Taken from the album 'You Stood Up For Victory, We Stood Up For Less' (2013 - Gizeh Records).

www.gizehrecords.com/gzh44.html

A-SUN AMISSA - Part Two

An Echo is the Devil Calling Back

Everything Inside a Circle

Wind, Again

Everywhere at Once

from the album Pribegie
Pribegie (Romanian for "Wandering") is a 27' night-time journey attempting  to bridge the gap between different eras, places and genres.

Loalue - oblique beats and free electrons 
Călin Torsan - clarinet
Shanyio-  dulcimer,  xylophone, bowed dulcimer fx
https://shanyio.bandcamp.com/album/pribegie

Pribegie

towards silence

Fluid Audio presents 'Broadcasting From Nowhere', the debut album from Ondelunghe, a collaboration between Tokyo-based multi-instrumentalist Hiromu Yamaguchi and Italian composer Guido Lusetti. Conceived not through physical proximity but through distance, correspondence, and quiet exchange, the album feels like a message transmitted across frozen air-intimate, fragile, and partly obscured by static.

Yamaguchi’s contributions-piano and field recordings, carry the brittle tenderness of winter breath. Keys sound as though pressed with hesitation, leaving behind vapour trails of melody that threaten to vanish the moment they form. The recordings themselves crackle and hiss, as if weathered by frost, capturing the small, persistent noises of a world bracing against silence: creaking surfaces, shifting air, something moving just out of sight.

Lusetti’s work-what he refers to as electronic pointillism, does not counter these gestures but suspends them. His tones drift like cold particulate matter, dust motes in a beam of static, circling the piano without ever enclosing it. Occasionally, other voices, Henrik Meierkord’s cello, Ed van der Berkel’s trumpet, Daniele Varelli’s shakuhachi-surface not as performers but as spectral presences. Their sounds arrive like signals from an abandoned transmitter, lingering momentarily before dissolving back into the dark.

The album unfolds slowly, as though aware that silence has weight, and too sudden a movement might shatter it. Notes hang, unravel, and fall away like light snow. The music never insists; it waits. To listen to Broadcasting From Nowhere is to tune into a frequency that feels both familiar and unreachable, a broadcast sent from a place you’re not entirely sure exists, or ever did.

Credits:

Hiromu Yamaguchi: piano, field recordings
Guido Lusetti: free electrons, found voices

Henrik Meierkord: cello 
Ed van der Berkel: trumpet
Daniele Varelli: shakuhachi 

Mixing and mastering: Hiromu Yamaguchi

www.fluidaudio.co.uk

Ondelunghe - Rust Nostalgia



Fluid Audio presents 'Broadcasting From Nowhere', the debut album from Ondelunghe, a collaboration between Tokyo-based multi-instrumentalist Hiromu Yamaguchi and Italian composer Guido Lusetti. Conceived not through physical proximity but through distance, correspondence, and quiet exchange, the album feels like a message transmitted across frozen air-intimate, fragile, and partly obscured by static.

Yamaguchi’s contributions-piano and field recordings, carry the brittle tenderness of winter breath. Keys sound as though pressed with hesitation, leaving behind vapour trails of melody that threaten to vanish the moment they form. The recordings themselves crackle and hiss, as if weathered by frost, capturing the small, persistent noises of a world bracing against silence: creaking surfaces, shifting air, something moving just out of sight.

Lusetti’s work-what he refers to as electronic pointillism, does not counter these gestures but suspends them. His tones drift like cold particulate matter, dust motes in a beam of static, circling the piano without ever enclosing it. Occasionally, other voices, Henrik Meierkord’s cello, Ed van der Berkel’s trumpet, Daniele Varelli’s shakuhachi-surface not as performers but as spectral presences. Their sounds arrive like signals from an abandoned transmitter, lingering momentarily before dissolving back into the dark.

The album unfolds slowly, as though aware that silence has weight, and too sudden a movement might shatter it. Notes hang, unravel, and fall away like light snow. The music never insists; it waits. To listen to Broadcasting From Nowhere is to tune into a frequency that feels both familiar and unreachable, a broadcast sent from a place you’re not entirely sure exists, or ever did.

Credits:

Hiromu Yamaguchi: piano, field recordings
Guido Lusetti: free electrons, found voices

Henrik Meierkord: cello
Ed van der Berkel: trumpet
Daniele Varelli: shakuhachi

Mixing and mastering: Hiromu Yamaguchi

www.fluidaudio.co.uk


An Echo is the Devil Calling Back

Naomi Blacklock

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