Name: Breadcrumbs by Sasha Iliashenko
Duration: 4 min 54 s
Description: Recorded on 14.11.25, no overdubs or editing

Hey, I just listened to your track really impressive vibe. I’m a 2D/3D story art animator and digital artist who loves turning music into visual storytelling. I’m not here to pitch anything, just looking to connect with artists whose work inspires me. If you’d like, I can share some of my visuals so you can get a feel for my style.

Big track from Venz & Haitch! Some serious 15th prestige Wubs in this 1!

Go follow them -
Venz - https://soundcloud.com/venzproducer
Haitch - https://soundcloud.com/haitchbass

Free Download

Venz X Haitch - Buildin Shake (Free Download)

BEEK is a project for timebased media and sound. In October it will open its garage door in Hamburg-Barmbek for the very first time. Recordings of a little preview broadcasted from within the Hallo: Kiosk by and with supporting people. See you soon :)
___________

BEEK ist ein Projekt für zeitbezogene Medien und Sound, das im Oktober sein Garagentor in Hamburg-Barmbek das erste mal öffnen wird. Aufnahmen einer kleinen Vorschau aus dem Hallo: Kiosk von und mit Unterstützer*innen. Bis bald :)

photos by Kayoung: www.instagram.com/ka_y_ki/

Johannes Kuhn – BEEK auf der grünen Wiese – 20.08.2022

aircode - Water Strider

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker

Запись модульного лайва mishxn, сыгранного на сцене Kiosko в рамках саб-ивента Resonance Moscow.

«В сете можно услышать как уже вышедшие, так и только готовящиеся к релизу треки», — mishxn

Signal 066: mishxn

ttwwtttube

straw


I come from a warm place        
heat has never been a problem. 
after ten years being here, 
I now break out in eczema 
when it gets hot.
My body has been used to the cold.
 
In summer, I worry about the eczema itching,  
worry it’ll stay forever,   
worry how others see it.  
I worry, my body will adapt even more to the cold,   
but I must return to the warm place.  

When we held hands, you didn't notice my eczema, and I too, forgot about it.

Eczema

Recorded on 14.11.25, no overdubs or editing

15.11.2000

Breadcrumbs

Suzorje - Energy

Artist and musician working with sound and moving-image 💭

Here, I mostly post my semi-random recordings of rhythmical and tonal computer-generated sounds 🪅

✺

Breadcrumbs

Sasha Iliashenko

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Melinda G. Donaghy

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