Name: Cyntia G. Wabia - Pani Jeziora by NAROCZ13
Duration: 3 min 8 s
Description: This compilation was made by 12 unique girls with extraordinary styles, cover art by @kataraxa, sound master by @m.b.i, curation by @italitwiniec

TRYCE @3yyccee and Xenia Reaper @xeniareaper collaborate on Dream-Fighter, a limited 7" lathe cut, due for release on Unguarded February 14th.

Drawing from a collection of recordings made throughout 2021, the two producers bring to life a cold, icy two-track single spanning precision-cut breaks, breezy pads and fluttering digital arpeggios, laced together by laser tight impacts.

Written, produced & mixed by TRYCE & Xenia Reaper
Mastered by Tim Roth
Artwork by TRYCE
Cut by Disc Archive

Dream (Velocity Mix)

Taken from SBKT069: Nahash - Fleurs Mortes
Vinyl + Digital: 15th May 2025

Nahash returns to SVBKVLT with Fleurs Mortes, a striking sophomore album that stands apart from fleeting trends and extravagant sound design. This record is an unfiltered reflection of Nahash's musical education —one shaped by the raw energy of ‘90s rave, hip-hop and dancehall afterparties, and the deep crates of his parents' extensive jazz and Afrobeat collection, taking influence from the anarchic spirit of Spiral Tribe to Dillinja’s legendary remixes of Björk, infused with heavy doses of Wu-Tang, DJ Premier, John Coltrane, and Archie Shepp.

Building on the themes of 2020's 'Flowers of the Revolution', this album envisions a future liberated from dystopia and oppression—a hopeful dream expressed through endless dub delays, ethereal reverbs, rave-infused drum hits, and, unexpectedly, live trumpet.

This record was years in the making, finally taking shape during a whirlwind European tour with SVBKVLT labelmates—late-night conversations, cold drinks, and ice cream fueling its final form.

The flowers may have withered, but a new season is on the horizon—one filled with love, renewal, and the scent of grilled lamb chops.

Photography: Tina Blakeney
Design: Amber Jean
Mastering: Raphael Valensi

Fleurs Mortes

Preorder

Nahash - All the Flowers are Dead

Listen to 'Liquadora  (Fausto Mercier Remix)' by Syen & Mente 3000 feat. Eulalie out on April 11th via Infinito Audio Network

Pre-order: https://infinitoaudio.bandcamp.com/track/liquadora-feat-eulalie-fausto-mercier-remix

Roland Nagy is a sound engineer, ex media arts student, and producer who started his Fausto Mercier project in 2016, so far appeared on Unlog, EXILES, Kaer‘Uiks, Pointless Geometry and Genot Centre. His work in the field of electronic music production, while resonating with hardcore digital culture and bouncy rhythmic heaviness, is closely connected to his fascination for natural soundscapes and their fractal nature. In particular, the artist skillfully manages to depict a violent, tense world populated of minuscule yet grand sound variations, intertwined in a web of apparently chaotic textures.

“The FAUSTO MERCIER project could be considered as one of the most brilliant outings in the field of experimental, laptop music directly drawing inspiration from pioneering works in modern electroacoustic music.” (Paynomindtous)

Links:
FAUSTO MERCIER
https://soundcloud.com/fausto_mercier
www.instagram.com/fausto.mercier
MENTE3000
www.instagram.com/holamente3000
SYEN
www.instagram.com/t_s_g______
EULALIE
www.instagram.com/eulaliecat
INFINITO AUDIO NETWORK
https://soundcloud.com/infinitoaudiolabel
https://infinitoaudio.bandcamp.com
https://instagram.com/infinito_audio_network
Remix by Fausto Mercier
Mastering : @imaabs
Mixing : @sajj0_ Sajo Bkule
Artwork by www.instagram.com/asdrubalvisualartist


pre-order / bandcamp

Syen & Mente 3000 feat. Eulalie - Liquadora  (Fausto Mercier Remix) (Infinito Audio Network)

Listen to "Cuts" by Alisa Avilova taken from "/revvire" out on April 25th via oramica

Alisa Avilova —  multimedia artist and music producer. For Alisa the theme of borderline experiences and the concept of a boundary that defines and enables experience is especially important. In her work, Alisa explores the limits of corporeality, memory, and experience, as well as what lies beyond these concepts — vulnerability, fear, rage, strength, and powerlessness. Music here is only one part of a multimedia approach that incorporates a variety of tools, from physical objects to digital media.

/revvire — is an EP that captures this moment when you feel something you cannot describe using words or something else. All that remains is action. It is a deep, impulsive flash that that covers you like an avalanche — like an attempt to break the glass wall in front of you or come up for air from the depths of the ocean. But after this flash comes a moment of reflection, when questions are hold still in the space.

Links:
Alisa Avilova
https://soundcloud.com/alisa-anastasiya-avilova
https://www.instagram.com/alsvsn
https://linktr.ee/alsvsn
oramica
https://soundcloud.com/oramica_online
https://oramica.bandcamp.com
https://www.instagram.com/oramica.online/


/revvire

oramica sc

Alisa Avilova - Cuts (oramica)

This compilation was made by 12 unique girls with extraordinary styles, cover art by @kataraxa, sound master by @m.b.i, curation by @italitwiniec

Cyntia G. Wabia - Pani Jeziora

@yolek - FOR MY ANGELS ON ANGEL DUST (DAWN023)
50 limited copies
CD
Produced by Yolek
Mastered by Lastrack
Artwork & Design by Hajj
Dawn 2025

Yolek - Martyr's Stare

W.ANNA.W - Petals of Nehan [OMB017]

Petals of Nehan unfolds as a sonic journey where powerful and unpredictable movements of sound intertwine with cultural influences and personal sensibilities. Each track shifts in form at times intense, at others restrained yet quietly imbued with an inner strength evoking petals drifting with intention. Through these evolving textures, the EP explores the power of music to bridge the inner and outer worlds.

In the collaborative track “Forsaken Voices” with xato, a flowing current of sound emerges from the merging of sensibilities, leading to a deeper musical exploration.

The EP also features remixes by Sweden-based duo Quit Life, France-based artist Ytem, and Austria-based Kenji Araki. Their contributions bring distinct perspectives shaped by their diverse cultural backgrounds, expanding the sonic landscape of the release.

W.ANNA.W is a Japan based artist, vocalist, and producer who weaves ambient, experimental, and organic sounds into intimate yet expansive sonic landscapes. Her music transcends genre boundaries, evolving freely with quiet, expressive depth. Through her work, she invites listeners into a reflective, introspective dialogue a space to pause, listen, and feel.

NÜ PREMIERE : W.ANNA.W - Veil of Lies (Kenji Araki Remix) (OVER MY BODY)

Listening to Bios Contrast–aka Nilotpal Das’--SSAC42 for the first time might be likened to the experience of watching sunlight shimmering on the surface of a body of water. There is an effortless spontaneity, a mesmerizing ebb and flow. There is a movement which continually reminds us of itself. We are drawn in without needing to understand why. Curiosity takes hold—not a ‘question-driven’ curiosity–but a quiet immersion in the unfolding moment. It feels familiar, but distant; intimate, yet undeniably alien–the more we surrender to it, the more it transforms. We do not give our attention so much as we permit ourselves to drift along. With each passing moment, we are captivated anew, drawn into the throes of unexpected emotion.


The sonic world of SSAC42 seems to pull influence from various forms of electronic music on the fringes. We hear rapid, intricate drum patterns. We feel the warmth of synth textures, the soft glow of ambient pads collapsing gracefully into themselves. The airy vocals of K_anti play a significant role–gliding in over arrangements at unforeseen moments, bringing us closer to something vast and luminous. We never quite arrive, but feel as though we’re always approaching. The tracks are melodic without being grounded in melody. They coalesce, fracture, and reform. A pattern begins, and vanishes, swiftly replaced by something else entirely. Time loses shape; moments of breathtaking stillness recline over fierce drum sequences.

This warping of time is notable in the first track “everyth1ng 1n l1fe”, where soft atmospheric elements churn slowly above chaotic jittering drums. The juxtaposition stirs, generating an ongoing tension that is never resolved. Ethereal, washed out vocals pull us further into weightless expanse. Lush moments build up and transfigure, revealing new forms with each phrase. The second track “EXT10” takes us further into moments of unanticipated wonder. Through the turbulence, shifting elements are not mourned as they pass, but welcomed; we do not question their departure—we move forward with them.

The third composition, “dysph0r1a” opens with a clear vocal presence.  K_anti’s tender delivery occasionally rises above the evolving terrain of synths—fleeting, decipherable, then submerged once again. Later on, the sixth track “ap0calypse 42” carries us through a striking arc: from softness to percussive fury, and back into calm. The transformation is tumultuous, but also cyclical—destructive and restorative in turn.

The shapeshifting quality of the album can feel disorienting. Just as we find comfort and predictability, it dissolves. Familiarity is teased, and withdrawn. Perhaps it is in this instability that the core of SSAC42’s potential lies. As the unending search for meaning in our human lives is consistently upended and reimagined, SSAC42 seems to quietly posit that moments of solace will reveal themselves amid the chaos; wonder and enchantment persist if we are willing to stay open.



Cyntia G. Wabia - Pani Jeziora

NAROCZ13

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