SOUND DESIGN & EXPERIMENTAL

Quindar: Sound #2

Stromae - Formidable (Extra low bpm edit)

Lord Of The Rings - The Shire - OST (Extra slow edit)

'Schorre', was recorded in 2015 in order of self-meditation. 
Almost every field recording was captured in Schorre National Park (Belgium). 
Revisited in April 2017 (Berlin). 
For a better listening we recommend the use of your headphones. 
Bon voyage. 

Download (name-your-price): https://rohsrecords.bandcamp.com/album/schorre

Download - ROHS!

Andrea Porcu - Schorre

Psychic sisterhood and wistful wanderlust are the twin energies feeding lush ceremonial dream-pop duo Purple Pilgrims. Their debut album ‘Eternal Delight’ was released by LA based Not Not Fun records in early 2016. 

Their piece 'Lamentations in Reverse' was recorded in Autumn at their family home in an isolated corner of Hauraki, NZ using synthesizer, field-recordings and vocals. Since they began spending time in the bush, a recurring theme in their work has been the awkward meeting point between the ever-present world of modern technology, and perpetual, vital nature.

Listen back to the full Ears Have Ears program at the FBi Radio website http://fbiradio.com/945fm/programs/ears-have-ears/2017-05-25/

EHE 25.05.17 Purple Pilgrims (NZ) - Lamentations in Reverse

Reduced the speed of Metallica's 'Fade to Black' by 800%

(Inspired of course by Shamantis's Justin Beiber slow-down)

Fade to Black [Metallica] - 8x Slower

Tom Waits (on Jim Wilson): "Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world."

Source: "Woyzeck to run at Freud Playhouse". Daily Bruin (USA), by Andrew Lee. December 3, 2002

Find more on the recording on this link: http://www.democraticunderground.com/10023815586

Tom Waits on Tom waits talking about this recording - http://gloriousnoise.com/2008/tom_waits_interviews_tom_waits

More on the recording - http://hearingvoices.com/transcript.php?fID=142

You can buy original recording here - http://www.amazon.com/Gods-Chorus-Crickets-Jim-Wilson/dp/1932192077?tag=viglink124132-20

Original recording from the author - http://www.constancedemby.com/godscricketchorus_f.html

And more: http://scienceblogs.com/startswithabang/2013/10/13/weekend-diversion-is-this-an-amazing-chorus-of-slowed-down-crickets/

Jim Wilson | God's Chorus of Crickets | crickets audio recording slowed way down

Another simple patch using Rings, Plaits, Disting, and the Tapographic delay.  Recorded into Ableton.  Darkstar and CT5 on a return track on the external mixer.
Headphones for this one... ;)

I hope you enjoy!

~11/12/18

Wandering through the winds and sandstorms compilation, reminiscent of a ball of camel thorn, walking through the desert, in which the compositions if wound on each other, merged into one long story. Each of them is individual, but gathered together, they all represent something whole, something that will never be separated. Every such release is a perpetuation of music in time. The compilation has a deep dub ambient tech sound and pleasantly immersed in the idyllic life with himself. Enjoy listening!

Music by Marcibagoly
Design by Thomas Carmody
Photo by Jordy Triana

YY Stories I

Marcibagoly - Cosmic Streams [YANG050]

By Daniel Wytanis

The musicians for NASA Explorers: Apollo took inspiration from science fiction, Apollo audio from the NASA archives and the excitement surrounding NASA’s upcoming human exploration of the Moon with the Artemis program.

EOSDIS - From the soundtrack to “NASA Explorers: Apollo”

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

Stillpoint

Serenity in Waves

The Dream Circle

The Dream Circle (2020 Remastered Edition)

NEW NEW Download link (3/12): http://www.mediafire.com/?irhf0llfskv3590

Jurassic Park Theme (1000% Slower)

COMPUMA & 竹久圏 - The Other Side Of The Light (excerpt)

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

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Quindar: Sound #2

NASA

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