This is the first acoustic recording of laser impacts on a rock target on Mars from March 2, 2021, the 12th sol (Martian day) from Perseverance’s SuperCam instrument. The sounds of 30 impacts are heard, some slightly louder than others. Variations in the intensity of the zapping sounds will provide information on the physical structure of the targets, such as its relative hardness or the presence of weathering coatings. The target, Máaz (“Mars” in Navajo), was about 10 feet (3.1 m) away.

Credit: NASA/JPL-Caltech/LANL/CNES/CNRS/ISAE-Supaero

First Acoustic Recording of Laser Shots on Mars

This recording was made on Feb. 22, 2021, on the fourth sol (Martian day) by the SuperCam instrument on NASA’s Perseverance rover after deployment of the rover’s mast. It provides a different overall sound than the SuperCam audio recording from the mission’s first sol. Some wind can be heard, especially around 20 seconds into the recording. Rover background sounds have been removed.

Credit: NASA/JPL-Caltech/LANL/CNES/CNRS/ISAE-Supaero

Perseverance Rover’s SuperCam Records Wind on Mars

Listen to 16 minutes of raw, unfiltered sounds of the Perseverance Mars rover traveling in Jezero Crater. The noise generated by the interaction of the rover’s wheels and suspension with the surface can be heard, along with a high-pitched scratching noise. Perseverance’s engineering team continues to evaluate the source of the scratching noise, which may either be electromagnetic interference from one of the rover’s electronics boxes or interactions between the rover mobility system and the Martian surface. The entry, descent, and landing microphone was not intended for surface operations and had limited testing in this configuration before launch.
 
Credit: NASA/JPL-Caltech

Sounds of Perseverance Mars Rover Driving – Sol 16 (16 minutes)

NASA engineers combined three segments from the raw audio file recorded while the Perseverance Mars rover rolled across a section of Jezero Crater on sol 16 of the mission. Sections 0:20-0:45, 6:40-7:10, and 14:30-15:00 were combined into this 90-second highlight clip. There has been processing and editing to filter out some of the noise.

Credit: NASA/JPL-Caltech

Sounds of Perseverance Mars Rover Driving – Sol 16 (90-second highlights)

Audio recording of the Doppler shift in the high-frequency radio signals received from Mars Express by Bertrand Pinel, 29 December 2013, in his garden near Castelnaudary, France. Credit & Copyright (C) B. Pinel. Used by permission. Details via ESA's Mars Express blog http://wp.me/p2E5wN-aU

Mars Express flies by Phobos 29 Dec 2013

This composition was created using spectral ocean reflectance data, extracted from a series of rolling 32-day average global composites from MODIS-Aqua. The averages are computed every 8-days, making for 48 images per year. The actual data that are extracted represent the mean of a 10x10 box of 9 km2 resolution data (which equals a box of 8,100 km2), in order to help fill in gaps that may arise from cloud cover throughout the year. The center location of that 10x10 box is -16.625o, 153.292o.
 
Credit: Image from MODIS, onboard NASA’s Aqua satellite. Sonification: Jon Vandermeulen and Ryan Vandermeulen. Image credit: Ryan Vandermeulen.

Coral Sea Sonification

A NASA satellite image reveals the beauty created when a big river meets an even bigger ocean outside the Rio de la Plata. We represent this beauty in the form of music, by mathematically translating hidden layers of “ocean color” reflectance data across a transect outbound from the large estuary. The patterns you hear in the music are the same patterns that enable scientists to unravel the microscopic composition of the ocean from space.
 
The song is the same data set repeated four times. In each repetition, a different color takes center stage and performs a solo of sorts while the other colors provide background. In the first part, blue light (Rrs-443 and Rrs-469) rapidly pick an acoustic guitar, while green light (harp) and red light (bass) provide a rhythmic backing. In the second part, blue takes a back seat and red (Rrs-667) takes its turn thumping out a bass solo. In the third part, green light (Rrs-547 and Rrs-555) shines. The result is a semi-subjective interpretation of objective data.

Rio De La Plata Sonification

A near-infrared image of the Cosmic Cliffs in the Carina Nebula, captured by NASA’s Webb Telescope, has been mapped to a symphony of sounds. Musicians assigned unique notes to the semi-transparent, gauzy regions and very dense areas of gas and dust in the nebula, culminating in a buzzing soundscape. 

The sonification scans the image from left to right. The soundtrack is vibrant and full, representing the detail in this gigantic, gaseous cavity that has the appearance of a mountain range. The gas and dust in the top half of the image are represented in blue hues and windy, drone-like sounds. The bottom half of the image, represented in ruddy shades of orange and red, has a clearer, more melodic composition.
 
Brighter light in the image is louder. The vertical position of light also dictates the frequency of sound. For example, bright light near the top of the image sounds loud and high, but bright light near the middle is loud and lower pitched. Dimmer, dust-obscured areas that appear lower in the image are represented by lower frequencies and clearer, undistorted notes.

Learn more: https://www.nasa.gov/feature/goddard/2022/nasa-webb-s-first-full-color-images-data-are-set-to-sound

Credits: Image: NASA, ESA, CSA, and STScI; Accessibility Production: NASA, ESA, CSA, STScI, and Kimberly Arcand (CXC/SAO), Matt Russo and Andrew Santaguida (SYSTEM Sounds), Quyen Hart (STScI), Claire Blome (STScI), and Christine Malec (consultant).

Webb’s Cosmic Cliffs Sonification

Whistler waves as heard by the EMFISIS instrument aboard NASA’s Van Allen Probes as it passed around Earth.

Credits: NASA/University of Iowa

Whistler Waves

The Stanford Experimental Physics Lab sonified data from the European Space Agency and NASA's Solar and Heliospheric Observatory (SOHO). This humming sound captures the Sun’s natural vibrations and provides scientists with a concrete representation of its dynamic movements.

For more solar sounds, visit: http://soi.stanford.edu/results/sounds.html

Sun Sonification

Listen to raw, unprocessed data from the seismometer on NASA's InSight spacecraft of vibrations caused by wind moving over the solar panels on Mars. A subwoofer or earphones are needed to hear this clip. The sounds were recorded by two of the three short-period sensors on the seismometer (SEIS). 
 
JPL manages InSight for NASA's Science Mission Directorate. InSight is part of NASA's Discovery Program, managed by the agency's Marshall Space Flight Center in Huntsville, Alabama.
 
France’s national space agency, Centre National d’Études Spatiales (CNES), Paris, leads the consortium that provided SEIS. The principal investigator for SEIS is Philippe Lognonné of the Institute of Earth Physics of Paris (Institut de Physique du Globe de Paris, or IPGP). Imperial College, London, and Oxford University made the short-period sensors.
 
For more information on the InSight mission, visit https://mars.nasa.gov/insight
 
Credit: NASA/JPL-Caltech/CNES/UKSA/Imperial College London/Oxford/ETH

Raw Sounds from InSight's Seismometer on Mars (short clip)

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Sounds of Perseverance Mars Rover Driving – Sol 16 (16 minutes)

NASA

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