIOLET - SILVER LINING

B1 VIOLET - CLOUD 9

B2 VIOLET - TOGETHERNESS (BLEID RMX)

i want to die an optimist.

record label from Lisbon. founded by @Violet, distributed by Clone Records

Music-making person from Lisbon, Portugal.

@naivetrax boss
@quanticaonline co-founder
@minassuspension resident
@rinsefm resident

Bookings (worldwide): avril (at) futura-artists.com
Management: teamy (at) wrongisland.co.uk

B1 VIOLET - CLOUD 9

naive

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