Marco Lucchi : piano, synthesizer and tape

alt version of the previous track "L'uomo che cammina"
https://soundcloud.com/marcolucchi/luomo-che-cammina

field recordings from
https://freesound.org/people/felix.blume/sounds/612651/

1 febbraio 2022

L'uomo che cammina (di notte)

Auteur, compositeur, interprète : Chris Cost
Edition 13/05/2022 @Tous droits réservés
(111 BPM - D Blues)
Version Pop143 - 03

"Le entre toi et moi"

Fin de journée salée
J’arrive à la maison, bien éméché 
Hypnotique, - hum... – sous narcotique !

Je te vois, tu tournes en rond
Dans le salon sonne le clairon
Pas envie, - hum... – non pas en vie !

Toi, à la jolie frimousse
Les maux sortent de ta bouche
Tu m’jettes et m’éclabousses 
Moi, je fais le gars qui n’sait pas
Pourtant j’pensais gérer
Le entre toi et moi

Une autre fois, tu as trouvé 
Une chaine de corps dans les draps froissés
Ça fait mouche, hum, j’en r’prends une couche

Tu me demandes de prendre en compte
Ces éléments, pour te rendre comptes
Désarçonner, - hum, je dois avouer 

Et Toi,  maintenant qu’t’es abîmé
Trahit dans tes entrailles
Tu prends les armes et me mitrailles
Et Moi, j’comprends qu’j’ai déconné
Pourtant j’pensais gérer
Le entre toi et moi

Toi, à l’humeur déchainée
Les orbites écarquillées
Tu m’pousses dehors en insurgé
Moi, j’trébuche sur le palier
Pourtant j’pensais gérer
Le entre toi et moi

Et toi, peu de temps après moi
J’te vois flirter avec machin 
Celui qu’on avait comme voisin
Et  moi, je r’passe souvent dans l’coin
Car je pensais gérer 
Le entre lui et moi

Le entre toi et moi

Le Entre Toi Et Moi

working on a bigger project rn, probably releasing more tracks soon.

stgts

And literally the Corvids agreed to do it for peanuts

[this is all samples of me doing house repairs while the crows complained]

Actually, we outsourced all of our Project Management

11th of February 2023.    I was not sure if  would go out early to record as I both wanted and not wanted to go at the same time, sometimes I feel like that.  If I was going to get up I would need to wake at 4.50am.  
I usually have the radio on for a lot of the night it helps me to sleep.  I woke to a Led Zeppelin track, so what time was it ?  4.49am, so I thought that seeing that I woke at the right time I would get up.  Got out of bed at 4.53am.  Left home for Ballinvally woods at 5.55am, arrived at 6.21am.  The birds began to sing and call at 6.52am.  A nearby Songthrush sang really well, so I got a nice close perspective recording.  After this I recorded various sounds in the area.  A lot of jets went over, so I gave up and went home, left at 8.05am, got back at 8.33am.  It was a calm dry cloudy morning.  I used only the MixPre3 and the Rode NTG-8 gun microphone (No second recording rig/Drop rig).  This Soundcloud track was made up from four of the five recordings, a sort of medley of the mornings work.  
Picture by, hedera.baltica from Wrocław, Poland, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

The Birdsong Season Opens - 11 Feb 2023, Early Morning, Ballinvally.

This is my entry for https://disquiet.com/2023/04/20/disquiet-junto-project-0590-concrete-roots/

I took a brief portion of a field recording I made several years ago of high tide in Provincetown Harbor (Provincetown, MA), and subjected it to a process inspired by Alvin Lucier's "I Am Sitting in a Room". I iteratively processed the sound through a convolution reverb using an impulse response (IR) from an empty concrete nuclear reactor hall, Each successive generation re-applies the reverb so that eventually we hear only the resonant frequencies in the space from which the IR was derived. This was a manual process, as I wanted to preserve the ever-increasing reverb tails, and also to control the reverb level to avoid digital distortion (which can be cool, but not what I was after).

When I assembled the segments into a single track, I decided to reverse the order so that the most highly-processed segment comes first, and the original recording is only heard at the end of the piece.

Made in Reaper using the Waves IRLive Stereo plugin. The IR is from the OpenAIR Project: https://www.openair.hosted.york.ac.uk/?page_id=626

I Am Tiding In A Concrete Room [disquiet0590]

This is a greeting to the universe that was electronically placed on the Voyager 1 and 2 spacecraft.

English Translation: "Heartfelt greetings to everyone."

Golden Record: Dutch Greeting

This is a greeting to the universe that was electronically placed on the Voyager 1 and 2 spacecraft.

English Translation: "How are you?"

Golden Record: Korean Greeting

SINK series "SNK001"

buy full version.
https://www.bgmlab.com/store

SNK001 (teaser edit)

Music for...
sunshine to you! summer exhibition 点 ten　線 sen　面 men
◯ Mies 2018.7.4 wed. ー 7.29 sun. OPEN　13:00 - 20:00（日曜のみ19:00まで）
CLOSE　月・火 東京都杉並区西荻北3-22-5 1F
Tel 03-6913-6470
◯ ポノポノ食堂 @ponoponoshokudo  2018.7.14 sat. ー 7.16 mon. OPEN　12:00 - 21:00（16日最終日のみ18:00まで） 兵庫県尼崎市南塚口町2-14-1 1F
Tel 06-6415-8845

Buy (Bandcamp)

点 線 面 - ten sen men (preview)

Kenji Kihara
Raindrops
PYR-025
_______

Limited cassette/digital
https://pyramidblood.bandcamp.com/album/raindrops

_______

A1 - Raindrops
A2 - Fog
B1 - Awakening
B2 - Slow Mist
B3 - Storm

Whenever the seasons change, it rains, fog forms, and the city is enveloped in a storm.

After the storm, there will surely be a pleasant world waiting for us.

- Kenji Kihara

_______

Written and Recorded by Kenji Kihara
Photography by Paul Duchnay 

Released February 22, 2021

_______

https://sphontik.com
https://sphontik.bandcamp.com
https://soundcloud.com/sphontik

Kenji Kihara - Raindrops

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Golden Record: Korean Greeting

NASA

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