from the roots through the veins

Sirius

His radif is considered to be the main source of contemporary Persian classical music as taught in conservatories and universities in Iran. 

Synopsis of his life 
Mirzá Abdollah received his first musical instruction from his older brother Mirzá Hasan. He, in turn, taught tar to his younger brother, Mirzá Hossein Gholi, until he became old enough to study with Gholam Hossein. Despite Gholam Hossein’s unwillingness to teach, the two younger brothers were eager to learn to the point that they would secretly sit outside the door when their cousin was playing in order to learn the melodies. Their mother finally persuaded Gholam Hossein to teach them. They subsequently were to become the successors of Ali Akbar Farahani and Gholam Hossein. 

Mirza Abdollah learned music only with great effort and difficulty because of the secretive manner of the musicians of his time, and their jealousy of their skills. As a result, he resolved that whatever music he heard he would learn well, that he would memorize the dastgahs completely and without error, and that whatever he learned he would teach freely to his own students so that Persian music would be passed on to future generations. He eventually became a musician at the court of Nasiru’d-Din Shah and remained such until his death in 1918. 

Notable students 
Seyyed Hossein Khalifih 
Dr. Mihdi Sulhi 
Mihdi Gholi Hidayat 
Esmail Ghahremani 
Ali Naqi Vaziri 
Abolhasan Saba 
Haji Aqa Muhammad Irani Mujarrad 

Notability as a musician 
Mirza Abdollah’s contribution to Persian music is so important that Haji Aqa Muhammad Irani Mujarrad referred to him as the book of Persian music. Music was Mirzá Abdollah’s life profession, and he became an important musician in the court of Nasiru’d-Din Shah. He organized the classical radif, some say with the help of Seyyed Ahmad. Tsuge states that: “The radif which we practice today in Iran (or rather Tehran) is generally known as the one of the Mirzá Abdollah school.” 

His open and generous nature, and his willingness to teach, transformed the image of music from a secret and jealously guarded tradition to an art available to all who desired to participate in its performance, expansion and development.

Origin of his title 
Ahmad Ibadi, one of Mirzá Abdollah's sons, related a story of how his father was given the title Mirzá. One day in one of the buildings of the palace of the shah, some courtiers were eating lunch. After lunch they played ás, a card game. Mirzá Abdollah sat and played the setar for himself. Nasiru’d-Din Shah could not sleep and came into the garden. He went over to that building and heard the setar, put his foot on the door sill, and listened intently. Mirzá Abdollah did not see the shah as he played. The gamers noticed, and all got up flustered. Then Nasiru’d-Din Shah signaled them to sit down and said, “Mirzá Abdollah, do you have a handkerchief in your pocket?” “Yes.” “Put it down in front of you.” Then the Shah ordered gold and silver coins to be put in the handkerchief.


میرزا عبدالله فراهانی فرزند آقاعلی‌اکبر خان فراهانی، نوازنده تار ، از استادان موسیقی ایران ، کسی که ردیف موسیقی ایرانی را به نظم درآورد. احمد عبادی نوازنده بزرگ سه‌تار فرزند او است. 

زندگی‌نامه 
میرزا عبدالله دومین فرزند آقای علی اکبر فراهانی اولین آموزشهای خود را نزد برادر بزرگترش میرزا حسن گذراند و پس از آن نزد پسر عمو و ناپدریش آقا غلامحسین آموزشهای خود رو تکمیل کرد و به برادر کوچکتر خود آقا حسینقلی هم آموخت. بزرگانی چون سید حسین خلیفه ، مهدیقلی هدایت، مهدی خان صلحی، فرصت شیرازی، اسماعیل قهرمانی، سید مهدی دبیری، حاج آقا مجرد ایرانی، ابوالحسن صبا و فرزندش احمد عبادی همگی از محضر این استاد بهره بردند. وی با تجدید نظر در دستگاه‌های دوازده گانه موسیقی ملی ایران و ادغام بعضی از آنها با هم ، هفت دستگاه کامل و مجزا پدید آورد که این هفت دستگاه توسط سه تن از شاگردانش به نامهای میرزا نصیر، فرصت شیرازی و مهدیقلی هدایت طی هفت سال نت نویسی شد. میرزا عبدالله در تهران در محله امامزاده یحیی کلاس درسی ترتیب داد که جوانان و متجددین دورش جمع شدند . 

ولی بر اثر تحریکات، مخالفان به خانه اش ریختند و با شکستن وسائل تعلیم بساط درسش را تعطیل کردند. با این حال تا دم مرگ دست از تعلیم نکشید و دربستر بیماری با سه تار قطعاتی به‌عنوان یادگار به شاگردان برجسته خود تعلیم می‌داد. ابتکار ساختن برخی قطعات ضربی از اوست که در قطعات مجلسی توام با آواز پس از اجرای چند گوشه، برای تنوع قطعه ضربی می‌نواخت. مضراب ریز و تک مضرابها در ساز او در تعادل و جملات موسیقی او منظم است و در همراهی با آواز پس از خاتمه یک بیت توسط خواننده او خود گوشه جدیدی را شروع کرده‌است وخواننده را هدایت می‌کند. در حفظ وزن قطعه دقیق بوده و غالبا نوازندگی خود را با قطعه تند رنگ مانندی پایان می‌داد. رنگهای او متنوع است و با آنکه آثار ضبط شده از او مربوط به حدود ۶۵ سالگی بوده ولی پنجه او روان و قطعات را راحت اجرا کرده است. 

البته ایشان در نواختن تار هم استاد بوده ولی شهرت ایشان بیشتر در نواختن سه تار است. از وی چهار فرزند به نامهان مولود ، ملوک، جواد و احمد عبادی به یادگار گذاشت که همه آنها با موسیقی مانوس بودند، وی در سال ۱۲۷۹هجری شمسی(۱۹۱۸م) درتهران و در سن ۷۵ سالگی درگذشت.

Mahur: 1. Darâmad - درآمد

تکنوازی سنتور - پشنگ کامکار

بارانه - قسمت دوم

Hayat hep iyi yanlarıyla kötü yanlarını düşündüğün şeylerin toplamı mıdır? Bu kadar materyal mi gerçekten?

Lyrics:

Yoksunluklar yük olur sırtıma
Kıyıda bir gemi bekler ya
Meçhul ihtimallere götürsün beni

Avuçlarımda kum gibi zaman
Elimi şimdi, bırak geldi vakit
Bir isteğim yok elveda
Can bulduğum bu toprağa

Odada yere uzanmış soğuk gölgeler
Güneşe karşı zafer kazandı her gün
Ve zaman, üzerimde kızgın bir demir

Dönüyor dünya
Sanki ben olmadan da
Issız bir varoluştayım
Tutamam zamanı, zamanı bir kez
Rüzgarlarda kaybolur adım

Ağaç kökünü bulmaz
Düş geceye sığmaz
Unutulmuş istasyonlar
arasında gidip gelir sesim
Ve kimse duymaz

Bıraktıklarım orda mı hala?
Sessiz çığlıklar,  cevapsız sorular

Kıskanıyorum o göç eden bütün kuşları
Keşke kanatlarım olsaydı.

Dönüyor dünya
Sanki ben olmadan da
Issız bir varoluştayım
Tutamam zamanı, zamanı bir kez
Rüzgarlarda kaybolur adım

Kurak Akl​ı​m​ı​n Son Topra​ğ​ı

Ben Olmadan

Buy This Song

Leyla

Istanbul

Sophia

WAVES OF DESIRE

Azam Ali - Abode

🎵Karma In Reverse

Just Like You Said

When brutal force is normalized, we the people are dehumanized. Please don't let 'em power hungry cowards stampede our peace with greedy double-standards and manipulative lies, because peace is everything... and being honest, vulnerable, and fair is being brave. 

Ça je le sais, dans mon coeur. Et le rêve qui m'anime, il est fait de paix et d'amour sans peur.

Artistic expression is my Force Douce. And it ain’t a skill, or an asset, it’s a gift, to you and me! 
Making music ain’t about ego, nor fame, or #godforbid money, #corporatebranding or #copyrights it ain’t even really about hard work, nor what buttons one pushes, or what strings one plucks—it is about intentional exploration, about pulling the invisible yet super awesome magic strings only brave pure loving #souls dare to share, as we leap forward, trusting we’re all here to learn aka evolve, grateful we’re all born equal, as divinely mighty as fragile, i.e. #human 💌

✪ ✪ ✪

“La Force Douce” @bananasutra #lyrics en Français: 

[Couplet 1]
Il faut être bien malheureux 
pour semer la douleur sans raison,
pour étouffer la lumière d’un cœur 
par simple trahison.

Mais moi j’ai vu que la paix, 
c’est pas la fuite ni la peur,
c’est un feu tranquille, 
un courage qui guérit nos rancœurs.

[Pré-refrain]
Ils disent que la bonté c’est faible, 
moi je dis c’est divin,
regarde les rivières: 
elles creusent la pierre, 
sans jamais lever la main.

[Refrain]
Bananasutra 
chante la force douce,
celle qui choisit d’aimer 
quand tout s’écroule autour.

Bananasutra, 
les âmes justes avancent nues,
intègres, vulnérables, 
mais debout jusqu’au bout.

[Couplet 2]
Il faut être bien audacieux 
pour parler vrai sans armure,
montrer ses cicatrices 
comme des fleurs sous la blessure.

Justice, ce n’est pas la vengeance, 
c’est l’équilibre des vents,
où chacun gagne en donnant, 
où l’humain devient vivant.

[Pont]
Quand le monde crie “gagne seul”, 
je réponds “gagnons ensemble”,
le futur n’est pas une guerre, 
c’est un chant qu’on assemble.

L’amour n’est pas dangereux, 
c’est la seule loi qui sauve,
et la tendresse, 
c’est l’arme des braves.

[Refrain]
Bananasutra, dans le feu des jours,
tu gardes la foi, tu redonnes l’amour.
Bananasutra, même au bord du monde,
ta paix rayonne, et jamais ne succombe.

[Outro]
Il faut être bien pernicieux 
pour punir sans comprendre,
mais il faut être divinement fou 
pour continuer d’aimer tendre.

—

"The Gentle Force” lyrics in English (unedited AI translation, for the curious :)

[Verse 1]
You have to be very unhappy
To sow pain for no reason,
To stifle the light of a heart
By simple betrayal.

But I saw that peace,
It's not flight or fear,
It's a quiet fire,
A courage that heals our grudges.

[Pre-crorus]
They say that goodness is weak,
I say it's divine,
Look at the rivers:
They dig the stone,
Without ever raising your hand.

[Chorus]
Bananasutra
Sings the gentle force,
The one who chooses to love
When everything collapses around.

Bananasutra,
The righteous souls advance naked,
Honest, vulnerable,
But standing until the end.

[Verse 2]
You have to be very bold
To speak the truth without armor,
Show your scars
Like flowers under the wound.

Justice is not revenge,
It's the balance of the winds,
Where everyone wins by giving,
Where the human becomes alive.

[Bridge]
When the world shouts "win alone",
I answer "we win together",
The future is not a war,
It's a song that we put together.

Love is not dangerous,
It's the only law that saves,
And tenderness,
It's the weapon of the brave.

[Chorus]
Bananasutra, in the fire of days,
You keep the faith, you give back the love.
Bananasutra, even at the edge of the world,
Your peace radiates, and never succumbs.

[Outro]
You have to be very pernicious
To punish without understanding,
But you have to be divinely crazy
To continue to love tender.

[03] La Force Douce - French GROWsutra Gipsy Flamenco Duende Chanson INDIE

Christophe Rezai - 09 - Na Ba To Na Bi To

Single Tracks

Na Goriz

پیاپی

Negar Bouban - Retour // تکنوازی عود نگار بوبان - بازگشت

....
امشب بریده سخنرانی بسیار زیبا و شکوهمند رو منتشر می کنیم
صدای صمیمی #حسین_الهی_قمشه_ای در قاب شش گوش #یونیلاو امشب از خطبه متقین، از سخنان امام علی می گوید

اوصاف پارسایان را که در این سخنان شگفت انگیز امام علی خواندم، ساعتها و روزها مست بودم و در آن آیینه زیباترین انسانهای روی زمین را دیدم.

این بخش کوچکی از صحبت‌های حسین الهی قمشه ای در مورد این سخنان امام علی است

با هم بشنویم...

------------------------------------





#صدای_خاموش دریچه ای به زیبایی
#گالری_صدای_آواز_دوست
#گالری_صدای_نور_مهتاب

@UniLoveir 👈 یک اتصالِ هوشمند

فقر و زیبایی

hey there! here you can find some music you might never heard before or you might find someone who shares the same music taste as yours.

Azam Ali - Abode

nsmshms

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